On the return of ‘Veronica Mars’ and the power of the solitary woman.
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‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
Shelved: Fiona Apple’s Extraordinary Machine
How the songwriter’s abandoned third album became two albums.
A History of American Protest Music: Come By Here
How cultural appropriation and erasure turned an African American spiritual into a white campfire sing-along.
‘Give It Up For My Sister’: Beyonce, Solange, and The History of Sibling Acts in Pop
Family dynasties are neither new nor newly influential in pop.
This (Wo)Man’s Work
When men devalue the labor of women like Andrea Arnold and overvalue the work of even problematic men, it’s a triple whammy that diminishes the individual woman, women in general, and the overall quality of culture.
On Keeping a Notebook: A Reading List
In this reading list, Jeanne Bonner ruminates on the joys of writing by hand and keeping a notebook.
Link Wray’s Rustic Masterpieces
Link Wray is best known for his rock instrumentals, but in the early 1970s, he and his brothers recorded three albums in a chicken shack that sound like nothing else in his massive oeuvre.
Records on Bone
One young Ukrainian-American struggles to piece together a clear portrait of her parents’ difficult Soviet past, once they quit erasing, and began embracing, their legacy.
The Reluctant Propagandist
Massood Sanjer, Afghanistan’s most famous radio host, had an unlikely start to his career as a beacon of free speech. Under the Taliban rule, his voice used to carry Taliban propaganda all over the world.
