“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
Search results
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
The Top 5 Longreads of the Week
Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist. Sign up to receive this list free every Friday in your inbox. *** 1. Ghosting: Confessions of a WikiLeaks Ghostwriter Andrew O’Hagan | London Review of Books | February 23, 2014 | 105 minutes (26,390 words) […]
The Box and the Basement
“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
On Playing Hooky From a Job at the Post Office to Read ‘Ulysses’
The summer after my freshman year I found myself working as a substitute mail carrier in one of the tony North Shore suburbs outside Chicago. The post office was an intriguing place (just see short stories by Eudora Welty and Herman Melville). I discovered, after a steep learning curve, that I could sort and deliver […]
Hell—Nothing Less—And Without End: Six Days in Warsaw
“The uprising,” we told each other immediately, like everyone else in Warsaw. Strange. Because no one had ever used that word before in his life. Only in history, in books.
Gravity
‘My daughter doesn’t have a father, or, she has two fathers, since I don’t know which man her father is. One of her fathers says it’s like Schrödinger’s cat in there.’
How to Be Aca-Awesome
An interview with Kay Cannon, Pitch Perfect screenwriter, on how her a cappella comedy might be changing the definition of cool.
Gravity
‘My daughter doesn’t have a father, or, she has two fathers, since I don’t know which man her father is. One of her fathers says it’s like Schrödinger’s cat in there.’

