Maybe healing your body and Mother Earth with crystals extracted by environmentally dubious means isn’t the best approach to healing.
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Is Conservative Life Behind the ‘Orange Curtain’ at an End?
Democrats can flip Orange County, California, from red to blue, as long as they don’t mess it up.
“The Leaky Vessel”: On Lewis Carroll and the Perils of Being Female
Rachel Vorona Cote on how the Victorian era’s restrictive prescriptions for acceptable female behavior pollute society to this day.
Longreads Best of 2019: Arts and Culture
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in arts and culture.
How Much Would You Endure to Flee Persecution?
Now that Europe welcomes migrants no longer, asylum seekers are making nearly impossible journeys through South America to the United States.
Carly Rae Jepsen’s Exhilarating, Emotionally Intelligent Pop Music
Although music often involves emotional expression, pop star Carly Rae Jepsen has built a career and a persona out of big, unguarded emotions, a range that could be called “too muchness,” which is just right for some of us.
When American Media Was (Briefly) Diverse
An economic downturn in 2008 shuttered numerous publications and further marginalized people of color in an already minimally integrated industry. But in the 90’s and early-aughts, multicultural publications flourished, providing an alternative model for journalism that bears remembering.
In Pocahontas County, Deep Divisions and a Gruesome Discovery
In an excerpt from ‘The Third Rainbow Girl,’ Emma Copley Eisenberg interrogates various social conditions that might have contributed to a mysterious double murder in West Virginia in 1980.
All that Was Innocent and Violent: Girlhood in Post-Revolution Iran
Naz Riahi recalls her vibrant childhood in a suburb of Tehran, and considers how the harsh realities imposed by the still new Islamic Republic seeped into her family’s life.
On Solitude (and Isolation and Loneliness [and Brackets])
Sarah Fay reflects on four years spent in solitude (and isolation [and loneliness]), viewing it through the lens of punctuation.
