It’s clear we love the Dead Girl, enough to rehash and reproduce her story, to kill her again and again. But not enough to see a pattern.
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‘I’m Always Writing Against This Idea That Denver’s a White Space.’
Kali Fajardo-Anstine talks about her new short story collection “Sabrina & Corina,” her obsession with dualities, and Chicano and Indigenous history in Denver.
Reimagining Harper Lee’s Lost True Crime Novel: An Interview with Casey Cep
“Somewhere along the way it became very clear to me that I was writing the book she never would.”
‘Women Can Be Required To Wear Something That’s Painful.’
Summer Brennan talks about femininity and suffering, beauty and biology, and the startlingly dark turn she found herself taking when writing about women and power in her new book ‘High Heel.’
‘I Believe That Silence Is Ineffective’: Devi S. Laskar on Invisibility and American Terror
Laskar’s debut novel imagines an alternate ending to an incident from her real life: When law enforcement agents raided her home, and confiscated her unfinished novel, what if she had refused to comply?
Live Through This: Courtney Love at 55
Lisa Whittington-Hill on why Courtney Love deserves to be the girl with the most cake.
Bending the Straight Line of Queer History
Recent novels by Alan Hollinghurst, John Boyne, and Tim Murphy experiment with the idea of progress over time.
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
‘I Spent Two Years Researching Before I Wrote a Single Line’: Geeking Out With Marlon James
Man Booker winner Marlon James immersed himself in African myths and history, so he could use that world as a springboard for a new fantasy series.
