At The Walrus, Casey Plett calls for more depth in transgender characters in contemporary literature, arguing that cisgender authors writing sympathetic, yet trope-laden transgender narratives might be doing more harm than good. To get it out of the way: the Gender Novels fail to communicate what it’s actually like to transition. Their portrayals of gender-identity […]
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Posted inNonfiction
By the Reflection of What Is
On the aesthetics, performance, and “majestic wrath” of Frederick Douglass, the most-photographed American of the nineteenth century.
Posted inNonfiction, Story
By the Reflection of What Is
On the aesthetics, performance, and “majestic wrath” of Frederick Douglass, the most-photographed American of the nineteenth century.
Posted inNonfiction, Story
‘We Value Experience’: Can a Secret Society Become a Business?
Jeff Hull’s Latitude Society explores the possibilities of art, intimacy, experience, and membership.
Posted inNonfiction, Story
The Mountain Carver
Sculpture has always been a controversial art form in Iran, but that is where Parviz Tanavoli has found his greatest inspiration.
Posted inNonfiction, Profiles & Interviews, Story
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
Posted inNonfiction
‘We Value Experience’: Can a Secret Society Become a Business?
Jeff Hull’s Latitude Society explores the possibilities of art, intimacy, experience, and membership.
Posted inNonfiction
The Mountain Carver
Sculpture has always been a controversial art form in Iran, but that is where Parviz Tanavoli has found his greatest inspiration.
Posted inNonfiction, Profiles & Interviews
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
Posted inBooks, Nonfiction
Tennessee Williams on His Women, His Writer’s Block, and Whether It All Mattered
Tennessee Williams tasked James Grissom with seeking out each of the women (and few men) who had inspired his work—Maureen Stapleton, Lillian Gish, Marlon Brando and others—so that he could ask them a question: had Tennessee Williams, or his work, ever mattered?
