A growing earnings gap between those with a college education and those without is creating economic and cultural rifts throughout the country.
Seinfeld’s Jewish references posed a unique challenge: as Sebastian explained, “The Germans have a certain you-know-what with the Jewish.” Her editor was worried about some of Seinfeld’s Jewish jokes. “We better not say it like that,” she remembered her editor saying, “because the Germans may be offended.” She added later, recalling the incident to me, “They should be offended, in my understanding. They did it!”
Sebastian appreciated Seinfeld’s direct approach to Jewish history. She wanted to use jokes in direct translation, but the editor wouldn’t let her. She lost several battles. It was a fine line: Der Suppen-Nazi? Sure. Subtle reference to an uncle who survived a concentration camp? Not so fast. An entire episode based on George being mistaken for a neo-Nazi was problematic. So were references to the TV miniseries Holocaust and the film Schindler’s List. Take Elaine’s voiceover narration in “The Subway” episode when her train gets stuck: “We are in a cage. … Oh, I can’t breathe, I feel faint. Take it easy, it’ll start moving soon. Think about the people in the concentration camps, what they went through.”
— At The Verge, Jennifer Armstrong, the author of the upcoming book Seinfeldia: The Secret World of the Show About Nothing That Changed Everything, describes Sabine Sebastian’s translation and production of all 180 Seinfeld episodes for German television.
Jessica Gross | Longreads | March 2017 | 17 minutes (4,391 words)
When she was 22 and an assistant at New York Magazine, Ariel Levy, hungry for success and action, went to a nightclub for obese women and reported her first story. New York published the resulting piece with what Levy, two decades later, claims is still the best headline she’s had: “WOMEN’S LB.” Levy worked for New York until 2008, when she was hired as a staff writer at The New Yorker. There, she has focused largely on gender and sexuality: she’s profiled comedian Ali Wong, long-distance swimmer Diana Nyad, boxer Claressa Shields, and Nora Ephron. She has traveled to Jerusalem with Mike Huckabee, to Italy to report on Silvio Berlusconi, to South Africa to report on runner Caster Semenya.
And she has traveled to Mongolia. In 2012—38 years old, married and in love, and five months pregnant—Levy got on a plane for what she felt would be her last big trip for a long time. But, while there, a pain in her abdomen grew and grew until, in the middle of dinner at a Japanese restaurant, she had to rush back to her hotel room before the food came. On the floor of her hotel bathroom, an “unholy storm” moved through her body, and she gave birth to her son. Less than twenty minutes later, he died.
Levy recounted this experience in her first piece of personal writing, the essay “Thanksgiving in Mongolia.” Her new memoir, The Rules Do Not Apply, tells the broader story of her gradual realization, through trauma and loss—including divorce from her wife, who struggled with alcoholism—that our options are limited by nature.
Having read your work and knowing how adventurous you are, I was surprised to read about how fearful you become before you travel. I’m the type of person who, when I feel very fearful, often heeds that and runs away. You seem to do the opposite—diving headfirst into fear. What’s that about?
That’s just how I’ve always done it. I mean, you’re absolutely right.
If you’re an only child, you only ever talk to grown-ups; it makes you a very weird kid. So when I was a kid learning how to talk to other people my own age, I do think my initial problem was that I’d be really scared, and I’d come on so strong. People were like, “Who is that aggressive, terrifying child?” I was just overcompensating for fear.
That’s definitely how I deal. I hope I’ve gotten less weird socially, but if a story scares me, if a job scares me, I’m definitely going to dive in. I just didn’t like the idea of living a terrified life, you know? I didn’t want to go down that way. Read more…
At The Verge, Ben Popper takes a look at Koko, a startup with an app that helps people connect and provide emotional support to peers and, in the process, allows them to recognize and “rethink” their own problems:
The Koko app starts users off with a short tutorial on “rethinking.” The app explains that rethinking isn’t about solving problems, but offering a more optimistic take. It uses memes and cartoons to illustrate the idea: if you choose the right reframe, a cute puppy offers his paw for a high-five. The app walks new users through posts and potential reframes, indicating which rethinks are good and which aren’t. The tutorial can be completed in as little as five minutes.
Once users finish the tutorial, they can scroll through live posts on the site. Despite the minimal training, the issues they are confronted with can be quite serious: an individual who is afraid to tell her family that she’s taking anti-depressants because they might think she’s crazy; a user stressed from school who believes “no one actually likes the real me, and if they see it, they will hate me”; a user with an abusive boyfriend who has come to feel “I am a failure and worth being yelled at.” I walked a friend through the tutorial recently, and they were shocked by how quickly Koko throws you into the deep end of human despair.
Koko lets you write anything you want for a rethink, but also offers simple prompts: “This could turn out better than you think because…,” “A more balanced take on this could be…,” etc. The company screens both the posts and rethinks before they become public, attempting to direct certain users to critical care and weed trolls out of the system. Originally, this was accomplished with human moderators, but increasingly, the company is turning to AI.
Accepting and offering rethinks is meant to help users get away from bad mental habits, cycles of negative thought that can perpetuate their anxiety and depression. Over the next few months, Zelig found herself offering rethinks of other Koko users almost every day. “Having it in your pocket is really good. All of sudden it would hit me what I needed say in the reframe, so I would pull my car over, or stand in the produce aisle.”
In the process of giving advice Zelig felt, almost immediately, a sense of relief and control. She began to recognize her own dark moods as variations on the problems she was helping others with. Zelig says the peculiar power of Koko is that by helping others, users are able to help themselves.
We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in under-recognized stories.
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Michael J. Mooney
Dallas-based freelance writer, co-director of the Mayborn Literary Nonfiction Conference.
You Are Not Going to Die Out Here: A Woman’s Terrifying Night in the Chesapeake (John Woodrow Cox, The Washington Post)
I saw this story posted and shared a few times when it first ran, but in the middle of an insane election cycle, it didn’t get nearly the attention it deserves. This is the tale of Lauren Connor, a woman who fell off a boat and disappeared amid the crashing waves of the Chesapeake Bay. It’s about the search to find her, by both authorities and her boyfriend, and about a woman whose life had prepared her perfectly for the kinds of challenges that would overwhelm most of us. This is a deadline narrative, but it’s crafted so well—weaving in background and character development at just the right moments, giving readers so many reasons to care—that you couldn’t stop reading if you wanted to.
A science reporter from Oakland, California, who teaches at the UC Berkeley Graduate School of Journalism and is the author of We Have the Technology, a book about biohacking.
A clear-eyed, thought-provoking retelling of Michelle-Lael Norsworthy’s long legal battle in hope of becoming the first American to receive sex-reassignment surgery while in prison. Her lawyers argued that the surgery was medically necessary and withholding it violated the prohibition against cruel and unusual punishment. But, they argued, rather than grant the surgery and set a legal precedent, the Department of Corrections instead ordered her parole. The piece is a nuanced take on what it’s like to transition in prison—at least 400 California inmates were taking hormone replacement therapy when the article was published in May—where trans women are vulnerable to sexual assault and survivors are placed in a kind of solitary confinement, stuck in limbo in a prison system where it’s unsafe for them to live with men, but they are generally not allowed to live with women. And it asks a bigger question: What kind of medical care must the state cover?
Investigative Reporter, New America Future of War Fellow.
At first, it may seem like a simple essay about cultural appropriation, but this opus on the nameplate necklace is so much more than that. It is a beautiful ode to black and brown fashion. It is a moving history of how unique names became a form of political resistance to white supremacy. And it is the biting reality check Carrie Bradshaw so desperately needed. Read more…
We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in science writing.
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A freelance writer in Brooklyn.
The Amateur Cloud Society That (Sort of) Rattled the Scientific Community (Jon Mooallem, The New York Times Magazine)
Whenever one of Mooallem’s stories come out, I pretty much drop what I’m working on, kick back on my couch, and read it with a big, stupid grin. This delightful piece about a self-professed “idler” who discovers a new type of cloud is the perfect match between writer and subject matter. I guarantee that the moment you start reading, you, too, will float away from whatever it is you probably should be doing.
I was blown away by this investigation into a global super court that allows businesses to strip countries of their ability to enforce environmental regulations. “Known as investor-state dispute settlement, or ISDS, this legal system is written into a vast network of treaties that set the rules for international trade and investment,” Hamby writes. “Of all the ways in which ISDS is used, the most deeply hidden are the threats, uttered in private meetings or ominous letters, that invoke those courts.” This is the second part of Hamby’s series on the ISDS, and it focuses on an Australian company that was able to strip-mine inside a protected forest in Indonesia. Even though the company was complicit in the beating and, in one case, killing of protestors, the government was too cowed by the court to revoke the company’s permit. Read more…
We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in arts and culture writing.
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Earlier this year, Pitchfork began publishing Sunday reviews that explore albums released in the time before said site debuted. This, in turn, has led to a whole lot of smart writers weighing in on the classics, the cult classics, the interesting failures, and the historically significant. Jeff Weiss’s epic take on “Jackson’s final classic album and the best full-length of the New Jack Swing era” is the sort of narrative music writing that’s catnip for me, the kind of work that sends me deeply into my own memories, and leaves me rethinking my own take on the album in question. Read more…
Children’s television programming is always colorful, sometimes educational, and often bizarre. A human-sized hamster wheel? A talking chair? Grown men going to bat for a herd of rainbow-colored ponies? These stories explore the art and economics of making television for kids.
1. “‘It Smelled Like Death’: An Oral History of the Double Dare Obstacle Course.” (Marah Eakin, A.V. Club, November 2016)
Nickelodeon’s hit game show, Double Dare, aired in the late ’80s and early ’90s (with a season-long remount in 2000), and one of its biggest draws was its obstacle course. The A.V. Club spoke to host Marc Summers, the producers and a variety of set designers about the gallons of whipped cream, baked beans and Gak it took to make the messiest show on TV. Pro tip: Don’t eat while reading this. Read more…
Below, our favorite stories of the week.