Search Results for: The New Yorker

Rich Ziade: My Top 5 Longreads of 2010

Rich Ziade is partner and lead strategist at Arc90, notable for many things including creation of the wondrous Readability app.

(Ed. note: We know: One of the stories below is from 2009, and another is from 2007.)

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• Paul Graham ruminates over the deflationary value of stuff.

• Zak Smith debates which is more offensive: the porn industry or Tyra Banks exploiting the porn industry in Barely Legal Whores Get  Gang-F***ed.

• The New York Times (Wyatt Mason) deep dives into the mind of The Wired’s David Simon.

• The New Yorker (Nick Paumgarten) profiles John Mackey, CEO of Whole Foods.

• The CBC investigation (by Neil Macdonald) of the assassination of Lebanon’s prime minister Rafik Hariri plays like an international procedural thriller. Ben Affleck as the protagonist?

Master of Play: Shigeru Miyamoto, Nintendo's Man Behind Mario

Master of Play: Shigeru Miyamoto, Nintendo’s Man Behind Mario

Gillian Reagan: My Top 5 Longreads of 2010

Gillian Reagan is an editor at Capital New York. She does other stuff, too. 

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My rule was to steer clear of Capital articles (although you will recognize some bylines from contributors). These articles that weren’t necessarily the best writing of the year, but have frequently popped up and rolled around in my brain long after I read them for the first time. Sometimes it was because of the beautiful prose. But, mostly, the ideas are what stayed with me. 

Zachary Woolfe, “A Quiet Place of Dysfunction and Dystopia,” (The New York Times, October 21)

“As the motorcade carrying the body of Leonard Bernstein passed through Brooklyn on its way to Green-Wood Cemetery 20 years ago, construction workers removed their yellow hard hats and called out, ‘Goodbye, Lenny!’ It was a gesture of affection unthinkable for any other classical musician. In death, as in life, Bernstein was the exception: capable of anything and, almost, everything.”

Paul Ford, “Real Editors Ship,” (Ftrain.com, July 20)

“People often think that editors are there to read things and tell people ‘no.’ Saying ‘no’ is a tiny part of the job. Editors are first and foremost there to ship the product without getting sued.”

Sady Doyle, “Sex Offender Week: Rivers Cuomo Messes You Up Forever,” (The Awl, April 27)

“We speak not of the Rivers Cuomo that was, nor of the Rivers Cuomo that is, nor yet of the Rivers that shall be. We speak, now, of the Platonic ideal of a Rivers Cuomo: The Rivers Cuomo you have never met, nor ever can meet, nor can ever be sued by (subsequent to writing a blog post that uses his name quite a lot), but who lives, nevertheless, within your brain. Specifically, if you happen to have grown up in the 1990s, and are heterosexual, and also a girl.”

Steven Hyden’s entire “Whatever Happened to Alternative Nation?” series, The Onion’s AV Club

“I remember the ’90s, but it’s like I wasn’t there. Like many people of my generation—including practically every band that was originally associated with the term—’grunge’ for me has become something to live down, like cuffed jeans or bad Luke Perry sideburns.”

Josh Allen, Chokeville.

I swear, I was going to put this in before Paul Ford did. “The goal is to tell every single story of this city…The site will be frequently updated with new material. Sometimes stories, sometimes a song, a photograph, a movie, illustration, radio show, encyclopedia entry, comic strip, field recording, whatever, etc…A good place to start is Welcome to Feddema Global. It features Allison Hull, who’s from out of town and also has no idea what’s going on, so maybe you can relate to her.”

Additional shout-outs: Peter J. Boyer, “The Covenant,”The New Yorker; Camille Dodero, “Live From Insane Clown Posse’s Gathering of the Juggalos,” Village Voice; Natasha Vargas-Cooper’s entire “Live From Las Vegas election coverage” on The Awl; Timothy Garton Ash, 1989!, New York Review of Books; Zach Baron, “The End of the Story,” The Believer.

Chris Jones: My Top 5 Longreads of 2010

Chris Jones is a writer at large for Esquire. (His stories are on many of your Top Fives.) He’s currently blogging at My Second Empire.


David Grann: The Mark of a Masterpiece, The New Yorker, July 12, 2010

Just a perfectly constructed, painful reveal of the sinister side of the art world, starting at its origins, with the artist’s fingerprints.

Michael Kruse: Stories of LeBron and sportswriter intertwined, tangled, The St. Petersburg Times, Nov. 21, 2010

Maybe the best way to approach an over-covered subject: write about him by writing about someone else. (See Breslin, Jimmy. Digging JFK Grave was His Honor.)

Eli Saslow: For a look outside the presidential bubble, Obama reads 10 personal letters a day, The Washington Post, March 31, 2010

For a look inside the presidential bubble, report the hell out of the story of a single letter.

CJ Chivers: A Firsthand Look at Firefights in Marja, The New York Times, April 19, 2010

Every time CJ Chivers heads off to war and sends back a story, I feel like less of a man and less of a writer.

Tom Junod: Eating the Whole Animal, from the Inside-Out, Esquire, April 2010

Pure entertainment by one of the all-time great magazine writers. Also contains the sentence: “The veins are what freaked me out.” Impossible to resist. Reading, not eating, that is.

Matthew Aldridge: My Top 5 #longreads, 2010

aldridge:

My Top 5 #longreads of 2010, featuring a thief, a killer, a fraudster, two musicians, and a film critic:

The Art of the Steal Joshuah Bearman, Wired
“Blanchard slowly approached the display and removed the already loosened screws, carefully using a butter knife to hold in place the two long rods that would trigger the alarm system. The real trick was ensuring that the spring-loaded mechanism the star was sitting on didn’t register that the weight above it had changed. He reached into his pocket and deftly replaced Elisabeth’s bejeweled hairpin with the gift-store fake.”

Roger Ebert: The Essential Man Chris Jones, Esquire
“He opens a new page in his text-to-speech program, a blank white sheet. But Ebert doesn’t press the button that fires up the speakers. He presses a different button, a button that makes the words bigger. He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they’re just letters, but he keeps hitting the button, bigger and bigger still. Roger Ebert is shaking, his entire body is shaking, and he’s still hitting the button, bang, bang, bang, and he’s shouting now.”

The Hunted Jeffrey Goldberg, The New Yorker
“Then comes an arresting sequence, one seldom seen on national television: the killing of a human. The scout, his face blotted out electronically, fires a single shot at him. Then, from offscreen, come three more shots. The camera stays focussed on the wounded man, lying on the ground. His body jerks at the first and third shots. Then it is still.”

The Mark of a Masterpiece David Grann, The New Yorker
“Reporters work, in many ways, like authenticators. We encounter people, form intuitions about them, and then attempt to verify these impressions. I began to review Biro’s story. As I probed further, I discovered an underpainting that I had never imagined.”

Insane Clown Posse: And God Created Controversy
Jon Ronson, The Guardian
“I suddenly wonder, halfway through our interview, if I am looking at two men in clown make-up who are suffering from depression. Shaggy nods quietly. ‘I get anxiety and shit a lot,’ he says. ‘And reading that stuff people write about us… It hurts.’”

See my (much longer) list of the best long-form journalism of 2009.

Follow @longreads, or search for #longreads on Twitter. Or follow me, @mpaldridge.

Jared Keller: Top 5 Longreads of 2010

Jared Keller, in addition to being in charge of the whole internet, is also social media editor for The Atlantic.

michellelegro:

Trust in what Jared says. He’s in charge of, like, the whole internet. Or at least the portion of it housed in the Watergate building. 

jbkeller:

Dan Baum, “Happiness Is A Worn Gun” (Harpers, August 2010)
 
Many knee-jerk opponents of gun rights have never handled a gun before, so what happens when one liberal wears a concealed weapon? The Harpers articles is subscription only, but it’s worth subscribing just to read about Baum’s psychological transformation as a concealed gun owner.
 
Rebecca Mead, “Rage Machine” (The New Yorker, May 24, 2010)

I despise most everything about Andrew Breitbart – his personality, his politics, his smear tactics – but I loved this profile. Mead made him almost loveable.

Graeme Wood, “Prison Without Walls” (The Atlantic, September 2010)

This story has been done before, but I have an odd fascination with surveillance and surveillance states.

Robin Marantz Henig, “What Is It About 20-Somethings?” (New York Times Magazine, August 18th, 2010)

Caught between economic recession and a poisonous political environment, why do young people take so long to grow up? For maximum impact, read “The Recessions Long Shadow” which appeared in the March 2010 issue of The Atlantic, immediately beforehand.

Wayne Curtis, “Gunpowder On The Rocks” (The Atlantic, November 2010)

A New Zealand bartender learns what pirates and sailors knew long ago: explosives and liquor mix just fine.

Sam Jordan: In response to @Longreads' call for my top 5 #longreads of 2010

verygoodyear:

  1. The Empty Chamber – The New Yorker
  2. The Hamster Wheel – Columbia Journalism Review
  3. The Raging Septuagenarian – New York MagazineNo Secrets

    Julian Assange’s mission for total transparency.

–>

  • The Great CyberHeist – The New York Times
  • George Lucas Stole Chewbacca – But It’s OK – Binary Bonsai
  • Michelle Legro: My Top 5 Longreads of 2010

    Michelle Legro is an editor for Lapham’s Quarterly (who you should be following on Tumblr!)

    michellelegro:

    If you aren’t one of the more than 10,000 people who follow @longreads on Twitter, or get the Longreads Instapaper feed on your iPhone or iPad, then do so immediately. Every day there are perfectly curated features of long-form journalism, new and old, to discover and send along to others.

    1. Garry Kasparov, “The Chess Master and the Computer” (NYRB) + Clive Thompson, “What is IBM’s Watson?” (NYT Magazine)

    Did you know that 2010 is the year grandmaster Garry Kasparov declared man’s battle for chess supremacy over machines at an end? Instead, the machine must take on a new game, and the subtle questions of Jeopardy are the next ambitious goal for IBM programmers. 

    2. Veronica Mittnacht, “An Advice Columnist Asks for Advice” (The Rumpus)

    Of the many, many essays about navigating life after college, this one really takes to heart the essential contradiction of youth: “How did we become so ambitious and afraid?”

    3. Ed Dante, “The Shadow Scholar” (Chronicle of Higher Education)

    Speaking of fear, be afraid. Not of the skills of this professional paper writer—who can charm a twenty-five page essay about any topic you like from mid-air. Be afraid of everyone out there who has ever used him. Doctors, nurses, businessmen, teachers, seminary students, everyone

    4. Zadie Smith, “Generation Why?” (NYRB) + Jose Antonio Vargas, “The Face of Facebook Opens Up” (The New Yorker)

    It’s really worth getting to the dark heart of the Zuckerberg in this NYer profile before reading Smith’s screed about Facebook and the Social Network, if just to get some perspective. 

    5. And the best Longread of 2010 is, without a doubt, the very insightful, funny, and of course frustrating look into the Senate by George Packer, “The Empty Chamber” (The New Yorker) Please, just give him all the National Magazine Awards right now. 

    From Jason Fagone: my top five @longreads of 2010

    jfagone:

    1. Jeff Sharlet, Harper’s, Straight Man’s Burden
    2. Atul Gawande, The New Yorker, Letting Go
    3. Patrick Symmes, Harper’s, Thirty Days as a Cuban
    4. Chris Jones, Esquire, What Happened to Roger Ebert?
    5. Moe Tkacik, Columbia Journalism Review, Look at Me!

    Deeper Than Pixels: A Reading List on Video Games

    The traces of a car's taillights driving into a surreal digital landscape
    Getty Images

    Some childhood sense memories emerge unbidden; others resist excavation, no matter how hard you dig. And my first video game, whatever it is, lies safely interred in that latter category. Sure, I could tick off the titles I loved, the ones I tithed with whatever quarters I could scrounge — Centipede, Bump ’n’ Jump, Moon Patrol — even the smells and sounds of the arcades I played them in. But the origin point of my fascination is nowhere to be found. Not that it matters, at this point. Even if the bulk of my game-playing these days happens on my phone, the activity is one of the few true constants in my life. That hasn’t always been for the best, as anyone familiar with such attachments can tell you. Video games manage to be possibility and punishment, outlet and opiate, either or both. Thankfully, as games have evolved and grown — as experiences, as art, as a field — so, too, has the writing about them. Criticism, essay, profile; there’s no one type of story that feels particularly right for games, largely because games have drifted as far from their own origin point as I have from mine. The best writing about games is as vast and varied as games themselves.

    If I had to, I could give you some contrived reason why now is the right time to compile some of my favorite pieces of writing about games. It’s the 40th anniversary of Tempest! Hey, when did we all get so old? But honestly, I’d rather do it just because. Because these pieces, from various points over the past decade or so, all moved something within me. Because they help underscore the fact that no other narrative media is quite as personal as a game. And because if we’re not thinking about games as a valid muse for joyous, staggering, important writing, then it’s no one’s fault but our own. Read more…