Twenty years after this famous pitch-correction technology beautifully modulated Cher’s voice in her hit song “Believe,” Auto-Tune has proven itself not a fad but a fixture. Where did it come from, and what does it do exactly?
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Posted inArts & Culture, History, Nonfiction, Story
A History of American Protest Music: Which Side Are You On?
Just as we were in the 1930s and ’60s, America is suffering a moral crisis. We have to decide which side we are on: hate and exclusion, or justice, inclusion, and democracy?
Posted inNonfiction
Infatuation
Deena ElGenaidi considers the ways in which adoring Maroon 5 singer Adam Levine from afar in her teens and early 20s provided a safe outlet for expressing desire.
Posted inEssays & Criticism, Feature, Story
The Power of a Judith Krantz Sex Scene
A ‘90s romance novel offers a glimpse of queer possibility and illuminates the complications of writing about queer love.
Posted inEssays & Criticism, Feature, Highlight, Story
In Absentia
A meditation on the nature of grief, at a time when the whole world seems to be grieving.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
Posted inEditor's Pick
Vessel of Antiquity
For musical performance artist Leon Redbone, the past was all the material he needed, except his own, which he replaced with a persona. “I don’t have a past,” he said. “The past begins tomorrow.” Strange enough to earn comparisons to Frank Zappa and Tom Waits, Redbone often got shelved in record stores’ rock sections, even […]
Posted inEditor's Pick
This Gen X Mess
A fun, ranging package about Generation X. It includes essays on Evan Dando, The Rules, John Singleton, Grunge music and fashion, CK One, among other 90s touchstones, plus a piece in which Caity Weaver rewinds 25 years to 1994 and spends a week only using what limited technologies existed then.
Posted inArts & Culture, Current Events, Essays & Criticism, Story, Technology
Performance Art: On Sharing Culture
With physical distancing the order of the day as COVID-19 spreads, cultural locales — sites for communal experiences, like museums and theaters — are emptying out. What are we sharing if we’re not sharing these spaces? And were we really sharing them to begin with?
Posted inNonfiction
On Vanishing
Dementia is a kind of erasure, a death before death, where the living discount the infirmed long before they’re gone.
