In “Night Moves,” Jessica Hopper is 80% on her bike and 20% at a show, memorializing a young adulthood spent in just one of “a million Chicagos” — but one that shaped a wide network of artists and writers.
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Shelved: The Sound of Big Star’s Self-Destruction
As the band dissolved, they managed to capture their destruction in some dark, powerful music.
Almost Undefeated: The Forgotten Football Upset of 1976
How the Toledo Troopers, the most dominant female football team of all time, met their match.
The Horse Was a Lie (The Horse Is Here With Us Now)
In Mario Chard’s “Land of Fire,” was it the truth or a lie that killed the migrants in the desert? And what if that’s the wrong question? What if we say it was a horse?
John Oliver on the Media’s Struggle to Confront Disinformation
“It’s very dangerous to keep the old campaign architecture around with this presidency.”
The Relentless Relevance of ‘9 to 5’
An recent interview with Patricia Resnick, author of the screenplay for the 1980 film “9 to 5,” on how little had really changed for women by 2015.
We’re Not Ready for Mars
Elon Musk can’t wait to send humans to the Moon and Mars. But before we land ourselves on other worlds, we need to remember how we’ve treated our own.
Dancing Backup: Puerto Ricans in the American Muchedumbre
Carina del Valle Schorske traces a lineage of Puerto Rican backup dancers in American entertainment from Rita Moreno to JLo.
Nic and David Sheff on ‘Beautiful Boy’ and Telling Addiction Stories Responsibly
Nic and his father David Sheff’s memoirs about grappling with Nic’s addiction are the basis for the new movie ‘Beautiful Boy.’ It was important to them that the movie communicate what addiction really is — an illness.
‘The Force Awakens’ Brought ‘Star Wars’ Fans Back Together. ‘The Last Jedi’ Tore Us Apart
In a divisive year, we hoped a new ‘Star Wars’ film would bring us together. It didn’t.
