“With a drink in my hand and earplugs responsibly in place, I’m very aware that I’ve spent more than half my life essentially standing in the same spot: off to one side of the stage (close but not too close), eyes forward, shifting weight from foot to foot.”
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Posted inNonfiction
Grandiose and Claustrophobic: ‘Prozac Nation’ Turns 25
Elizabeth Wurtzel’s bestseller is deeply rooted in a specific, Gen-X cultural moment. Can it still speak to us in 2019?
Posted inBooks, Culture, Nonfiction, Story
A Childhood in Cars
How one young man cut against the grain of American masculinity and freed himself from car culture.
Posted inArts & Culture, Essays & Criticism, Story
Every One of Us Is Other: Looking Back on Representation in “Heavenly Creatures” 25 Years Later
Alex DiFrancesco reflects on Peter Jackson’s nuanced approach to representation in the critically acclaimed film.
Posted inNonfiction
The Lasting Effects of the Lolita Complex
Lacy Warner examines the downward turn of actress Dominique Swain’s career, and how the trouble began the moment she grew up.
Posted inStory
“We’re All Still Cooking…Still Raw at the Core”: An Interview with Jacqueline Woodson
“When I look at that dress and how much intention went into the making of it…it’s like we want to have something that can’t be destroyed, because so much of the past has been destroyed…”
Posted inBooks, Fiction, Profiles & Interviews, Story, Writing
‘I’ve Always Been Either Praised or Accused of Ambition’: An Interview with Barbara Kingsolver
Barbara Kingsolver takes a rigorous, scientific approach to her novels’ subjects — but, as a woman writer, her authority is often challenged.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
Posted inEssays & Criticism, Feature, Nonfiction, Story
You’re Just Too Good to Be True
My on-again, off-again love affair with Engelbert Humperdinck.
