“I thought the underland would be — of all the landscape forms that have drawn me to explore them — the most uninhabited. This proved wildly incorrect.”
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Unearthing the Story: An Interview with Peter Hessler
The New Yorker writer describes his career’s circuitous route, from his start as a struggling fiction writer to becoming a China correspondent, and now the author of a new book about the Arab Spring.
‘TV Has This Really Fraught Relationship with the Audience.’
Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
Longreads Best of 2018: Science and Technology
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in science and tech.
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
The Erotic Thriller’s Little Death
What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
For the Thirsty Girl
Thirst used to be desperation, now it’s aspiration. And men are finding it hard to quench.
Nothing But Time and Tides and Salt and Mud and Warren Ellis
Once described by 8th century Mercian king Offa as “a terrible place,” it’s an odd, out-of-the-way part of the world.
Earth to Gwyneth Paltrow
Goop, Gwyneth Paltrow’s health and wellness empire, is being forced to address accusations of deceptive advertising.
