The Top 5 Longreads of the Week

This week, we’re sharing stories from Steve Stecklow, Lynn Johnson, Steven Hyden, Morgan Jerkins, and Chris McGreal.
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This week, we’re sharing stories from Steve Stecklow, Lynn Johnson, Steven Hyden, Morgan Jerkins, and Chris McGreal.
Sign up to receive this list free every Friday in your inbox. Read more…
A Reuters investigation finds that Facebook is having a difficult time combating hate speech in Myanmar, a market where the platform dominates and where there have been regular outbreaks of ethnic violence. Reuters found more than 1,000 posts, comments, and images targeting the Rohingya Muslim minority group, some urging for them to be shot or exterminated.

Amy Bracken | Longreads | August 2018 | 27 minutes (6,729 words)
Samuel* bears the scars — above his mouth, on the top of his head, on both arms, on one leg — six bullet wounds in all. They’ll be considered as evidence when he goes before a Canadian immigration judge and he’ll have to tell the story that still makes his voice shake, about how gunmen attacked him at a Port-au-Prince intersection in 2013 and left him for dead. As a young police officer, he had witnessed men transporting weapons and drugs hidden in a truckload of plantains. Two of Samuel’s colleagues who were also present at the time have since been killed, he says, and when Samuel was shot at again in 2015 while taking his children to school, he knew he “had to leave Haiti.”
Thus begins the story of how Samuel, his wife, Darline, and their 1-year-old boy found themselves in a basement apartment on a chilly fall day in a quiet neighborhood of Montréal. They are part of a massive influx of asylum-seekers — mostly Haitian — who fled the United States for Canada last summer. They came at the peak of that influx, in early August 2017, when every day more than 200 people took a bus to upstate New York, then a taxi to the border, where a country road ends in grass and a well-worn dirt path. They breached the invisible boundary and turned themselves in to a Canadian Mountie, setting in motion the long process of trying to start a new life in a new country.
The urge for so many to leave the United States began to build with the election of Donald Trump and his anti-immigrant rhetoric. Then, in spring 2017, John Kelly, Secretary of Homeland Security at the time, announced that Temporary Protected Status (TPS) for Haitians would expire in January 2018. TPS had been granted to some 50,000 Haitians living in the United States, protecting them from deportation, after a massive earthquake struck their country in 2010. Although Secretary Kelly said that renewal of TPS was possible, he suggested it was unlikely, and he urged recipients “to use the time before January 22, 2018, to prepare for and arrange their departure from the United States.” (In November, the Trump Administration announced that TPS for Haitians would instead end in July 2019.)
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Canada became the destination for TPS recipients and many others when, in June, social media messages encouraging Haitians to apply for residency here, some even falsely claiming that the Canadian government would cover all fees, went viral. The messages spread feverishly among Haitians across in the United States and beyond.
The number of asylum claims at the Québec border had climbed since the start of 2017, but then it shot from 975 in June to 2,775 in July, and more than doubled again to 5,650 in August. Most of those claimants were Haitian.
A so-called “safe third country” agreement between the United States and Canada, in place since 2004, means that anyone presenting himself at a U.S. border station crossing to seek asylum in Canada must be turned back — with few exceptions made for some, like those with close family ties in Canada. The rule does not apply to those who cross between official ports of entry, have themselves arrested, then apply for asylum in Canada. With much of the U.S.-Canada border dominated by lakes, rivers, and remote fields, and with much of the U.S. Haitian population based on the eastern seaboard, the accessibility of the New York–Québec stretch made it the chosen entry point for the vast majority of migrants.
Samuel* bears the scars — above his mouth, on the top of his head, on both arms, on one leg — six bullet wounds in all.
As the number of irregular border-crossers mounted, public officials, service providers, and the media focused heavily on the misleading social media messages that encouraged them to come north, suggesting that deception was largely responsible for the influx and that those messages were setting migrants up for disappointment.
Indeed, most of the travelers I interviewed for this story said they had been inspired by WhatsApp and Facebook posts. One said that fellow travelers were startled by the sight of a police officer arresting people at the border, and most were unaware that in 2016, Haitian asylum claims were only accepted about 50 percent of the time.
However, newcomers’ assessments of whether or not coming to Canada was the right choice goes well beyond merely weighing the odds of getting residency or considering the fees. By other measures, there is enormous benefit in coming north.
For one, immediate deportation from Canada is unlikely for most. The fate of many who entered last summer will still be unresolved months or years from now, thanks in large part to a backlog. More than 50,000 asylum claims were made in Canada in 2017 — more than double the number in 2016. One result is that many saw their scheduled eligibility hearings pushed back indefinitely. A spokesperson for Canada’s Immigration and Refugee Board said in February 2018 that projected hearing delays were about 20 months — despite efforts to step up capacity, such as the temporary designation of 17 Refugee Board members to focus specifically on processing the claims of recent border-crossers. The process will be longest for those whose claims are rejected, as they are entitled to appeal multiple times, dragging the process out for what might be several years.
Meanwhile, as they await a ruling on their fate, the life that Haitian asylum-seekers are able to live in Québec is often starkly different from what they had experienced in the States. Many quickly gained a foothold in Canadian society, are beginning to integrate, and are breathing easy in a way that they never could south of the border. But for some, the delays can be excruciating, for one reason above all: They prolong the time before they can send for family members they had to leave back home.
* * *
Samuel didn’t aspire to live in North America. He tried to make his way in Haiti as he was able. “I entered university but wasn’t able to finish,” he says. “I had to make a living, so I entered the police because it’s the one institution in Haiti that will hire anybody who is intelligent and physically fit.” It wasn’t a great job. He says his life was at risk on a number of occasions, yet he didn’t have a choice but to stick with it. Until he didn’t have a choice but to leave.
After Samuel was shot in Haiti in 2013, he spent two months in the hospital. Even today he has some pain in his right hand, and his fingers don’t work properly, jutting out awkwardly like sticks. And the violence did not affect him alone. He says it hurt his oldest child most.
“My daughter, who was four at the time, was shocked and traumatized,” he says. “When I returned from the hospital, she wouldn’t come near me, she was so afraid of me when she saw the scars.”
After Samuel was shot in Haiti in 2013, he spent two months in the hospital. Even today he has some pain in his right hand, and his fingers don’t work properly, jutting out awkwardly like sticks. And the violence did not affect him alone. He says it hurt his oldest child most.
When he was shot at the second time, the gunmen missed, but Samuel lost control of his motorcycle, throwing himself and his children to the pavement. Later, he says, “my daughter kept yelling, ‘Look, there’s the car that made us have an accident! Look at it, Daddy!’”
Like most Haitians crossing into Canada last summer, Samuel and Darline had entered the United States legally, flying in with five-year tourist visas. But they had been unable to get visas for their children, so they left them in Port-au-Prince with Darline’s mother. It was the hardest thing about being in Boston, but it was far from the only major challenge. Their visas did not allow them to work. Being broke, they couldn’t pay for an attorney to take Samuel’s asylum case — nor could they find one who would work pro bono. They couldn’t afford housing, so they stayed with a cousin until, Samuel says, “after six months, my wife and I needed to be independent, so we set out to find our own housing.” They wound up in a family homeless shelter an hour outside Boston, where they would spend the next year.
Samuel says messages kept circulating on Facebook about the promise of moving to Canada, but at first the couple ignored them, feeling that moving to a new country held too much uncertainty.
In July 2017, Samuel finally got his work permit, but Darline did not. And there was a drumbeat they could not ignore. “Trump was really applying pressure, sending messages that if you don’t have papers, you can’t stay in the country,” Samuel says. “I couldn’t return to Haiti. There was too much at stake. We decided it wasn’t worth [staying there]. We had to cross over to Canada.”
* * *
On an evening in August 2017, on a strip of highway in, Plattsburgh New York, near a Dollar Store, a Super 8 motel, and an A&W fast-food restaurant, a bus pulled into a Mobile station parking lot. Slowly, the front door opened, and a plastic toy truck tumbled down the stairs and hit the pavement. A family followed, lugging bags bursting at the seams. Then out came another, then another. About 20 Haitian men, women, and children descended from the bus and began looking around for taxis. Those days there were many more cabs than usual. After migration through the area exploded, new companies popped up, and old ones began working extra hours and longer routes. They also began charging astronomical prices. The New York Attorney General’s office fined a taxi company for charging migrants up to hundreds of dollars in excess of the going rate.
The cabs headed north on the highway, then along some country roads through vast stretches of cornfields punctuated by trailer homes, then down quiet, green, Roxham Road, until, at the end, beyond a thicket of vines and Queen Anne’s lace and signs that read Road Closed and No Pedestrians, a white canopy tent appeared. A Canadian police officer stood before it, poised like a nightclub bouncer, ready to check IDs at the door.
Matthew Turner had moved into a trailer home on Roxham Road in October 2016 and said that ever since then he’d been seeing taxis drive past his house to the dead end. Last summer it was a steady stream of cabs, often with names he’d never heard of. He said he found it annoying when cars unloaded in his driveway, especially if the travelers dropped trash. But he placed blame elsewhere. “All they’re trying to do is escape a pretty crappy system that we constructed because a blond wig got elected into office,” he said. “It’s sad, really. The whole Ellis Island thing just went out the window, and now they have to leave our country and seek it in a country that’s, honestly, at this point, better than ours.”
Turner, who lives with his wife and young son, works temp jobs, mostly loading and unloading for shipping companies. He said finding work is hard, but the best companies — in terms of safety, pay, and organization — are Canadian. He, too, imagines life to be better on the northern side of the border, in part because of universal health care.
As we spoke, a taxi marked WISH TRANSPORT passed, reached the end of the road, and deposited three people.
As we spoke, a taxi marked Wish Transport passed, reached the end of the road, and deposited three people. They formed a single-file line where the dirt path began. The middle-aged man at the back stood stiffly, clutching the handle of his zebra-print wheelie suitcase as he watched the others cross. I asked why he had come.
“I had problems in the U.S.,” he said.
“Is it because of TPS?” I asked.
“Yeah,” he said.
In loud, slow English, the officer asked him, “Monsieur, do you speak English?”
“A little.”
“OK, this is the Canadian border right here. OK? Over there, you’re fine. As soon as you cross over here, you’ve entered Canada illegally, and you’ll be placed under arrest. OK?”
“OK.”
“Do you understand that?”
“Yes.”
“OK, so you decide if you want to enter Canada. If you come in here, you’re under arrest, and then whatever the consequences are, you’ll have to deal with them.”
“OK.”
With that, the man soberly approached the policeman, luggage scraping along the dirt path. The officer told him he was under arrest and had a right to an attorney. He didn’t handcuff the man, though. Instead, he pointed to a sanitizer dispenser and asked him to wash his hands, before escorting him into the tent for processing.
Where Roxham Road picks up again, as Chemin Roxham, cornfields give way to orchards and houses obscured by high hedges. At the corner, there’s a turtle-crossing sign, and the air smells of apples. From the white tent, a bus took the new arrivals down narrow country roads and across a highway to a camp at the official border crossing a few minutes away. In August 2017, with the number of new arrivals exploding, the Canadian military set up rows of green canvas tents at the official crossing, as well as at a conference center in Cornwall, Ontario, with a combined capacity of close to 2,000 people. The Canadian Red Cross was at this camp, handing out blankets and hygiene kits, assigning beds, and performing medical checks.
* * *
In late September, perhaps unaware that the military had begun dismantling the camp at the border because of a decline in the number of border-crossers, the anti-immigrant, right-wing Canadian group Storm Alliance had chosen the spot for a rally. Several dozen men and women, looking like a motorcycle gang in black clothing and bandanas, marched toward the border, between the highway and the tent camp, some waving signs with crossed out pictures of Prime Minister Justin Trudeau. But they were stopped short by a boisterous crowd, a bit larger than their own, of young anarchists and members of Solidarité Sans Frontières, who chanted, “Haitians in, racists out!” and held signs with slogans like Make racists afraid again, and a banner with a sketch of President Trump’s crossed-out face, and the words Resist the Far Right — some of many indications that these activists also worry about a threat from south of the border.
In the province of Québec, public sentiment about the new arrivals has been mixed. At the height of last summer’s migrant influx, a poll by the media agency SOM-Cogeco Nouvelles found that 51 percent of Québec residents believed migrants should be prevented from crossing the border into Canada. It also found that 39 percent of the Québecois surveyed believed the influx would make the province less secure.
Still, generally what the newcomers experience upon arrival is a relatively warm welcome by the Canadian government and key organizations working alongside it, like the Canadian Red Cross. When Samuel and Darline spent a few days at the border at the height of the influx, the military camp hadn’t opened yet, and they say the government was clearly not ready for such a flood of people. For them, it meant standing in long lines for medical checks, photos, and fingerprinting. But they’re quick to add that the welcome was generally good. “They don’t push you around,” Samuel says. “They don’t handcuff you. They speak with you intelligently and in a way that you can understand. Everything went really well.”
Still, generally what the newcomers experience upon arrival is a relatively warm welcome by the Canadian government and key organizations working alongside it, like the Canadian Red Cross.
The language helps. Although many of the Canadian police who are greeting and arresting people at the unofficial border do not speak French, most officials in Québec after that point do. And for Haitians who do not speak French, at some points there are Haitian Creole interpreters.
Last August, after spending a few hours to a few days at the border, newcomers were bused to an immigrant shelter in Montréal. Normally there is only one such shelter, a YMCA. Over the summer, 12 more were added. Now there are just four.
Samuel and his family were dropped off at the Y, where they were connected with all the information they needed about government services, such as health care, and then they went to stay at Samuel’s brother’s place in Montréal. On August 14, 12 days after crossing the border, they began getting their monthly check from the Canadian government — about $1,122 Canadian ($883, in U.S. dollars) for the family, and they began looking for their own place.
The apartment hunt was hard at first, with landlords demanding references and credit reports, but then a Turkish immigrant, who lived above a rental unit, “saw our temperament and saw what kind of people we are,” Samuel says, “and demanded neither credit nor references.” He charges $600 Canadian ($472 U.S.) for the one-bedroom. With the government stipend, it left the family a little over $400 a month for food and incidentals, but Samuel says they were used to being frugal.
It’s easy to understand the landlord’s assessment of the family. Samuel is thin, with delicate features, and a soft, contemplative air, defying any stereotype of a police officer. And when I visited, Darline smiled warmly from the couch, where she nursed a robust 1-year-old, before releasing him to trot around the living room, making eye contact with each adult before bursting into delighted laughter.
A paper banner on the otherwise blank wall proclaimed Bon Fet – a Haitian Creole birthday celebration to honor Samuel, turning 36, and his son, turning 1. The rest of the place was immaculate, with only a few objects — synthetic flowers adorning a shiny yellow varnished wood dining table.
After more than a year of being homeless, lawyerless, and jobless in the States, Samuel and Darline were able to get their own place in Canada in less than a month. They’d also been assigned a public defender, accessed basic health care, and started getting free monthly public transportation passes. “Everything is moving much faster here,” Samuel told me last September. He knew he might never get to bring his two older children here to Canada, and that they might instead end up back in Haiti, but at the time he felt he’d placed his bet on the right country. “I don’t know tomorrow,” he said, “but I don’t regret coming to Canada, because the three of us, we’re really comfortable here.”
After more than a year of being homeless, lawyerless, and jobless in the States, Samuel and Darline were able to get their own place in Canada in less than a month.
Two months later, in November, the couple got their work papers, and Samuel found a minimum-wage job through a temp agency, scanning orders at a clothing-rental company.
But not everything was as fast as they’d like. It took months more for Darline to find work, and the asylum eligibility interview Samuel had scheduled for December was postponed indefinitely.
Most of the new arrivals stay at shelters for their first weeks in Montréal, until they start getting their monthly check and find their own place. When the provincial government saw that the YMCA would not be enough to meet the need, it cast around to see who had space, and managers of the Olympic Park, used in the 1976 Summer Games, offered up part of the stadium to eventually accommodate 900 people in rows of cots, while all around international competitions, concerts, and the renovation of the stadium’s landmark skyline tower whirled on. Other shelters opened around town, including in an old hospital and an old convent, but it was the image of refugees — mostly from Haiti, but also from around the world (other top asylum-seeker nationalities were Nigerian, Turkish, and Syrian) — being bused to the stadium that brought in waves of international media.
It also attracted activists. An anti-immigrant demonstration to be held outside the Olympic Stadium was canceled, but a pro-immigrant counter-rally went ahead, drawing hundreds of people, many carrying Réfugiées Bienvenues signs.
The stadium stopped housing migrants in September 2017, and today, due to the drop in new arrivals, the only shelters in use are an old hospital, an unused youth center on the grounds of what feels like a leafy boarding school campus, and the YMCA near downtown.
* * *
Jesula and James moved into the Y after coming to Québec in August. Their story is starkly different from that of Samuel and Darline, but it’s not unusual among new Haitian arrivals from the United States. For them, Canada is the eleventh country — and, they hope, last — on an odyssey that began more than a decade ago.
The two were high school sweethearts in the dusty northern Haitian city of Gonaïves. James remembers relatives who lived in the States coming back to visit and being treated like royalty. “I thought the sky over the U.S. was different from the sky over other countries,” he says with a laugh. Still, he never wanted to leave Gonaïves. He excelled in school, participated in a local debate club, and played on a national youth soccer team. But after their city was virtually wiped out by floods from a tropical storm in 2004, he decided to move to the Dominican Republic to live with his mother and continue his education there. His dream was to get a medical degree and return to Haiti to help meet a desperate need for doctors.
Jesula, meanwhile, stayed in Gonaïves. In the market, she sold goods imported from Canada with the help of relatives here. Assuming she had money because of her business, she says, thieves raided her house, stole her things, and raped her.
Asked if the perpetrators were caught, she laughs bitterly and says, “In Haiti, it’s not like it is here.”
Traumatized and fearful, Jesula fled to the Dominican Republic to live with James. But things didn’t work out there either. Both lacked the funds to complete school, and both were unable to find work.
Soon Brazil beckoned. Its economy was booming, and it needed workers to prepare for the World Cup and the upcoming Summer Olympics. In 2012 James made his way there, and in 2013 Jesula joined him. “There was no stress because from the moment we got there we were so lucky,” Jesula says. “I arrived in September, and in January I had residency. Imagine how comfortable we were.” Both found jobs easily, learned Portuguese, and settled in, forging strong friendships and a sense of community. But by 2015, the Brazilian economy was in serious trouble, jobs were lost, and Haitian migrants were no longer welcome.
Like thousands of other Haitians, Jesula and James made their way north, through Colombia, Central America, and Mexico, and finally to the United States. Once there, also like thousands of others, they were thrown in detention.
Their treatment by U.S. officials came as a shock. “I thought the U.S. was like Canaan, like paradise, like something out of the Bible,” James says. But as soon as they crossed the border, the couple was split up and sent to separate detention centers.
On an August afternoon in 2017, the couple sat in a park across the street from the Y, where they’d stayed for the previous four nights. Swing music blasted from a speaker nearby, and a man came over to ask if they want to join a free dance class. They politely declined.
Both said they felt at home in Canada. James dreamt of getting a doctorate in anthropology, and Jesula wanted to go to nursing school and learn to draw landscapes. She was pregnant for the third time. She’s miscarried twice — once in Brazil and once in the United States, but here she said she believed everything would work out. “I’m better here,” she said, “because I don’t like living in stress, and there [in the U.S.], the president would say something different every day, so I didn’t know where he really stood on anything. Here I can just be at peace.”
After arriving in the United States, they were detained for just a few days. They say they were lucky to be released much sooner than other Haitians, but the rest of their time in the States was hard. They moved to Boston, and eventually James got a work permit and a job, but the permit was set to expire last September, and he’d been unable to renew it. He also didn’t feel he was making progress in his asylum case.
Finally, Trump took office. “We heard about people being deported for nothing … people who went to see a judge and got deported,” James says. “We were afraid.”
Removals overall have slowed under Trump, but for Haitians they jumped from 300 in the 2016 fiscal year to 5,500 in 2017. That’s largely due to the end of a stay on deportations and a surge in Haitian migrants entering through Mexico. Meanwhile, arrests of immigrants with no known criminal conviction by Immigration and Customs Enforcement more than doubled from 2016 to 2017. Behind those stats are countless stories of men and women who have lived in the United States for decades being taken from families, jobs, and communities, often at a regular check-in at an immigration office.
* * *
Comparisons between the United States and Canada are constant, especially among those who entered both countries illegally. One man describes surviving a harrowing boat trip from the Dominican Republic to Puerto Rico only to be shackled at the wrists and ankles by U.S. border patrol agents. Others talk about being thrown in cold cells at the Mexico-U.S. border.
Elsie is a nurse and a resident of Sainte-Anne-des-Plaines, in plateau farm country north of Montréal. She has been living in Canada for 30 years, but occasionally returns to her Haitian homeland. “I’m proud to be Canadian and proud to be Haitian, too,” she says. And she stays tuned in to the experiences of Haitian migrants around the region.
She spent a Sunday afternoon in October 2017 like she spent most Sundays: cooking rice and beans for family members and venting about what she’d been hearing. “There was that little Haitian woman who went to the U.S. from Brazil,” she said, “and she had to pay $20,000 to get out of prison! It’s a business! If people don’t pay $15,000 to $20,000, they put them on a plane.” Elsie understands that people are not deported merely for failing to pay the required bond, but she also knows that asylum-seekers are much less likely to get asylum if they are stuck behind bars. “Canada respects asylum law,” she said. “They don’t respect asylum law in the United States right now.”
In his first week in office, President Trump issued an executive order expanding the grounds for which immigrants can be detained, and limiting the use of parole for detained asylum-seekers. Over the first eight months of his presidency, according to a report by the nonprofit Human Rights First, parole rates for asylum-seekers appear to have plummeted, asylum-seekers are held for many months, and sometimes their release is contingent on payment of bonds as high as $15,000 to $20,000.
Canada respects asylum law,” she said. “They don’t respect asylum law in the United States right now.
Elsie’s Sunday gatherings now feature a special guest — her younger brother Yves. In July, Yves walked across the border at Roxham Road, then skipped the shelter by staying with his sister. He says he fled Haiti for the United States after “jealous” people attacked his business in Port-au-Prince. But with Trump in office, he says, he had a bad feeling about his prospects there. “He was withdrawing everything, banning refugees, talking about eliminating TPS, getting rid of protections for immigrants who came as children … so I didn’t know if I could get asylum.”
Like Samuel and Darline, Yves says he had to leave a child back in Haiti, so he’s anxious to get papers to bring her here.
Within a few months, Yves had his own place and a job at a pig slaughterhouse, but in April, a judge rejected his asylum claim, saying he should have sought protection in the United States. Yves is appealing the decision and says, whatever the outcome, he’s still convinced he made the right decision in moving to Canada. “Even if some of us are not qualified [for asylum],” he says, “the welcome is completely different here.”
* * *
In my conversations with asylum-seekers last year, I kept bringing up the statistic I’d seen, that only about half of Haitian asylum-seekers with cases finalized in 2016 were granted asylum. (For 2017, the acceptance rate dropped to 22 percent.) The response was usually a recognition that they might not succeed but an insistence that they made the right choice in coming to Canada anyway.
As Matthew Turner, the Roxham Road resident, suggests, “that Ellis Island thing” is more evident in Canada than in the United States today. This is certainly true in public discourse. In October, Canada swore in a new Governor General, an important Canadian figurehead selected by the Prime Minister. Trudeau chose astronaut Julie Payette, who delivered an installation speech in a mix of French and English, dotted with phrases in Algonquin. The speech seemed a delineation of what distinguishes Canada from its southern neighbor today. She talked about the importance of trusting science, of internationalism, tolerance, and compassion, and among her last words were these: “We are the true north, strong and free, and we should always look after those who have less, stand up for those who can’t, reach out across differences, use our land intelligently, open our borders, and welcome those who seek harbor.”
When it came to Syrian refugees, in the past couple of years, Canada has served to inspire and shame Americans wishing to be a more welcoming country. Since November 2015, more than 54,000 Syrian refugees have resettled in Canada, compared with fewer than 19,000 in the United States. Facebook video posts showed Prime Minister Justin Trudeau greeting families at the airport with winter coats and words of welcome. Meanwhile, tens of thousands of regular citizens stepped in to help. Private sponsors actually brought in and supported 43 percent of those refugees for a year.
It would be hard to draw comparisons between pre-approved Syrian refugees flying in and Haitians crossing the border and being arrested. For one, there is no private sponsorship system in place to care for the new arrivals from the States. However, many private organizations in and around Montréal are committed to helping them get settled and integrated.
Take Christ en Action church. It’s in an unmarked brick box-shaped building in a quiet neighborhood, but on Sunday mornings the drums draw you through the open door and into a vast space packed with parishioners in a full spectrum of garb, from form-fitting dresses to suits in black, white, and shiny pastel damask. Several turn to greet unfamiliar faces, offering greetings in French.
The churchgoers — largely Haitian and African — pride themselves on the warm welcome. At a service last September, Pastor Fofy Ndelo, who is Congolese, said a few words in Haitian Creole, then returned to French to give an update on which donations were now needed for “the refugees” — winter coats for adults and children, as well as furniture and bedding for those who’d found their own places to live.
About 15 so-called refugees sat in pews at the far end of the church, and after the service they filed into a back room for lunch. They found out about Christ en Action when members visited their shelters and brought them here on buses. While a number of them now lived in their own places, after their meal a volunteer would drive them all home. Later, another volunteer would pick them up to bring them back for dinner. These are services orchestrated by the church’s social action team, which, team member Shirley René told me, has 10 subgroups. “One group serves nonperishable food, a follow-up group sees what your needs are, another team gives clothes and bedding and furniture, another helps people find a place to live. … There’s a group that visits them in their homes,” and so on.
René, who is of Haitian descent and has been with the church for more than a decade, said about 50 new arrivals were regularly coming to the church, “because they love the way we welcome them.”
Many other Montréal churches also stepped up to help the new arrivals, especially in the heavily Haitian Saint-Michel neighborhood. So did Maison d’Haiti, a 46-year-old organization now housed in a modern, windowy, art-filled space that bustled last fall with Haitian men, women, and children, picking up and dropping off clothing and diapers, standing in line to get help with things like filling out asylum applications, or grabbing a Haitian meat pastry in the organization’s café.
A few blocks away, on Boulevard Crémazie, is CPAM, one of several Haitian radio stations here, and down the street is a towering, shining example of Haitian success in Montréal. Groupe 3737, named after its street number, inhabits some of the 12 floors in the curtain-glass-wall building, using them for start-up incubation and training. Frantz Saintellemy, Haitian-born and Saint-Michel–raised, founded the group with his wife, Vickie Joseph, with the intent of encouraging talented young people, mostly immigrants or children of immigrants — a reflection of the community — to invest in this long-depressed neighborhood.
Saintellemy wanted to help his community thrive by capitalizing on what is true in Canada as well as the United States: Immigrants are far more likely than the rest of the population to start businesses. And he sees particular promise in Haitian immigrants, who make up about a third of his group’s participants.
“If you’re from Haiti,” he says, “you were trading. It’s the number one business in Haiti. Trading is in their DNA, so a lot of them have an entrepreneurial mindset.” In Haiti, with so few formal jobs available, many people buy food or clothes in one part of the country — often on the Dominican border — to sell in another.
Saintellemy smiles as he speaks, sitting in a bright, spacious office behind a large desk cluttered only with some copies of Groupe 3737’s glossy bilingual magazine Black is Beautiful. He says in Montréal there are great prospects for new Haitian immigrants importing food and other goods from Haiti to sell to members of the diaspora here. There are also artists and artisans, and educated Haitians who spent years in the United States and are well-positioned to work as translators. What’s more, belying the image of asylum-seekers arriving on foot and staying in shelters, many actually have money to invest in a new business, Saintellemy says.
For those with tenuous status, he says, they’re particularly worth investing in for several reasons: For one, many employers are leery of hiring people without permanent status, and for another, creating a business could help them get asylum. “The quicker you can generate income [and] hire your own lawyer, your chances increase significantly,” he says, “and if you’re working and paying taxes, the harder it is for the government to tell you to leave.”
Saintellemy says that “without question” enthusiasm for starting a business is higher among people with tenuous status. He knows this because, in addition to doing clothing drives for new arrivals last summer, Groupe 3737 offered regular Business 101 classes for those living in immigrant shelters. Participants were taught about business laws and policies in Canada, specifically Québec, and given tips like how to advertise and bid on contracts online. Saintellemy says the courses drew up to 50 people.
Before founding Groupe 3737, Saintellemy spent years in the States, including studying electrical engineering at Northeastern University and taking a fellowship at MIT Sloan. I ask him about something James told me: that in Montréal, “the Haitians ahead of you help you,” but in the United States, not so much.
“Yeah,” Saintellemy says. “The Haitian community is very well organized here in Québec.” He says Haitians generally thrive more here. “I think it’s easier because of the French. Language isn’t as much of a barrier,” he says. “Second of all, the Haitian community is more financially secure here than in Boston or even New York or Miami … if you look at the percentage of Haitians doing well. … So it’s easier for them to help others when they’re doing well.”
James told me…that in Montréal, ‘the Haitians ahead of you help you,’ but in the United States, not so much.
Of course, many Haitians in Canada live in poverty and obscurity. But there are also plenty of Haitian luminaries in Canadian sport, arts, and politics — including several Olympic athletes; the novelist Dany Laferrière, inducted into the prestigious Académie Française; parliamentarian Emmanuel Dubourg; former Governor General Michaëlle Jean; and the deputy premier of Québec, Dominique Anglade.
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Migration across the border into Canada has fallen considerably since last summer, and Haitians now make up a small portion of that population, down from more than 80 percent. By last fall, Nigerians were overtaking Haitians in number, with shelter residents talking of horrors in Biafra.
Jean Nicolas Beuze, of the UN refugee agency UNHCR, says the overall decline in numbers might be due to falling temperatures and the start of school (the summer’s migrants included hundreds of children), and he believes the particularly precipitous decline in the number of Haitians coming across is likely because messages were sent through consulates and visiting politicians to correct misperceptions about the ease of getting asylum in Canada.
However, with the Trump administration’s announcement on November 20 that TPS for Haitians will end in July 2019, officials in Canada prepared for more Haitian asylum-seekers, with 27 winterized trailers — able to accommodate 200 people — set up at the border. The TPS decision affects at least 50,000 Haitian-born people who’ve been in the United States for more than eight years, and their American-born children, estimated at some 27,000.
Canada’s own version of TPS for Haitians expired in 2014, but most of its recipients were not made to leave the country. The estimated 3,200 undocumented Haitians living in Canada at the time were given almost two more years to apply for permanent residency without threat of removal, and most have been able to get permanent residency through “H&C,” or humanitarian and compassionate grounds, which takes into consideration the ties one has forged to Canada while living here.
Still, coming to Canada does not make Haitian border crossers safe from deportation. Canada deported several hundred Haitians last year — a dramatic increase over 2016, and 120 just in the first seven months of this year.
James is well aware that deportation from Canada is possible, and it’s a terrible thought. “If I’m deported, it’s like the end of the world,” he says with a nervous shriek of a laugh. “Haiti has no work. And when you are overseas, you have like 20 people depending on you, who are waiting for your help. Imagine, if they deport me to Haiti, you’ll see how many people will suffer.” He says his brothers, sisters and some friends rely on him for school and other expenses.
James doesn’t wallow in the fear of deportation though. “We have to await a response, we have to pray, and we have to accept the response, whatever it is,” he says. “But for now we have to recognize how well Canada has received us.”
Haitians who left the United States to seek asylum in Canada essentially left one uncertainty for another. And yet, for now, there is a sense that they can breathe easy because there is reason and justice in the system, that the rules will be followed, and that meanwhile the tools are there for asylum-seekers to make a life for themselves while they wait.
For Samuel, the only problem with being in Canada is that his two older children aren’t with him. “That makes me feel really, really bad,” he says, “because I grew up without my father, and I don’t want the same for my children.” He talks to them on WhatsApp every day, but, he says, “It hurts to hear them say, ‘Papi, when are you coming back? Papi, come get us!’”
A year after coming here, Samuel still has no idea when he’ll go before an immigration judge. It’s clearly wearing on him. His life is better here in many ways, but even with both of them working — him during the day and Darline as a night caretaker for handicapped adults, the cost of living is harder to manage here. Meanwhile, their two older children are growing up in another country, and there’s no knowing when and where they will reunite.
Now, when I ask him if he regrets moving to Canada, he hesitates, but then gives a firm no. “It’s a choice we made, without knowing how things would go.”
*The names of all asylum-seekers in this article have been changed to protect their identities.
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Amy Bracken is an independent reporter and radio producer. She covers migration, economic development, religion, and human rights. She’s based in Boston, but in recent years she’s reported from Europe and across the Americas, especially Haiti. Her stories have been aired and published by PRI’s The World, Latino USA, USA Today, and Al Jazeera America, among others. She’s a graduate of Columbia University’s Journalism School and the Fletcher School of Law and Diplomacy, where she wrote her thesis on the detention of asylum-seekers.
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Editor: Krista Stevens
Copy editor: Jacob Gross
Fact-checker: Matt Giles

This week, we’re sharing stories from C.J. Chivers, David Ewing Duncan, Steve Silberman, Anna Wiener, and David Marchese.
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Nicholas Mainieri | Longreads | August 2018 | 25 minutes (6,273 words)
A tall man — mustard-yellow face paint, blackened eyes, Slurpee-blue mohawk, ripped denim, fingerless leather gloves, baseball bat on his shoulder — stalks past. He’s what they call a juvieganger, one of the cyberpunks who haunt the nearest interdimensional video arcade. He sneers: “Everyone’s looking around like it’s not 2038 or whatever.” Twelve-foot-tall columnar lamps emanate soft neon blues, pinks, and purples throughout the room. The dark walls bear bright geometric decals that look like 1980s fever visions of space-station Rubik’s cubes. On a row of LCD screens, space fighters zig and zag through cascades of extraterrestrial insects. Music pulses in the air, hypnotic beats threaded with the repurposed tones of old Commodore 64 games. An overwhelmed fighter explodes with a pixelated starburst. We groan, but enemies keep coming. The juvieganger guffaws, then prods a spectator: “You got any quarters, man?”
It’s 2018, and I’m in Santa Fe, New Mexico, for the World Championship of Galaga, the 37-year-old arcade game whose anchor sunk deep into the cultural eddies of arcades, bowling lanes, pizza parlors, dive bars, and — at one time — fried-chicken joints, supermarkets, drugstores, and laundromats. In Galaga, a player’s control of the avatar is restricted to lateral movements along the screen’s bottom border. The gameplay itself bears the player irrevocably forward across a universe of multicolored stars. The triangular space fighter, red accents on its white wings, faces squadrons of Galagas. The Galagas are mostly space bugs: bees, butterflies or moths, dragonflies, scorpions, and cicadas (perhaps), but also, on several mildly perplexing stages, things that look like the Starship Enterprise. Dodge their missiles and kamikaze dives, mash the fire button. Once nothing remains but the austere depths of flickering space, advance.
The championship is the main event of the inaugural ScoreWars, an event organized by the arts collective Meow Wolf. It is held in a redesigned wing of their New Mexico headquarters, alongside the collective’s immersive, otherworldly exhibit, “The House of Eternal Return.” Beyond the row of ten Galaga machines hooked up to monitors, the arcade room features dozens of other classics tuned to free play for spectators, as well as a roped-off section of games including Track & Field, Ms. Pac-Man, Centipede, Robotron, and Nibbler, where well-known players will attempt to break their own high scores. ScoreWars, mindful of aesthetics and propelled by a reverence for the past, strikes a different tone than the contemporary competitions of big-business eSports. There’s something here that, even with the underlying finances, cuts more directly to the heart of what it means to play a game with one’s friends.
Music pulses in the air, hypnotic beats threaded with the repurposed tones of old Commodore 64 games. An overwhelmed fighter explodes with a pixelated starburst. We groan, but enemies keep coming.
Mark Schult, a friendly Hoosier and IT technician, is one of 10 pro-level qualifiers for the championship, where the winner will receive $10,000. Mark wears close-cropped brown hair. There are laugh lines at the corners of his mouth and blue eyes. His cheerful disposition brings the word “Midwestern” to mind. He loves the film WarGames. “A great technology movie,” he says, with bonus points for the scene in which Matthew Broderick plays Galaga. Mark and I work together back in Indiana, at the University of Notre Dame, where he supports the technology in my department. I didn’t know Mark that well yet when, one February morning this year, I overheard him recall eating a corn dog at the mall and listening to the electronic sounds from the arcade’s shadowed entrance like 8-bit sirens in a cave. It slung me back to the fifth grade, the corner of Skate U.S.A., and the frenetic theme of the Street Fighter II cabinet. Read more…

Jacob Silverman | Longreads | July 2018 | 8 minutes (1,917 words)
Last week, James Woods, an actor who supports Trump and delights in right-wing memes, tweeted a photo of a woman at a rally. The woman wore a yellow placard that read “My Legs Are Open For Refugees.” Woods, amused and apparently unimpressed by the woman’s appearance, wrote, “Finally, a real solution to stop illegal immigration.” The photo was fake. The words “Legs Are” were, clearly—and quite poorly—edited into the image. That didn’t stop Woods from sharing the photo, which was retweeted more than 7,400 times and picked up by Nigel Farage, a prominent member of the UK Independence Party, and popular pro-Trump accounts. For a certain faction of right-wing Twitter users, the image was another piece of evidence validating a noxious truth.
Eventually, a photographer named Lasia Kretzel saw the picture. Kretzel was disturbed; she had taken the original photograph, in which the sign read, “My Door Is Open for Refugees.” The sign also had a stamp from Amnesty International that had been removed in some edits. Kretzel had captured the image more than two years ago, at a demonstration supporting Syrian refugees in Saskatoon, Canada. In a series of tweets, she laid out how it had been altered as a piece of propaganda designed to whip up anti-refugee sentiment. Her thread was retweeted more than 6,400 times. Soon, Farage deleted his wrongful tweet. But the Woods post remained up, zooming past Kretzel’s in popularity. It’s likely that few, if any, of his followers ever noticed the correction. Besides, even if the tweet was untrue, it was still a good troll, and it showed his fans what they wanted to see. Read more…

Chelsea G. Summers | Longreads | July 2018 | 15 minutes (3,801 words)
This is a piece about abuse. This is a piece about kink and a piece about consent. This is a piece about the law. This is a piece about some powerful men whom I’ve never met, and it’s a piece about some nobody men whom I’ve loved. This is a piece about rough sex, about “rough sex,” and about how these two categories overlap and rub each other raw. This is a piece that was hard for me to write and may be hard for you to read. Most of all, this is a piece about why masculinity is fractured, and how women get caught in its cracks.
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On May 7 of this year, The New Yorker dropped its Eric Schneiderman bombshell. The article, cowritten by Jane Mayer and Ronan Farrow, gives voice to four women who detail their experiences with Schneiderman, the New York attorney general at the time, and accuse him of repeated instances of “nonconsensual physical violence.” Presented as a thread in the unfolding #MeToo fabric of sexual abuse allegations, this New Yorker piece told four women’s stories of how Schneiderman slapped and choked them, “frequently in bed and never with their consent.” Within a day, Schneiderman had resigned his office.
I read the Mayer and Farrow piece with a mounting sense of dread, horror, and recognition. I’ve never met Schneiderman; I’ve never met the victims who allege his abuse. But I knew what these women were describing because I too have felt something like those slaps, those stings, that choking fear. I understood the disconnect between thinking you were dating a “woke” man, a guy who understood in his guts the inequity of being a woman in this patriarchal world, and finding that this man was a rank, abusive hypocrite.
Born and raised in Manhattan, Schneiderman glows with an idealized aura of the East Coast elite. After graduating from Amherst College and Harvard Law School, Schniederman worked as a public interest attorney before turning to public office. In 1998, Schneiderman ran for a New York Senate seat in New York’s 31st district, which at the time stretched from the Upper West Side through Washington Heights and into Riverdale in the Bronx. Schneiderman won that election. He won the next election. And he won four times more, eventually parlaying his state congressional successes into his winning 2010 bid for New York attorney general. By all public accounts, Schneiderman used his power and his privilege as a champion for women and for the poor. You couldn’t draw a better poster boy for American liberalism.
I think I voted for Schneiderman. Why would I not? I was a progressive Democrat, and Schneiderman looked like an exciting candidate. Supporting both women’s access to abortion and victims of domestic violence, Schneiderman’s record on women’s issues was strong. Indeed, as state senator, Schneiderman introduced and passed the Strangulation Prevention Act of 2010, a bill that specifically categorized choking as a criminal felony. In his nicely cut, nondescript suits and silver fox hair, Schneiderman embodied consummate “woke” manliness, a guy who can execute a decent jump shot, then effortlessly quash dickish locker-room talk.
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Sarah Menkedick | Longreads | July 2018 | 18 minutes (4,817 words)
I am slightly embarrassed to admit that for a long time I thought of writing in its strictest, most cinematic sense: as the act of sitting before the proverbial blank screen and conjuring meaning word by word, occasionally pounding a fist on the desk for emphasis or stretching to pet the cat. In grad school, I took the maxim that She Who Wrote the Most Became the Best Writer very literally, churning out pages upon pages that yellowed and blew around my apartment. I remember sitting down with one of my advisors for a thesis meeting and expressing some frustration about how research or the logic puzzle of structuring was eating into my writing time. He looked at me a little like how everyone in the Amelia Bedelia books always looked at Amelia. “But that is writing,” he said. I was flummoxed. “It is?” That seemed like cheating. Writing in my mind was only a mystical, pure struggle of sentence-conjuring; everything else was superfluous, a stretch before the race.
As my career has advanced and I’ve published an actual book and written for various magazines and cobbled together a living as a freelancer, my notion of writing has finally expanded to encompass my professor’s definition. In nonfiction, I’ve come to see writing as the whole process of bringing a piece to life and all of its component parts: the interview preparation, the interviews themselves, the transcriptions, the reinterviews, the careful chiseling and combining and rearranging of all this material. Writing is the broad research and the winnowing of broad research into narrower channels and tangents; the notes scribbled in reporting; the random quotes encountered in poetry or everyday life; the highlighting and mapping and organizing; then, finally, the actual word-by-word construction of sentences into story, which is more akin to building a nest from a thousand disparate twigs than conjuring a vision straight from one’s genius literary brain. It is all, in summary, much more humbling than it seemed at the outset.
Last year, I embarked on a project of new depth and scope: a book which entails a great deal of research and interviewing, and whose backbone is reconstructed narrative. As I delved full-time into the work, I realized I was as interested in the particular skills and techniques required to get and shape the material as I was in the material itself. I had focused for so long on the importance of the meaning of the sentence that I hadn’t thought about the art behind the rest of nonfiction writing. Part of the goal of this column, then, is to shine a light on some of those aspects of writing — interviewing, research, structuring, and more — that could be defined as “craft” and are often hidden behind the actual prose.
To tackle this column, I took the standard approach I’ve developed over my early career as a writer: look to the women. Women writers still face entrenched stereotypes and biases, underrepresentation in reviews, and a significant byline gap in publishing. I have found that one silver lining to this discrimination can be women writers’ commitment to helping one another out, supporting one another’s work, and navigating what often feels like an inscrutable insiders’ network together. With that spirit in mind, for this first column on the subject of interviewing, I looked to three women writers whose work I deeply admire: Lauren Markham, Sarah Smarsh, and Jennifer Percy. I read and reread their remarkable books, then spoke with each of them about the skill, art, and technique of the interview.
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One reason I chose these three women’s work was because each of their books leans heavily on reconstructed narrative: scenes from characters’ pasts that the writer didn’t witness and that need to be put together in vivid detail from interviews. Much of my work as a journalist has relied on reconstructed narrative, and I am fascinated by the puzzle of interviewing the same subject over and over again in order to flesh out the shape and texture of their life. It is not a linear process. It does not proceed like: Tell me about the day you did X. How did that feel? What did it look like? What happened next? Now tell me about the day you did Y. For me, it often involves getting a big gush of information in the first interview, then going through it to highlight areas of particular interest or ambiguity, then going back and asking more about those areas, then repeating this process ad infinitum until the information becomes a story.
Lauren Markham spent two years reporting The Far Away Brothers, a beautiful, devastating nonfiction epic that follows twin brothers Ernesto and Raul Flores (not their real names: Markham used pseudonyms to protect their identities) from El Salvador as they embark on a perilous journey across Central America and Mexico to the United States, fight their way through immigration limbo, and struggle to build a new life for themselves so far from home. Markham described her interviewing process as “entering through the side door.” She gave an example from the powerful opening scene in her book: her main characters, the young Salvadoran twin brothers, are in a car en route to a court appointment in downtown San Francisco. They are late, and they are stressed: If they miss this court date they could ultimately be deported. They are driving around in circles with their older brother. First Markham got the information about the times, the streets, the weather, the basics of how they were feeling. But the details that give the scene the poignancy necessary to open a book about American immigration came through the side door: Long after her initial interviews for the car scene, she and the twins were chatting about something else when one mentioned casually that he’d always thought of the United States as a land of skyscrapers, these big beautiful buildings, but once he was here, he realized it wasn’t really like that. Markham asked him how he felt under the skyscrapers in San Francisco that morning, and out of that conversation arose this passage:
At seventeen, the twins have never been to a city before — unless you count San Salvador, which they’d been to only a few times to visit relatives, or Mexico City, where they were practically shackled to their coyote, hunkered down in the spectral underbelly of the pass-throughs. San Francisco looms like no other place they’ve ever seen. Raul used to picture these buildings in the quiet night back home, rising upward like ladders, like possibilities. But now that he’s under them, they’re just endless, indistinguishable boxes. They make him feel, as most things in the United States of America so far do, small and out of place.
These moments, Markham suggests, are not ones you can necessarily ask about directly. “If you say to any of us,” she told me, “‘What are some of the most foundational memories from your childhood?’ we’re like, ‘wahhhhh?’” But if you’re willing to make the investment of time, you eventually find a way in through the side door.
Another day, Markham went on a bike ride with the twins and they told her a story about how when they were little in El Salvador they’d stolen corn and used it to buy a bike; it was such a perfect memory to encapsulate their childhood. To elicit this type of early experience in particular, Markham relied much more on the coefficient of time spent with her subjects than on the expertly crafted interview question. She told me, “I think building real, honest, genuine relationships from your heart with whomever you’re interviewing makes for better journalism and more humane journalism. And of course there have to be boundaries and there has to be the clarity of OK we’re not friends and I’m still a journalist, but you can still be operating from a place of deep compassion and connection with someone.”
Writing about immigrants who attended the high school where Markham works in Oakland, California, posed an ethical dilemma that terrified her initially. She did not want the twins to feel obligated to participate in her project; she did not want to seem like she was taking advantage of her position; she didn’t want to blend her role coordinating services and programs at the school with her role as a journalist. She agonized over this with her boss at work until finally she told her, “Listen, we let journalists in here all the time to connect with immigrant communities, and we are constantly making a calculation of do we feel this person is trustworthy and do we feel that we trust them enough to connect them with students or families. Of all the people I’d want to write this story, it’d be you.” Markham was still uncertain about putting an undue burden on the twins until finally, she told me, she realized, “I was so freaked out about these young people’s ‘inability’ to make a decision and understand the kind of nuances of my dual role, that in fact I was infantilizing them. They walked from El Salvador to the United States, and I was sort of projecting on them this inability for them to understand or to make a decision on their own.” She sat down with them, explained her project, and told them they didn’t have to make a decision right away. By this point, they were no longer students and were 18 years old. She was surprised when they immediately agreed. They wanted to tell their stories. They wanted to be heard.
Throughout the entire writing process Markham was hyper-aware of the clichés inherent in writing about immigrants: painting them as the perfect, sad heroes, as one-dimensional victims. She wanted to include all the complications of their lives, their shitty decisions, their adolescence. They were teenagers, after all, living by themselves in a foreign country. “Showing them in their roundness was a way to crack open the trope of immigration,” she told me.
Her commitment to showing her characters’ full, complex humanity comes through in so many details of daily life and personality: the way the twins’ faces form “matching masks of dread” when they are late for an appointment; the bright red the Mexican snack food Takis stains their lips; the comfort they feel as they cuddle in a pilled blanket with their brother’s girlfriend’s chihuahua; the movies they watch (Finding Nemo) contrasted with their Facebook posts (tough-guy proclamations and shirtless pics); the way each holds a baby (Ernesto, “cautiously, like a bowl filled with water,” and Raul comfortably, “his face soften[ing] into an old expression something like innocence or wonder”). The most potent information, Markham said, came from just talking to and observing them, but it should also be said that her interview process was extensive and methodical. She had a regular interview schedule with the twins and over the course of years developed a “crazy mosaic” of information: details related to the car and the court date, to the journey northward from El Salvador, to the desert, to their time in an immigrant detention center. She knew that the power of the narrative would ride on detail, and whatever she didn’t glean from observation over time, she tried to ask about: What color was the sofa? What about so-and-so’s shirt? Maybe they didn’t remember the sofa or the shirt, but they did recall the wallpaper, and she’d write that down.
The technique Markham relied on most was asking the same question over and over: Tell me again about this.
The technique Markham relied on most was asking the same question over and over: Tell me again about this. “We already told you!” the twins would say, but they would tell it again, and when a detail changed she’d ask about it. She learned this in a workshop with Rebecca Skloot, who said that if you only have the testimony of one person and can’t corroborate, interview that person over and over and see where there are discrepancies. These discrepancies, Markham told me, are often “portals into more complex questions and realities of the story.”
Jennifer Percy also relied on this technique during the three years she spent reporting and writing Demon Camp: A Soldier’s Exorcism, the harrowing story of a soldier who, after a traumatic event in Afghanistan that resulted in the death of his best friend, returns home to the United States with PTSD and attempts to cure himself and other suffering vets using exorcism in small town Georgia. Percy found herself asking for the same story over and over, trying to break down the heroic version she initially heard. She needed to get through that stiffness of the rehearsed narrative to something rougher and more authentic. She was not after the same kind of authenticity as Markham; where Markham wanted to convey in precise detail the nature of her subjects’ journey northward, Percy wanted to illustrate the emotional and psychological power of war stories, the way they are constructed, the way they can be unreliable, the complex questions that unreliability poses.
Percy was heavily influenced by James Agee’s Let Us All Praise Famous Men and by the notion that nonfiction will always operate with limitations and will never be able to represent the world as it is. These limitations are some of the central tensions of her book; she portrays herself as the writer, the interviewer, struggling to understand across a gulf that is also the gulf between the average American and the soldier returning from war with PTSD. In the parts of the book in which she herself is present as a character, actually depicted interviewing on the page, the reader interviews through her in a way, struggling to make sense of experiences that in the end are impossible to untangle by everyday reasoning. “I asked him all those questions you’re not supposed to ask, about how many you killed, and death and destruction, and I asked him about morals,” she writes. The sense of the terrifying foreignness of both the questions and the answers is palpable. Percy is not acting here as the hidden expert deciphering this world for us, but instead as a novice we can identify with and relate to the characters through. “It didn’t really feel like I was trying to be an expert on the subject,” she told me, “but rather going into it as a question, with questions. That was what was driving the book.” Here the awkwardness of the interview is the story itself: How does someone who has never been to war understand war, and how does someone who has been to war make it comprehensible?
Percy is not acting here as the hidden expert deciphering this world for us, but instead as a novice we can identify with and relate to the characters through.
Percy obtained many concrete details — the height the aircraft at the heart of the narrative was flying when it crashed, its position, its specs — from sources other than her main subject, Caleb. With him, she focused predominantly on how he was struggling to make sense of an extremely traumatic experience.
This meant learning when to stay silent and when to push back. At first, she told me, her tendency was to react to these stories of trauma in the way she would react to a friend who was grieving: to respond empathetically, to ask sensitive questions, to tread very carefully, until she realized that this wasn’t actually what her subjects needed. They wanted her to listen, so she grew quiet and listened.
She eventually became less nervous about asking difficult questions, and as her relationship with Caleb evolved over years and he increasingly insisted on bringing her in line with his vision of the world, she pushed back a little harder against it. This delicate line in interviewing between privileging a subject’s view of the world, trying to comprehend it with as much nuance as possible, and challenging some of the improbable or biased or ethically dubious aspects of that view is one that Percy navigates masterfully. The narrative is tense with interactions like the following, in which Percy gestures to the gulf between her experience and her narrator’s, and to her own doubt, and at the same time gives credence to the necessity and fullness of his convictions. In this scene, she challenges Caleb and he challenges her back, and in the interplay between them lies the trauma.
“I tell him gently how sometimes when people convert to new religions they project their faith backward, using religion to explain difficult situations.”
“That’s all very interesting,” Caleb says,” but I have no doubt that this thing has been after me my whole life. I know you think this all sounds crazy, and don’t get me wrong, so do I.”
He crosses his arms and presses his lips together like a beak.
“What exactly would be the point of me going through deliverance?” I ask. He keeps telling me to consider it.
“Let’s say you did. What do you think it might have?”
I don’t say anything.
Then a few breaths later in that same scene, Percy asks:
“Did you feel anything after deliverance?”
“White noise,” he says. “All this white noise. I didn’t even know it was there and suddenly it was gone.”
In the first third of Demon Camp, which is written like fiction — a lyrical, haunting story of a vet growing up, going to war, and experiencing its horrors — Percy wanted to convey Caleb’s point of view. She taped many conversations and appropriated his language and rhythms directly from those transcripts. She also prepared him for interviews by saying, “I’m going to ask a lot of questions that seem really irrelevant. Can you spend a lot more time talking about this random object in the corner of the room?” She would tell him, “Slow time down to where you’re going to take me an hour to describe ten minutes.” What emerges from this is an almost embodied nonfiction, where Percy is in a way channeling her character. Of the night Caleb lost his virginity, Percy writes, “She showed him what to do in the way a mother might show her child how to fold a napkin.” Of his eagerness to believe in deliverance at a conference in Rhode Island where people came to be rid of PTSD, she writes, “He was born into a family who spoke of God at warm meals.” Percy gives me faith that, with enough time and observation, it is possible to use powerful, lyric prose to convey the experience of another person. She does, however, attribute the particularly lyric style of Demon Camp to the fact that it was her first experience of reporting, and she came into it “without any baggage in that realm.” I, too, feel that I now have too much baggage as a reporter to write as freely as I want, and I find Demon Camp exciting in how it breaks convention with much of standard literary journalism. It illustrates the possibility of being rigorous with interviewing and reporting while still writing a haunting, transporting work, harking back to the writing of earlier literary journalists like Didion and Wolfe.
Percy gives me faith that, with enough time and observation, it is possible to use powerful, lyric prose to convey the experience of another person.
In her highly anticipated debut, Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth, Sarah Smarsh also wanted to illustrate the imperfections and limitations of nonfiction, and the fact that the stories she is telling are not the ultimate, absolute truth but rather the subjective recollections of individual human beings. She wanted to emphasize the wit, insight, and personality of her characters — her family, blue collar workers who have so often been depicted mainly in demeaning stereotypes, or denied a voice at all in American culture. At first, Smarsh intended to immerse the reader in a narrative that read like fiction, a seamless recounting that made her interviewing invisible. But then, she told me, she realized that “for me, the family members who I was interviewing, who are dynamic characters in the book, are so original and funny and vibrant in their own words that I found however much I honed a narrative based on the things they told me, it was leaving one of the greatest strengths of the story on the table if I didn’t let them do some speaking for themselves.” This was also, she explained, “a subtle way of reminding the reader … (a) I’m not making this shit up, and (b) it’s not all about me. I’m building this from hopefully empathic conversations with people whose stories go back further from my own.” This tactic of forgoing the unbroken enchantment of a narrative that reads like fiction for a sense of real people telling stories allows Smarsh to pull off a remarkable feat: Although her book is a memoir, her voice and presence feel secondary to that of her family, and her consciousness, though it is actually writing and constructing the story, does not feel as though it is what drives the book.
Take, for example, Smarsh’s description of her grandmother Betty’s move from Wichita to Smarsh’s grandfather Arnie’s wheat farm:
Betty peeled untold pounds of potatoes, baked pies, fried meat, and stewed vegetables that grew outside the front door. She learned the isolation of rural life through a batch of cookies — she had everything she needed but the brown sugar. What was she supposed to do, drive ten miles west to Kingman just to get one damn ingredient?
“It wasn’t like when you lived in town, you’d bebop down to the QuikTrip,” she told me years later.
She learned to keep the basement overstocked with discount canned food, the deep-freeze packed with every cut of meat, the cupboards filled with double-coupon deals.
Heartland is driven by Smarsh’s memories and framed by her childhood, but in the end the book is not really so much about her — that is, her interior self and struggle — nor is it propelled by her voice in the MFA-ish sense of “voice.” I was amazed by this when I read the book, and it speaks in large part to the power of her interviewing. In an author’s note that prefaces the book, Smarsh notes that she researched and wrote the book over the course of 15 years, conducting “uncounted hours of interviews.” The resulting narrative demonstrates not only the extent of these interviews, but also Smarsh’s particular understanding of this world and these people and the empathy she has for them. While much of the uniqueness and insight of Percy’s book came from positioning herself as an outsider, trying to figure this world out — she told me that she doesn’t think the book would have had the same resonance had she come into it as a seasoned war reporter — Smarsh’s book derives its empathetic power from her belonging, her intuitive sense of this place. Much of the narrative, and of the conversations in the book, revolve around the tangibles of places, houses, jobs: the emotion is implied and pulses subtly and largely unstated beneath these facts. She was not asking her grandmother, “What did you feel? What did you think?”
Smarsh’s book derives its empathetic power from her belonging, her intuitive sense of this place.
When your own society hasn’t cared about you for decades, she told me, “those truths are experienced at some strata that is below words and articulation.” The lack of articulation of these truths in fact drove her to become a journalist in an attempt to articulate them. What makes her book so singular is the fact that she is able to convey this repressed or buried emotion in the language and the worldview of her characters. She doesn’t try to speak for them in what she calls “fancy English.” (She told me she speaks two forms of English: country and fancy.) She uses her understanding of this place and this worldview not to translate it but to convey it, with the skills and ethics of what she describes as “an old-fashioned hard-ass twentieth-century newspaper training.” We chatted briefly about Katherine Boo, whose work shares much in common with hers, and she remarked that Boo’s writing is exceptional because Boo doesn’t impose “her own inevitably socialized way of seeing reality” onto the people she’s writing about. The same could be said of Smarsh.
Like Percy, Smarsh emphasized the importance of being comfortable with silence. She described the interview as a forced, staged, artificial reproduction of what we do every day: talk to people and elicit interesting stories and information. “It’s sort of like if someone is just naturally hilarious and whenever you sit around and drink beers they crack everybody up, but if you put a microphone in front of that person and you’re like, ‘Be funny!’ they kind of shut down,” she said. This is the awkwardness the interview can generate for writers.
Smarsh told me she hates awkwardness and she has a “crushingly high empathy default setting,” but she’s learned to pause, to leave space for her subject to fill in. The most powerful and true answer might need that space, even if it makes the interviewer squirm.
I asked Smarsh about how interviewing family differed for her from interviewing strangers and if she employed any unique techniques. Her response was that actually approaching family interviews as a journalist — a professional working in a field with specific demands and protocols — made it easier for them to tell her their stories. This approach, she told me, “allowed my family to say, This is just work. I’m a journalist, I’m just doing my job, and if there’s anything my family respects, it’s someone just doing their damn work.” The interviews were not a touchy-feely let’s-all-understand-one-another session or, as Smarsh put it, her family saying in gushing tones, “Let’s support darling Sarah’s work!” Rather, she said, they were “basically the writing version of sharpening some tools in the shed.”
Smarsh told me she hates awkwardness and she has a “crushingly high empathy default setting,” but she’s learned to pause, to leave space for her subject to fill in. The most powerful and true answer might need that space, even if it makes the interviewer squirm.
I, too, have played this I’m-the-journalist role with my family: in particular, with my younger brother, when he went on a soul-searching road trip one summer and I begged to accompany him, as if he were the budding musician and I the rookie reporter for Rolling Stone. I have found it fascinating how much I could not know — and could come to understand — about someone I’ve known my whole life. The space that opens up between family members with that journalistic distance, with the curiosity and novelty of that role, can reveal objects hidden in plain sight. Smarsh describes writing about her family in this way, as a journalist, as “the most transformative process I’ve had as a human being”; in understanding the social, cultural, ground-level factors that made her mother in particular who she was, Smarsh was able to forgive her.
Smarsh described herself at one point as a “journalist of everyday life,” a phrase that seems at once intuitive and uncanny. I’ve come to latch onto it as a guiding principle; I love both its sweep and its specificity. In many ways, the art of interviewing, and of reconstructing the narratives of “regular” people — that is, not celebrities or public figures — is the art of making everyday life exceptional and fascinating, of seeing what we either take for granted, miss, or cast only a passing glance at in our narrow worlds. In the case of all three of these writers, everyday life contained significant traumas that would be foreign to many readers, but it also contained infinite small moments of tenderness, heartbreak, and connection, and the brilliance of their work is the ability to convey both: to map out the forces that shape a life and also all the quirks of individual strength and personality that define it.
The interview can feel like an act of transgression or, at worst, of violation, and at the same time like the ultimate veneration, a low bow before the infinitely layered experience of another human being. It is a unique intimacy, uncomfortable and pleasurable, awkward and at times transcendent, a spark of meaning that flashes between two often very different people. As Smarsh put it, “You are being given a gift.” And as with any gift, the giving and the receiving are complicated: How to reciprocate? How to honor? How to achieve balance? And is that even possible, or the point?
To look at the interview is to understand writing not as the solitary endeavor of the genius performing her sorcery but as relationship, as negotiation, in which a writer is trying to simultaneously remove herself entirely from a story — to in fact scribble out her assumptions and readings — and to purposefully tell that story with all her skill, will, and vision. The interview acts as a prism illuming the ultimate goal of any writing: to use one’s language and self and brain as a way of getting beyond self and language and brain into a larger realm, a shared one, a more universal one built of the most microscopic blocks: And what did the river feel like? Tell me about the wallpaper.
* * *
Sarah Menkedick is the author of Homing Instincts: Early Motherhood on a Midwestern Farm (Pantheon, 2017), which was longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her second book, about an epidemic of anxiety in American motherhood, is forthcoming from Pantheon. Her work has been featured or is forthcoming in Harper’s, Pacific Standard, Oxford American, The New York Times, The Washington Post, The Los Angeles Times, The Kenyon Review, The Paris Review Daily, and elsewhere.
Editor: Krista Stevens
Copy editor: Jacob Gross
Fact checker: Matt Giles

The World Wide Web is about to reach an amazing and terrible milestone: soon, 50 percent of the world’s population will be online. For Vanity Fair, Katrina Brooker reports on how Tim Berners-Lee, reflecting on how corporations like Facebook and Google have misused his creation to manipulate and spy on users, is attempting to revive the original promise of an open and safe web for all. He’s building a new platform called Solid, to give users privacy and control over their information.
Berners-Lee, who never directly profited off his invention, has also spent most of his life trying to guard it. While Silicon Valley started ride-share apps and social-media networks without profoundly considering the consequences, Berners-Lee has spent the past three decades thinking about little else. From the beginning, in fact, Berners-Lee understood how the epic power of the Web would radically transform governments, businesses, societies. He also envisioned that his invention could, in the wrong hands, become a destroyer of worlds, as Robert Oppenheimer once infamously observed of his own creation. His prophecy came to life, most recently, when revelations emerged that Russian hackers interfered with the 2016 presidential election, or when Facebook admitted it exposed data on more than 80 million users to a political research firm, Cambridge Analytica, which worked for Donald Trump’s campaign. This episode was the latest in an increasingly chilling narrative. In 2012, Facebook conducted secret psychological experiments on nearly 700,000 users. Both Google and Amazon have filed patent applications for devices designed to listen for mood shifts and emotions in the human voice.
For the man who set all this in motion, the mushroom cloud was unfolding before his very eyes. “I was devastated,” Berners-Lee told me that morning in Washington, blocks from the White House. For a brief moment, as he recalled his reaction to the Web’s recent abuses, Berners-Lee quieted; he was virtually sorrowful. “Actually, physically—my mind and body were in a different state.” Then he went on to recount, at a staccato pace, and in elliptical passages, the pain in watching his creation so distorted.
The forces that Berners-Lee unleashed nearly three decades ago are accelerating, moving in ways no one can fully predict. And now, as half the world joins the Web, we are at a societal inflection point: Are we headed toward an Orwellian future where a handful of corporations monitor and control our lives? Or are we on the verge of creating a better version of society online, one where the free flow of ideas and information helps cure disease, expose corruption, reverse injustices?
For now, the Solid technology is still new and not ready for the masses. But the vision, if it works, could radically change the existing power dynamics of the Web. The system aims to give users a platform by which they can control access to the data and content they generate on the Web. This way, users can choose how that data gets used rather than, say, Facebook and Google doing with it as they please. Solid’s code and technology is open to all—anyone with access to the Internet can come into its chat room and start coding.
Tim Berners-Lee reflects on how corporations like Facebook and Google have misused the World Wide Web to manipulate and spy on users. In a bid to revive the original promise of an open and safe web for all, he’s redoubling his effort to give users privacy and control over their information with a new platform he’s building, called Solid.
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