The death of his life-long skateboarding friend prompts Aaron Gilbreath to get back on his board — at 44, with his toddler daughter in tow.
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The Girl I Didn’t Save
Cameron Dezen Hammon reflects on her frustrations as a Christian music minister for the terminally ill, unable to heal a cancer patient she cared for, and struggling to be compassionate at her belligerent Jewish father’s bedside.
Stumbling Into Joy
The electric bass chose her, but it took 44 years to heed the call.
I’ll Be Loving You Forever
My best friend and the New Kids on the Block, 30 years later.
Nashville contra Jaws, 1975
In their time, “Jaws” and “Nashville” were regarded as Watergate films, and both were in production as the Watergate disaster played its final act.
‘I Knew It Was Not My Correct Life, Because It Asked Me To Mute My Voice.’
Reema Zaman on deciding she would no longer live to please men, and how women’s self-esteem and self-love is a revolutionary act of dissent.
Violence Girl
How a young bilingual Latina became one of punk’s enduring icons and helped create a new musical universe.
On Silence (or, Speak Again)
Elissa Bassist breaks her silence about everything she’s not supposed to talk about and comes out alive.
Hellhound on the Money Trail
Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
The Final Five Percent
If traumatic brain injuries can impact the parts of the brain responsible for personality, judgment, and impulse control, maybe injury should be a mitigating factor in criminal trials — but one neuroscientist discovers that assigning crime a biological basis creates more issues than it solves.
