“Nearly thirty years after he died in relative obscurity, songwriter Blaze Foley is on the verge of newfound fame thanks to an Ethan Hawke–directed biopic. In a series of dispatches from her time on set, Sybil Rosen, widely known as Foley’s muse, ponders the widening divide between the man and the legend.”
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Posted inNonfiction
Soli/dairy/ty
As a nursing mother newly exposed to the harsh realities of milk production, Liza Monroy reconsiders the dairy cow, and questions the meaning of compassion.
Posted inNonfiction
House of the Century
Daisy Alioto reconsiders the nature of architecture while researching window alarms.
Posted inArts & Culture, Books, Commentary, Reading List
On, In, or Near the Sea: A Book List
Summer’s almost over. Alison Fields curated a list of beach-based books to make you feel like you’re still breathing in that sweet sea air.
Posted inReading List
Longreads Best of 2018: Science and Technology
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in science and tech.
Posted inNonfiction
Jersey Girl
Too Japanese for Americans and too American for the Japanese, one New Jersey native traces the influence of racism on her parents’ careers and her own life.
Posted inFeature
Whatever Happened to ______ ?
Envy over her success led her husband, also a writer, to become violent. She fights every day for her safety — and to avoid being relegated to obscurity like so many writers who are mothers.
Posted inEssays & Criticism, Feature, Nonfiction, Story
The Art of Losing Friends and Alienating People
Laura Lippman, admittedly a rotten friend, is bummed by the ways in which friendships end as one gets older.
Posted inNonfiction
Longreads Best of 2018: Business Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in business writing.
Posted inEssays & Criticism, Feature, Nonfiction, Story
Through a Glass, Tearfully
Maureen Stanton contemplates her history of crying in inappropriate moments, and considers tears from gender-based and political perspectives.
