An unintended consequence of mandatory minimums has been to concentrate too much power in the hands of prosecutors. Journalist Emily Bazelon talks about how some cities are pushing back.
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American Dirt: A Bridge to Nowhere
“Jeanine Cummins can write about Mexico — but she will be judged on whether her writing actually captures the experiential and emotional and ethical complexity of that place, and she will be judged with extra care because she is an outsider.”
The Rising Seas Are Coming From Inside the House
On Game of Thrones and climate change: “Every city in the world is built on wildfire.”
And They Do Not Stop Until Dusk
I’ve never known what it means to feel Jewish, but I still have a past — I have György Román, who painted dreams and saw nightmares.
Finding My Father
At age thirty-two, after years working as an exotic dancer, the daughter of a mysteriously absentee father finally puts together the pieces that had been missing her whole life.
Longreads Best of 2019: Music Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in music writing.
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
Longreads Best of 2019: Food Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in food writing.
Guy Gunaratne on the ‘Push-Pull of Ancestry and Meaning’ in London
Guy Gunaratne’s Man Booker-longlisted “In Our Mad and Furious City” recognizes multiple, overlapping versions of London and its inhabitants, examining the ways violence can bubble up through the city’s fissures.
The Fantasy of an Enemy
“It’s still raining in Houston, and Game of Thrones is not a show about climate change, not really, because it’s possible to win The Game of Thrones.”
