A cheese snack shaped like a bald eagle perched on a branch? That will cost you $849.99.
2019
I Had To Leave My Mother So I Could Survive
Elisabet Velasquez reckons with a lifetime of disharmony with her religious, mentally ill mother.
‘A World Where Mothers Are Seen’
Vanessa Mártir introduces Writing the Mother Wound, a series of essays on mothering presented in collaboration with Writing our Lives and Longreads.
The Top 5 Longreads of the Week
This week, we’re sharing stories from Ronan Farrow, Nawal al-Maghafi, Corey Robin, Minda Honey, and E. Alex Jung.
Editor’s Roundtable: Stories About Stories
Longreads editors discuss stories in ProPublica/The New Yorker, Wired, and Esquire.
Korean Director Bong Joon-ho on How to Laugh in the Face of Horror
Korean director Bong Joon-ho on his new film, Parasite
We All Die In the End, But Our Skin Looks Great: A Reading List
Are you happy and well-rested, or did you just find a great new snail collagen sheet mask?
Dispatch from Puerto Nowhere
Robert Lopez examines what it means to be an assimilated American from Puerto Rico, and what was gained and lost in the process.
The Uncertain Future of Your Neighborhood Dry Cleaner
Startups are disrupting New York’s dry-cleaning industry and threatening the welfare of the Korean-Americans who have thrived in the industry since the 1970s. One thing startups can’t provide, though, is quality.
Why We Need a Working-Class Media
“…the working class constitutes 62 percent of the U.S. labor force. I want a prominent media home that reflects our size and heterogeneity. I want stories about wealth as opposed to income inequality and its effect on intergenerational and social mobility. I want stories that aren’t just about our problems, but that are also told […]
