Tricia Romano considers what speaking out about abuse at the hands of Eric Schneiderman has cost a close friend.
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The High Price of Being a #MeToo Whistleblower
Tricia Romano considers what speaking out about abuse at the hands of Eric Schneiderman has cost a close friend.
‘The Very Top Guy in the Stasi was Personally Involved in Figuring Out How to Destroy Punk.’
Author Tim Mohr talks about East Germany’s dissident punk rock scene, and its role in bringing down the Berlin Wall in 1989 — the story behind his remarkable new book, ‘Burning Down The Haus.’
Stand Up For Transgender Equality: A Reading List
I was in the lobby of a theater in Washington, D.C. when I saw the first of the tweets about the Trump administration’s decision to stymie protections for transgender students on the federal level. It wasn’t until the play ended and I was on the Metro home that I had cell service; I began to piece together […]
The Top 5 Longreads of the Week
This week, we’re sharing stories by Sarah Menkedick, Adam Davidson, Ross Andersen, Victor Luckerson, and Tara Murtha.
Renovating a Family
After her husband’s infidelity, Christine Kalafus re-architected her marriage. Now she needs to let her son in on the plans.
If My Scars Could Talk
Tega Oghenechovwen contemplates the ways in which acute childhood trauma can infect and compromise relationships later in life.
Walking Across California
To understand what the Golden State is compared to what it was, one solitary hiker follows the trail of the first overland Spanish expedition into California 250 years later.
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
‘Country Music … Was Anything BUT Pure’: An Interview with Bill Malone and Tracey Laird
The co-authors of ‘Country Music USA’ – a revised edition of the genre’s definitive history – talk about the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.

