When men devalue the labor of women like Andrea Arnold and overvalue the work of even problematic men, it’s a triple whammy that diminishes the individual woman, women in general, and the overall quality of culture.
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Records on Bone
One young Ukrainian-American struggles to piece together a clear portrait of her parents’ difficult Soviet past, once they quit erasing, and began embracing, their legacy.
On Keeping a Notebook: A Reading List
In this reading list, Jeanne Bonner ruminates on the joys of writing by hand and keeping a notebook.
The Reluctant Propagandist
Massood Sanjer, Afghanistan’s most famous radio host, had an unlikely start to his career as a beacon of free speech. Under the Taliban rule, his voice used to carry Taliban propaganda all over the world.
‘Give It Up For My Sister’: Beyonce, Solange, and The History of Sibling Acts in Pop
Family dynasties are neither new nor newly influential in pop.
A History of American Protest Music: Come By Here
How cultural appropriation and erasure turned an African American spiritual into a white campfire sing-along.
How Google Discovered the Value of Surveillance
In 2002, still reeling from the dot-com crash, Google realized they’d been harvesting a very valuable raw material — your behavior.
‘The Underland Is a Deeply Human Realm’: Getting Down with Robert Macfarlane
“I thought the underland would be — of all the landscape forms that have drawn me to explore them — the most uninhabited. This proved wildly incorrect.”
Link Wray’s Rustic Masterpieces
Link Wray is best known for his rock instrumentals, but in the early 1970s, he and his brothers recorded three albums in a chicken shack that sound like nothing else in his massive oeuvre.
A Woman In Love Is a Woman Alone
On the profound loneliness of female desire in Lisa Taddeo’s “Three Women.”
