An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
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Atomic Summer: An Essay by Joni Tevis
Buddy Holly, John Wayne, and the A-Bomb.
The Box and the Basement
“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
The Box and the Basement
“On the last day of my old job, I stumbled out the door, holding aloft that iconic emblem of termination: The Box. Though from the outside it might look wholly indistinct, we who have felt its symbolic weight know this is no ordinary box; this is a box that can make grown men cry.”
On Playing Hooky From a Job at the Post Office to Read ‘Ulysses’
The summer after my freshman year I found myself working as a substitute mail carrier in one of the tony North Shore suburbs outside Chicago. The post office was an intriguing place (just see short stories by Eudora Welty and Herman Melville). I discovered, after a steep learning curve, that I could sort and deliver […]
Hell—Nothing Less—And Without End: Six Days in Warsaw
“The uprising,” we told each other immediately, like everyone else in Warsaw. Strange. Because no one had ever used that word before in his life. Only in history, in books.
Gravity
‘My daughter doesn’t have a father, or, she has two fathers, since I don’t know which man her father is. One of her fathers says it’s like Schrödinger’s cat in there.’
Gravity
‘My daughter doesn’t have a father, or, she has two fathers, since I don’t know which man her father is. One of her fathers says it’s like Schrödinger’s cat in there.’
Think of This as a Window: Remembering the Life and Work of Maggie Estep
“I moved to Lower Manhattan when I was seventeen. The only things I cared about were books and music.”
How to Be Aca-Awesome
An interview with Kay Cannon, Pitch Perfect screenwriter, on how her a cappella comedy might be changing the definition of cool.
