Before the internet, music weeklies like NME and Melody Maker shaped English listeners’ tastes and the national discourse. The slower pace of print publishing created a more digestible news cycle, a deeper reading experience, deep loyalties, and a thrilling anticipation between issues.
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Who Does She Think She Is?
The internet does not hate women. People hate women, and the internet allows them to do it faster, harder, and with impunity.
The Myth of Kevin Williamson
He’s not very good at his job.
We’ve Always Hated Girls Online: A Wayback Machine Investigation
Searching for a teen girl who was once internet famous for her coding skills, a former fan uncovers a story of harassment.
A View of the Bay
A family’s losses after Hurricane Sandy didn’t come in the usual order or with the usual speed.
Harshing the Internet Poet’s Mellow
Instagram poet Collin Andrew Yost got trounced online, but his experience offers a lesson in how to cultivate empathy.
In Jo’s Image
Jeanna Kadlec considers the impact of Little Women’s matriarchy — and its heroine — on the formation of her own queer identity.
“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
Longreads Best of 2019: Profiles
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in profiles.
Inside the OED: Can the World’s Biggest Dictionary Survive the Internet?
On the centuries-long quest to create the perfect, all-encompassing English dictionary.
