Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
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Bundyville: The Remnant, Chapter Two: The Hunter and the Bomb
The story was that a radical man set off a bomb in the desert. But what about everything else that happened?
On Truth and Lying in the Extra German Sense
What’s the German word for “the world’s most forthright people have deceit in their DNA”?
Through a Glass, Tearfully
Maureen Stanton contemplates her history of crying in inappropriate moments, and considers tears from gender-based and political perspectives.
Paul Clarke Wants to Live
When a promising student left a neighborhood full of heroin for the University of Pennsylvania, it should have been a moving story. But what does an at-risk student actually need to thrive — or even just to survive?
Three Decades of Cross-Cultural Utopianism in British Music Writing
The history of England’s fertile music press reveals as much about the opinionated English youth who created it as it does the music they covered in the second half of the 20th century.
The Age of Forever Crises
We need to learn how to talk about our irreversible mistakes. Historian Kate Brown says the first step is to resist the Chernobylization of knowledge.
Searching for The Sundays
When music writers are also music fans, they can walk a line between appreciative and intrusive.
We Could Have Had Electric Cars from the Very Beginning
Early electric cars performed better in cities than internal combustion vehicles, but didn’t give riders the same illusion of freedom and masculine derring-do.
Nashville contra Jaws, 1975
In their time, “Jaws” and “Nashville” were regarded as Watergate films, and both were in production as the Watergate disaster played its final act.
