Search Results for: Business

‘You Start Hiring Job-Quitters’

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When everyone is encouraged to think of herself as a business, working for anyone else can only ever be considered training ground.

As companies have divested themselves of long-term obligations to workers (read: pensions, benefits, paths to advancement), employees (read: job-seekers) have developed an in-kind taste for short-term, commitment-free work arrangements. Their aim in landing any given job has since become landing another job elsewhere, using the job as an opportunity to develop transferable skills — and then to go ahead and transfer. The appeal of any given job becomes how lucrative it will be to quit.

At Aeon, Ilana Gershon describes how this calculus of quitting changes workplace dynamics, management techniques, division of labor, and the nature of being co-workers. “After all,” Gershon writes, “everyone works in the quitting economy, and everyone knows it.”

If you are a white-collar worker, it is simply rational to view yourself first and foremost as a job quitter – someone who takes a job for a certain amount of time when the best outcome is that you quit for another job (and the worst is that you get laid off). So how does work change when everyone is trying to become a quitter? First of all, in the society of perpetual job searches, different criteria make a job good or not. Good jobs used to be ones with a good salary, benefits, location, hours, boss, co-workers, and a clear path towards promotion. Now, a good job is one that prepares you for your next job, almost always with another company.

Your job might be a space to learn skills that you can use in the future. Or, it might be a job with a company that has a good-enough reputation that other companies are keen to hire away its employees. On the other hand, it isn’t as good a job if everything you learn there is too specific to that company, if you aren’t learning easily transferrable skills. It isn’t a good job if it enmeshes you in local regulatory schemes and keeps you tied to a particular location. And it isn’t a good job if you have to work such long hours that you never have time to look for the next job. In short, a job becomes a good job if it will lead to another job, likely with another company or organisation. You start choosing a job for how good it will be for you to quit it.

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An Ode to Dishwashers, the Unsung Heroes of the Restaurant Kitchen

Dishwashers Esteban Soc, left, and Joselino Aguilar, right, at work in the kitchen of Mexican restaurant Caracol. (Photo by Scott Dalton for The Washington Post via Getty Images)

In the Washington Post, food critic Tom Sietsema signed up for a dishwashing shift at Caracol, a 250-seat Mexican restaurant in Houston to experience the job Anthony Bourdain said taught him “every important lesson of my life.”

Dishwashers get paid a median annual wage of $20,000 a year in the U.S. and are a critical component of the restaurant industry. As Emeril Lagasse puts it, “You can’t have a successful service in a restaurant without a great dishwasher.” More restaurants are finding ways to recognize and reward their dishwashers:

After years of performing tasks no one else wants to do — cleaning nasty messes, taking out trash, polishing Japanese wine glasses priced at $66 a stem (at Quince in San Francisco) — the unsung heroes of the kitchen might be finally getting their due.

This spring, chef Rene Redzepi of the world-renowned Noma in Copenhagen made headlines when he made his dishwasher, Ali Sonko, a partner in his business. The Gambian native helped Redzepi open the landmark restaurant in 2003. And in July, workers at the esteemed French Laundry in Yountville, Calif., one of master chef Thomas Keller’s 12 U.S. restaurants and bakeries, voted to give their most prestigious company honor, the Core Award, to a dishwasher: Jaimie Portillo, who says he has never missed a day of work in seven years.

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In Foreign Territory, Wondering: Who is the Alpha Monkey?

Illustration by Rebekka Dunlap

Leigh Shulman | Longreads | August 2017 | 20 minutes (4,962 words)

 

Still breathless from dragging our heavy bag down the hill and through the mud, I never expected to be turned away on arrival. “No children allowed here,” he tells me.

“But Rafael,” I explain after introductions, “Monica knows we’re coming. Por favor ask her.”

What Rafael doesn’t tell me is that Monica, the owner of this magnificent animal sanctuary in the middle-of-nowhere jungle, left two days earlier for La Paz to tend to her sick father. She neglected to inform anyone that my nine-year-old daughter Lila and I would be landing on their doorstep. It’s a 20 km walk to the nearest town and no more buses for the day. How did I get us into this mess?

Thirty-six hours earlier, we locked the door of our house in Argentina, cabbed to the terminal and hopped a late bus headed for Bolivia. Lila snuggled against my shoulder, attempting to sleep through her excitement over our first night away. The driver rolled to a halt in every tiny dirt-pathed town, belching passengers into the cool Andean night. We touched the border before dawn.

Four hours and two passport stamps later, an unrelenting Bolivian sun burned our skin as we breakfasted on buttery rolls and coffee.

“How long is the next ride?” my little one asked.

“Twenty hours from here to La Paz.”
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The Hippies Who Hated the Summer of Love

Newcomers to the Haight-Ashbury neighborhood in April, 1967. At the height of the "Summer of Love," the area had a population density greater than Manhattan.

Kate Daloz | Longreads | August 2017 | 11 minutes (2700 words)

The posters began to appear around the city just after New Year’s, 1967. “A Gathering of the Tribes for a Human Be-in…Bring food to share, bring flowers, beads, costumes, feathers, cymbal flags.” On Saturday, January 14, a crowd of young people began to form on the open fields of Golden Gate Park. Throughout the day, local bands — not yet famous — took turns on the stage: The Grateful Dead, Jefferson Airplane, Janis Joplin’s Big Brother and the Holding Company. Poets Allen Ginsberg and Gary Snyder led Hindu chants to the bouncing rhythm of finger cymbals. Timothy Leary addressed the crowd, urging them for the first time ever to “turn on, tune in, and drop out.” Owsley Stanley, the rogue chemist credited with manufacturing the period’s highest-quality LSD, donated 75 turkeys for sandwiches — the bread was sprinkled lightly with crushed White Lightning acid. At one point, a skydiver descended gently into the crowd, borne by a white parachute.

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The Brief Career and Self-Imposed Exile of Jutta Hipp, Jazz Pianist

Detail of the cover for Jutta Hipp with Zoot Sims, Blue Note 93178. Via flickr4jazz on Flickr

Aaron Gilbreath | This Is: Essays on Jazz | Outpost19 | August 2017 | 21 minutes (5,900 words)

In 1960, four years after the venerable Blue Note Records signed pianist Jutta Hipp to their label, she stopped performing music entirely. Back in her native Germany, Hipp’s swinging, percussive style had earned her the title of Europe’s First Lady of Jazz. When she’d moved to New York in 1955, she started working at a garment factory in Queens to supplement her recording and performing income. She played clubs around the City. She toured. Then, with six albums to her name and no official explanation, she quit. She never performed publicly again, and she told so few people about her life in music that most of her factory coworkers and friends only discovered it from her obituary. For the next forty-one years, Jutta patched garments for a living, painted, drew and took photos for pleasure, all while royalties accrued on Blue Note’s books.

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Cory Taylor Answers Your Questions About Dying

Celebrated Australian novelist Cory Taylor was diagnosed with cancer in 2005. Rejecting the taboos that prevent humans from talking openly about death, she goes on the record with her answers to some of the most typical questions people have asked her about dying. In her piece at The New Yorker, she talks about her regrets, fears, priorities, what she’ll miss most, and how she’d like to be remembered. Taylor passed away on July 5th, 2016. Her book, Dying: A Memoir was published in the United States on August 1st, 2017.

A few months back, I was invited to take part in a program for ABC television called “You Can’t Ask That.” The premise of the show is that there are taboo subjects about which it is difficult to have an open and honest conversation, death being one of them. The producer of the program explained that I would be required to answer a number of questions on camera. She said questions had been sent in from all over the country, and the ten most common had been selected. I wasn’t to know what these were until the day I went into the studio for the filming.

It turned out that the producer of the program herself had a need to talk about death, as she had recently lost her father to cancer, and was struggling to cope. This is so often the case with people I talk to about my situation: they listen for a while, then they tell me their own death story, but always with a vague sense that it is shameful, that the whole sorry business is somehow their fault. In taking part in “You Can’t Ask That,” I wanted to do my bit to change things around, to win back some dignity for the dying, because I don’t think silence serves the interests of any of us.

The questions, as it turned out, were unsurprising. Did I have a bucket list, had I considered suicide, had I become religious, was I scared, was there anything good about dying, did I have any regrets, did I believe in an afterlife, had I changed my priorities in life, was I unhappy or depressed, was I likely to take more risks given that I was dying anyway, what would I miss the most, how would I like to be remembered? These were the same questions I’d been asking myself ever since I was diagnosed with cancer, back in 2005. And my answers haven’t changed since then. They are as follows.

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Overseas Elite: The Team Dominating the Single-Elimination, Winner-Take-All Basketball Tournament

Via TBT

Jonathan Mugar’s idea was simple: create a single-elimination, winner-take-all basketball tournament full of ex-college stars and pros. The Basketball Tournament—or, more simply, TBT—would take place every summer and, much like March Madness, only a select few could enter, determined by popular demand and an at-large selection process.

When TBT first launched in 2014, a team made up of former Notre Dame basketball players took the title, and the squad won $500,000, but the competition was seen largely as a niche event: perfect for the summer months to ease the doldrums of choosing between golf and baseball for your sports viewing pleasure. In the years since, though, TBT has exploded, adding 32 more teams (for a total of 64) to the field and upping the prize money to a whopping $2 million, attracting better athletes and enhancing the competitive spirit.

It’s within this chasm that Overseas Elite began its dynasty. An easy team to root for—Overseas Elite is stocked with Big East favorites including former St. John’s players (like DJ Kennedy) and Pittsburgh-area stars (DeAndre Kane)—the squad has won the past two TBT titles, racking up $4 million in the process and carving a path to the 2017 TBT finals (versus the Carmelo Anthony-coached Challenge ALS, which airs Thursday night on ESPN, challenging the NFL Network’s first preseason game).

Each of the half-dozen of so Overseas Elite players all have careers playing international ball, so it’s somewhat shocking that a team of such disparate players can come together for three straight years and make a mockery of the competition.

So what has helped Overseas Elite achieve this level of dominance? The team is built much like the modern NBA—that is, chock full of positionless players all capable of driving the lane and finishing at the rim or scorching the nets from deep. During the win against Boeheim’s Army in the TBT semifinals, Overseas Elite connected on nearly 50 percent of its threes, led by Errick McCollum II’s five three-pointers. During his time as a member of the Red Storm, Kennedy wasn’t known for his passing capabilities, but the big has evolved into a point-forward as a three-time Overseas Elite member (handing out 19 assist over five games).

By mimicking the tweaks already embedded in the modern NBA—offensive spacing, perimeter shooting, and lineups stacked with multi-versatile players—Overseas Elite has essentially become the Golden State Warriors of The Basketball Tournament. Back in 2014, when TBT was still very much a cool idea rather than a proven concept, Grantland’s Zach Lowe outlined the uniqueness of such a competition:

Picking the teams is the fun part. Any group of between seven and 10 players can apply for one of the 32 spots on TBT’s website (launching today). Every team has to have a “general manager” who selects the players, manages the team, and recruits “fans” through the website. Every “fan” must fill out a simple form to become official, and any team wishing to make the 32-team field must recruit at least 100 such fans — and likely thousands more. The 24 teams with the most fans will earn automatic bids into the 32-team field. The tournament organizers will choose the remaining eight teams, provided they’ve all met a baseline of 100 enlisted fans. That allows the tournament to make sure a high-profile team can make the field even if it somehow fails to pile up enough fans to crack the top 24.

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The War on Drugs Is a War on Women of Color

Andrea Ritchie | Invisible No More: Police Violence Against Black Women and Women of Color | Beacon Press | August 2017 | 18 minutes (4,744 words) 

Below is an excerpt from Invisible No More, by Andrea Ritchie. This story is recommended by Longreads contributing editor Dana Snitzky

* * *

The war on drugs has become a largely unannounced war on women, particularly women of color.

Drug laws and their enforcement in the United States have always been a deeply racialized project. In 1875, San Francisco passed the country’s first drug law criminalizing “opium dens” associated with Chinese immigrants, though opium was otherwise widely available and was used by white Americans in a variety of forms. Cocaine regulation at the turn of the twentieth century was colored by racial insecurities manifesting in myths that cocaine made Black people shoot better, rendered them impervious to bullets, and increased the likelihood that Black men would attack white women. Increasing criminalization of marijuana use during the early twentieth century was similarly premised on racialized stereotypes targeting Mexican immigrants, fears of racial mixing, and suppression of political dissent.

The “war on drugs,” officially declared by President Richard Nixon in 1971, has come to refer to police practices that involve stopping and searching people who fit the “profile” of drug users or couriers on the nation’s highways, buses, trains, and planes; saturation of particular neighborhoods (almost entirely low-income communities of color) with law enforcement officers charged with finding drugs in any quantity through widespread “stop and frisk” activities; no-knock warrants, surveillance, undercover operations, and highly militarized drug raids conducted by SWAT teams. It also includes harsh mandatory minimum sentences for drug convictions, which contribute to mass incarceration, and a range of punitive measures aimed at individuals with drug convictions.

Feminist criminologists assert, “The war on drugs has become a largely unannounced war on women, particularly women of color.” According to the Drug Policy Alliance, “Drug use and drug selling occur at similar rates across racial and ethnic groups, yet black and Latina women are far more likely to be criminalized for drug law violations than white women.” Black, Latinx, and Indigenous women make up a grossly disproportionate share of women incarcerated for drug offenses, even though whites are nearly five times as likely as Blacks to use marijuana and three times as likely as Blacks to have used crack. According to sociologist Luana Ross, although Native Americans make up 6 percent of the total population of Montana, they are approximately 25 percent of the female prison population. These disparities are partially explained by incarceration for drug offenses. These statistics are not just products of targeting Black, Latinx, and Indigenous communities; they are consequences of focusing on women of color in particular. From 2010 to 2014, women’s drug arrests increased by 9 percent while men’s decreased by 7.5 percent. These disparities were even starker at the height of the drug war. Between 1986 and 1995, arrests of adult women for drug abuse violations increased by 91.1 percent compared to 53.8 percent for men.

However, there continues to be very little information about the everyday police encounters that lead to drug arrests and produce racial disparities in women’s prisons. For instance, less well known in Sandra Bland’s case is the fact that before her fateful July 2015 traffic stop, she was twice arrested and charged for possession of small amounts of marijuana. After her first arrest a $500 fine was imposed. After the second, she served thirty days in Harris County jail, a facility criticized by the Department of Justice (DOJ) for its unconstitutional conditions of confinement. Read more…

The Arsonist Was Like a Ghost

An abandoned house in Accomack County, Virginia. Beginning in 2012, dozens of fires were set in the area, where the poverty rate is around 20 percent. (Bonnie Jo Mount/The Washington Post via Getty Images)

Monica Hesse | American Fire: Love, Arson, and Life in a Vanishing Land | LiverightAugust 2017 | 17 minutes (4,100 words) 

In the middle of the night on December 15, 2012, Lois Gomez sat up in bed. She thought she heard something. She listened. Nothing. Maybe she was wrong, maybe she hadn’t heard anything. She went to the kitchen for a drink of water. It was two or three in the morning, only a few hours before her shift at Perdue and her husband’s shift at Tyson. Now she definitely heard something. A banging on her front door — which in itself was odd; friends and family knew they always used the side entrance — and someone yelling: “Your garage is on fire! I’ve already called 911!”

She stood frozen in the kitchen trying to process the information. Christmas lights, she thought. Her outdoor Christmas lights were halfway up, but she and her husband had recently decided to visit his family in Texas for the holiday and she’d been trying to figure out whether to bother with the rest of the decorations, which were meanwhile stored in the family’s detached garage, which was now on fire. Christmas lights, along with the expensive music equipment for her son’s rock band.

It had been a rough couple of months. For one thing, she wasn’t getting along with her next-door neighbors. She’d been close with the woman who’d owned that house before, Susan Bundick. They brought each other dinner sometimes, or stood and chatted in their backyards. But one Sunday afternoon, Lois was outside emptying the aboveground backyard pool to close out the summer season, and she saw the police were at Susan’s house. They told Lois her neighbor had died. Now, Susan’s daughter lived in her mother’s old house and things weren’t as pleasant. Tonya was fine, kept to herself, but Lois had a few run-ins with Tonya’s new boyfriend, a squirrelly redheaded guy whose name she didn’t know. He’d done a few little things, like dumping a bunch of branches on their lawn instead of disposing of them like he was supposed to. Once he’d accused her of making racial slurs against Tonya’s kids. The accusation was ridiculous. Lois’s husband was from Mexico, and her four grandchildren were partly black.

She’d also been having nightmares about the arsonist. In one dream, she went into her kitchen late at night and saw someone racing through the yard, an intruder wearing dark-colored sweat pants and a hoodie. “What are you doing?” she called. The figure turned and looked at her but she still couldn’t see his face, and he eventually disappeared behind her detached garage. She woke up and realized it wasn’t real.

This night wasn’t a dream, though.

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Diet Is a Four-Letter Word

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In recounting the history of America’s obsession with thinness, Taffy Brodesser-Akner explores her own struggles with weight loss and the weight loss industry. She relates how “diet” has become a four-letter word, out in favor of a new form of personal imprisonment — “eating clean,” “getting fit, and “being strong” — none of which offer any magic in a lifetime of struggle between body acceptance and losing weight.

I went to an intuitive-eating class — intuitive eating is where you learn to feed yourself based only on internal signals and not external ones like mealtimes or diet plans. Meaning it’s just eating what you want when you’re hungry and stopping when you’re full. There were six of us in there, educated, desperate fat women, doing mindful-eating exercises and discussing their pitfalls and challenges. We were given food. We would smell the food, put the food on our lips, think about the food, taste the food, roll the food around in our mouths, swallow the food. Are you still hungry? Are you sure? The first week it was a raisin. It progressed to cheese and crackers, then to cake, then to Easter candy. We sat there silently, as if we were aliens who had just arrived on Earth and were learning what this thing called food was and why and how you would eat it. Each time we did the eating exercise, I would cry. ‘‘What is going on for you?’’ the leader would ask. But it was the same answer every time: I am 41, I would say. I am 41 and accomplished and a beloved wife and a good mother and a hard worker and a contributor to society and I am learning how to eat a goddamned raisin. How did this all go so wrong for me?

I nodded into the phone because I didn’t want Oprah to hear me crying. I wanted to quit dieting, but had come to realize that dieting was all I had. I was completely perplexed by food — food! Stupid food! That’s what this was about! I dieted because I wanted to maintain hope that I could one day manage my food intake, because my bewilderment around the stuff was untenable. When I didn’t have that hope, I was left with too much worry about pain, about how much my knees hurt now and how much more they would in just a few years. I could be enlightened about my body. I could have acceptance. But nobody would tell that to the people who saw me as a target; nobody would tell that to my knees.

Weight isn’t neutral. A woman’s body isn’t neutral. A woman’s body is everyone’s business but her own. Even in our attempts to free one another, we were still trying to tell one another what to want and what to do. It is terrible to tell people to try to be thinner; it is also terrible to tell them that wanting to lose weight is hopeless and wrong.

I don’t know if diets can work in the short term or the long term. For the first time, I began to think that this was something worth being made crazy over. Our bodies deserve our thoughts and our kindness, our acceptance and our striving. Our bodies are what carry our thoughts and our kindness and our acceptance and striving.

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