The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
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Posted inArts & Culture, Nonfiction, Profiles & Interviews, Story
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
Posted inFeature
The Hunt for Planet Nine
What will it take to find the biggest missing object in our solar system?
Posted inNonfiction, Quotes
What We Talk About When We Talk About Leonard Cohen’s Legacy
The Canadian-born singer-songwriter, a prolific poet and novelist as well, leaves behind a huge body of work. What will become of it all?
Posted inBooks, Nonfiction, Story
An Oral History of Detroit Punk Rock
In Detroit’s empty buildings and troubled streets, restless kids squatted, ran punk clubs, pressed their own records, and made their own magazine. They mostly stayed out of trouble.
Posted inNonfiction, Story
Born Again
“Rebirth therapy” was meant to help a troubled girl start over, but it ended her life instead.
Posted inNonfiction
You’ve Reached the Winter of Our Discontent
A half-assed elegy for the Cool-Loser Dream Boy of Gen-X cinema.
Posted inArts & Culture, Books, Nonfiction
How Does It Feel? An Alternative American History, Told With Folk Music
On Guthrie, Robeson, Seeger, Lomax, Dylan, the Red Scare, the fall of labor, and what folk music had to do with it.
Posted inArts & Culture, Nonfiction, Story
Confessions of An Unredeemed Fan
Leslie Jamison remembers Amy Winehouse, who passed away nine years ago in Camden, London, at age 27.
Posted inBooks, Nonfiction, Story, Unapologetic Women, Writing
Lyrical Ladies, Writing Women, and the Legend of Lauryn Hill
Joan Morgan’s “She Begat This” looks back at how Lauryn Hill crashed through hip-hop’s glass ceiling, while our critic looks at how the author and a cadre of black women writers did the same for hip-hop music journalism.
