New York midwife Elizabeth Catlin faces 95 individual felony counts at her upcoming trial. For what? For doing her job. Politics and patriarchy make the work of many credentialed, experienced midwives illegal — to the detriment of women and underserved communities.
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Posted inCommentary, Nonfiction, Uncategorized
When Richard Nixon Declared War on the Media
Jim Acosta isn’t the first reporter to be barred from the White House—when Stuart Loory reported on the possibility that Richard Nixon was bilking taxpayers, he found himself on the president’s enemies list.
Posted inArts & Culture
Longreads Best of 2019: Music Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in music writing.
Posted inNonfiction
The Danger of Befriending Celebrities
Once upon a time, nightlife journalist Michael Musto didn’t set the strongest boundaries with the boldfaced names he covered.
Posted inNonfiction
“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
Posted inNonfiction
On Silence (or, Speak Again)
Elissa Bassist breaks her silence about everything she’s not supposed to talk about and comes out alive.
Posted inArts & Culture, Blog Post, Books, Nonfiction, Reading List, Writing
8 Longreads by Will Storr on the Science of Storytelling
Eight must-read stories that investigate science, belief, and the human impulse to tell stories.
Posted inBlog Post, Books, Commentary
Get With the Modern Age, Sign Up for the Longreads Books Newsletter
Sign up for the Longreads Books Newsletter, and you too could be never not reading a book.
Posted inEssays & Criticism, Feature, Nonfiction, Story
How I Got My Shrink Back
An entanglement with her shrink-stalking protege teaches Susan Shapiro something about forgiveness.
Posted inNonfiction
On Watching Boys Play Music
“With a drink in my hand and earplugs responsibly in place, I’m very aware that I’ve spent more than half my life essentially standing in the same spot: off to one side of the stage (close but not too close), eyes forward, shifting weight from foot to foot.”
