A journalist who reported on the accusations long before they went viral wonders, “What kind of profession am I in, where stories have no logical reason for unfolding?”
Search results
It’s Not Easy Being Evergreen: An Oral History of the Muppets
Studio 360, the public-radio show and Slate podcast, shares an oral history of the Muppets. The piece covers the endearing appeal of these personality-packed foam and felt creations and how creator Jim Henson struggled to find the right setting for his cast of characters in the early years before Sesame Street and The Muppet Show […]
What to Read After ‘Leaving Neverland’
A list of longreads to make sense of ‘Leaving Neverland.’
Fashions Fade, But Fleabag Is Forever
The jumpsuit is great, but it won’t get you a hot priest or a BAFTA — you’re not Fleabag (or Phoebe Waller-Bridge).
‘The Underland Is a Deeply Human Realm’: Getting Down with Robert Macfarlane
“I thought the underland would be — of all the landscape forms that have drawn me to explore them — the most uninhabited. This proved wildly incorrect.”
Unearthing the Story: An Interview with Peter Hessler
The New Yorker writer describes his career’s circuitous route, from his start as a struggling fiction writer to becoming a China correspondent, and now the author of a new book about the Arab Spring.
‘TV Has This Really Fraught Relationship with the Audience.’
Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
Longreads Best of 2018: Science and Technology
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in science and tech.
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
