Fourteen years after her memoir about about her father’s death was released, novelist Aminatta Forna still deals with after-effects, both good and bad.
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This Week in Books: Pain and Power
“And it will hurt, but we won’t be the ones doing all of the feeling, finally.” -Harmony Holiday
Portrait of the Artist as a Single Mom
In this personal essay, created with support from the non-profit Economic Hardship Reporting Project, Stephanie Land chronicles her struggle to support herself and her two daughters while attending college and trying to make a living as a writer.
Nashville contra Jaws, 1975
In their time, “Jaws” and “Nashville” were regarded as Watergate films, and both were in production as the Watergate disaster played its final act.
Teaching Writing and Breaking Rules
Rules can ruin the kind of exciting language that makes literature rewarding, but some rules also enhance writing. It’s challenging to find the middle ground.
The Afterlife of a Memoir
Novelist Aminatta Forna writes about the lingering effects, fourteen years later, of having written a memoir, The Devil That Danced on the Water, about the political hanging of her father in Sierra Leone.
If Only There Were Someone Who Would Listen
Dror Burstein’s “Muck” sets a difficult course through themes of power, pita bread, and invasion, mixing up the biblical past and the just-as-lamentable present.
American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
Longreads Best of 2019: Arts and Culture
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in arts and culture.
