After taking over from George Plimpton, Brigid Hughes was pushed out as the editor of The Paris Review and omitted from the magazine’s history.
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Women Are Really, Really Mad Right Now
Rebecca Traister talks about the revolutionary power of women’s anger.
Just Like Heaven? Four Stories About Nordic Countries
Why are we Americans so drawn to the Scandinavian Peninsula and beyond? Why do some Republicans speak of Sweden with disdain or horror, whereas left-leaning folks go starry-eyed? Does the recent influx of refugees to these countries mark the beginning of institutionalized xenophobia?
The Rising Tide of Wrongful Convictions
Wrongful convictions are not isolated events. They happen in every state. They happen multiple times a week. Here’s a breakdown of how and why the innocent are locked up in America.
A Kendrick Lamar Syllabus
The Pulitzer Prize-winner’s work always feels honest, as writers have found when they dive deep into his literary influences.
After World War I, Horror Movies Were Invaded By an Army of Reanimated Corpses
Were early horror films, with their long, angry processions of the undead, repeating the mass trauma of the First World War, or foreshadowing the coming of the Second?
Behind The Writing: On Interviewing
In her first column on craft, Sarah Menkedick speaks with Sarah Smarsh, Lauren Markham, and Jennifer Percy on the art of the interview.
Getting Tricked by Helen DeWitt
Helen DeWitt’s hectic, disruptive style reflects the content of her stories: the difficulty of living an authentic life, or telling anything like a “story,” in a ruthlessly disruptive world.
Jack, Jacqueline — Dad
Yvonne Conza wrestles with the complexities of estrangement from her dying — complicated — dad.
Jack, Jacqueline — Dad
Yvonne Conza wrestles with the complexities of estrangement from her dying — complicated — dad.
