Before they released “Wichita Lineman,” the greatest unfinished song of all time, Glen Campbell and Jimmy Webb lived surprisingly parallel lives.
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The New Old Hollywood
The Hollywood establishment used to be dominated by old white men, but that’s changing fast.
Trans, Homeless, and Turning Tricks to Survive
Homeless trans teens: America’s most vulnerable population.
“This Halloween is Something to Be Sure”: An Examination of Lou Reed’s New York
New York might be Lou Reed’s most politically active album, especially on tracks like “Halloween Parade,” which functions both as a dirge and call-to-action confronting societal torpidity.
“I Miss My Body When It Was Ferocious”: The Transfiguration of Paul Curreri
For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
The Fault in Our Stars: On Fake Celebrity Interviews
Fake celebrity interviews have been around for years, but Germany has seemingly become one of the largest exporters.
Hellhound on the Money Trail
Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
In the Wake of Weinstein and #MeToo, Why Does R. Kelly Still Have an Audience?
Women of color who have been singled out by sexual predators deserve our collective fury too.
Of Safe Words and the Sacred
A BDSM relationship gone wrong helped Britni de la Cretaz find God.
Of Safe Words and the Sacred
A BDSM relationship gone wrong helped Britni de la Cretaz find God.
