Magerman told the Wall Street Journal that Mercer’s political opinions “show contempt for the social safety net that he doesn’t need, but many Americans do.” He also said that Mercer wants the U.S. government to be “shrunk down to the size of a pinhead.” Several former colleagues of Mercer’s said that his views are akin to Objectivism, the philosophy of Ayn Rand. Magerman told me, “Bob believes that human beings have no inherent value other than how much money they make. A cat has value, he’s said, because it provides pleasure to humans. But if someone is on welfare they have negative value. If he earns a thousand times more than a schoolteacher, then he’s a thousand times more valuable.” Magerman added, “He thinks society is upside down—that government helps the weak people get strong, and makes the strong people weak by taking their money away, through taxes.” He said that this mind-set was typical of “instant billionaires” in finance, who “have no stake in society,” unlike the industrialists of the past, who “built real things.”
Another former high-level Renaissance employee said, “Bob thinks the less government the better. He’s happy if people don’t trust the government. And if the President’s a bozo? He’s fine with that. He wants it to all fall down.”
It’s been almost a century since a 23-year-old F. Scott Fitzgerald penned “The I.O.U.,” a short story that pokes fun at the publishing industry’s obsession with sensation over substance. But until now, you couldn’t read it; it was among Fitzgerald’s still-unpublished papers. Last week, the long-lost story appeared in The New Yorker, another chapter in what the magazine calls its “imperfect romance” with the author. In 1925, Fitzgerald was “was a little too famous to appear often in its upstart pages,” though they were able to snag two poems and three “humorous short stories” before he died in 1940. Read more…
At The New Yorker, Pauls Toutonghi lovingly recalls his grandfather, Philippe Elias Tütünji, a writer, poet, and translator from Aleppo, Syria. Tütünji immigrated to America during World War II and never gave up his dream to achieve success as a poet in his adopted homeland. Working menial, low-paying jobs to support his family, and “full of immigrant ambition,” he once visited actor Danny Thomas in a bid to entice Thomas to record one of his poems as a song — a feat Tütünji believed would make him a star.
And so when my oldest aunt, Agnes, got a job as a stenographer at Standard Oil, and, with dizzying speed, met a young Standard Oil geologist, married him, and moved to Los Angeles, my grandfather decided that the rest of the family would follow. He fled again. The Toutonghis raffled off all their possessions to pay for tickets on an ocean liner. On May 26, 1946, they disembarked from Alexandria, Egypt, on the S.S. Vulcania, bound for New York City. On the ship’s Immigration and Naturalization Service Form I-415—a form that is still in use today—my family’s race is listed as Syrian. In the next column, the one reserved for country of citizenship, there is a different word: “Stateless.” Upon arrival in Manhattan, the Toutonghis collected their luggage and spent their last money on bus tickets bound for California. Stateless, they began a new life in a new nation—one that was, for the most part, open and welcoming to these hopeful refugees.
Still, my grandfather was a recent immigrant, full of ambition. He was a poet, and he’d written a few lyric stanzas in English, which he dreamed of turning into a song. It was, he would always claim—even decades later—a poem worth “a million dollars,” and “unlike anything anyone had ever heard.” On the day of his meeting with Thomas, he went to the post office and spent twenty-eight cents to send the poem to himself through registered mail—a poor man’s copyright. On the envelope, he wrote his address, twice, and then added, underlined: “Poeme in English,” and “its title had never been used.”
There is a straight line from the worst person in the government to quite possibly the best: Every tweet that Donald Trump sends each morning, setting off news alerts for a groggy American public, pings across millions of timelines before settling in its final resting place, the Library of Congress. The keeper of those tweets—and of George Gershwin’s piano, Rosa Parks’s peanut-butter-pancake recipe, and Bob Hope’s joke collection—is Carla Hayden, the Librarian of Congress, an Obama appointee who embodies the calm, measured wisdom of the 44th President and the forward-looking hope of that era.
The New Yorker’s Sarah Larson visited the library in the days after the Inauguration and she wanders through the collection like a person tasked with cataloging Noah’s Ark, the last great treasury of humanity tossed upon the seas of an angry God. At the helm is Hayden, a career librarian with a drawerful of butterscotch candy. Hayden replaces 87-year-old James Billington, a Bush-era appointee who had “been asleep at the switch” as the library struggled with the digital age. The library is still far behind where it should be technologically—Kyle Chayka at n+1 noted that the library did not have a Chief Information Officer from 2012 to late 2015, among other institutional failures—but Hayden’s cool competence is a light in the bureaucratic darkness.
Hayden met the Obamas when they all lived in Chicago. When I asked about her relationship with them, she was reticent—no anecdotes, no self-aggrandizement. (She also gently demurred from talking about Trump.) But if you watch footage of the Inauguration, you can see the affection there. Hayden, in a black coat and black gloves, is seated just to the right of the Capitol door. Michelle Obama, looking melancholy, smiles and waves in her direction. A minute later, someone yells, “maga!” Horns sound, and Chuck Schumer, Joe Biden, Nancy Pelosi, and President Obama emerge. Obama sees Hayden, waves, beams, approaches her, and leans in for a hug. “Sir!” she says, heartily, patting him on the back.
In her office, Hayden picked up the Jefferson candy bowl and offered me some butterscotch. “This is my secret sauce,” she said. I asked if there was anything in the library’s collections that people might love to explore but not know about. “Oh, yes! Oh, my goodness, yes!” she said. “Like the comic-book collection.” It’s the largest in the world. She described the depth of knowledge among the librarians: “You’ll say, ‘I’d like to see the original “Luke Cage,” ’ because of the TV show. And then they tell you, Luke Cage first appeared in this comic…’ And they just keep going.”
I later visited Georgia Higley, the head of the newspaper section of the serial division, who showed me an array of comics milestones (“All-Nego Comics” from 1947; Batman; Luke Cage), many so valuable they’re available only to scholars. I was struck that even “Archie” had notes of the country’s painful history and present: “The Mirth of a Nation,” the cover said, as ice-skating Archie flew over some barrels, toward a hole. “Wonder Woman,” Winter Issue No. 7, from 1943, was called “Wonder Woman for president.” There she was, with her boots and golden lasso, banging on a lectern covered in stars-and-stripes bunting. Below that, it said, “1000 years in the future!
Jawad’s body was put in a bag and placed on the patio, by Thamer’s feet. Thamer looked as if he wanted to move away from it but was too tired to get up. More swat-team members had arrived. I spotted Bashar, the policeman who’d saved the video of his brother Salem’s beheading. Blood stained his ammo vest. When Thamer told him that the body bag contained Jawad, Bashar wept silently. A policeman unzipped the bag and removed a silver bracelet from Jawad’s wrist. He handed the bracelet to Bashar, who fastened it on his own wrist.
Another Humvee arrived, and a second dead swat-team member was carried out. The corpse, set down beside Jawad, was coated in gray dust. I recognized him as a young man with whom I’d stayed up talking in the abandoned house the previous night. He’d scrolled through his phone, showing me pictures of his father and brother, both of whom were in an isis prison in Mosul. He feared for his mother, he’d told me, now that she was alone.
Bashar sat down and covered his eyes with his scarf. No one spoke. Mortars, tank cannons, air strikes, small arms, and high-calibre machine guns continued sounding up the road. After a few minutes, Bashar said, “We need to go back.”
Apparently, New Zealand is the new go-to destination for the end of the world. The New Yorker’s Evan Osnos talks with tech titans who are snapping up property in the far-flung nation “just in case.” Those staying in the US are stocking up on suitable transportation — you’re going to want more than 30 to the gallon in the after times — weapons, and crypto-currency.
Oh, pro tip? Stop putting off that Lasik surgery you’ve been thinking about; you’re not going to be able to get new glasses when the apocalypse hits.
Tim Chang, a forty-four-year-old managing director at Mayfield Fund, a venture-capital firm, told me, “There’s a bunch of us in the Valley. We meet up and have these financial-hacking dinners and talk about backup plans people are doing. It runs the gamut from a lot of people stocking up on Bitcoin and cryptocurrency, to figuring out how to get second passports if they need it, to having vacation homes in other countries that could be escape havens.” He said, “I’ll be candid: I’m stockpiling now on real estate to generate passive income but also to have havens to go to.” He and his wife, who is in technology, keep a set of bags packed for themselves and their four-year-old daughter.
Happy Halloween! It’s the season of costume parties, trick-or-treating, pumpkin-carving, and scary stories. The spookiness doesn’t have to end with the weekend—indulge in classic creepypasta, scary podcasts, and Ms. (Shirley) Jackson on your lunch break.
For the past two weeks, I’ve been in a reading funk. I start a book; I put it down; repeat. Instead of novels, I’ve turned to Reddit (for virtually the first time in my life), reading creepypasta and other weird stories into the wee hours. Bonus round: Every year, Jezebel collects terrifying stories from their readers—usually of the paranormal-it-happened-to-me variety–and this year’s is up! I think “Armoire” is the scariest. Read more…
Autumn is my favorite time to walk around my city. The swirling skies, the cool weather, the breeze, the crunchy leaves—it’s dynamic, and, best of all, I don’t sweat as much.
In Wanderlust: A History of Walking, Rebecca Solnit writes, “Walkers are ‘practitioners of the city,’ for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.”
I love this quote. Despite the fear I feel sometimes as a woman walking alone, walking places gives me a sense of control. I’m not at the mercy of someone else’s schedule. I can take a new, weird route or linger by the Canadian geese in a recently renovated lake. In the following essays, Antonia Malachik discusses the cultural implications of our aversion to walking; Garnette Cadogan relates how his walks are coded by his skin color, depending on where in the world he is; Adee Braun praises the New York eat-and-walk—and that’s not all. You can read these on the move. Just don’t trip, okay?
We’ve featured Antonia Malachik’s article on Longreads before, but it fits this week’s theme too perfectly to ignore:
“In many parts of the US, pedestrianism is seen as a dubiously counter-culture activity. Gated communities are only the most recent incarnation of the narrow-eyed suspicion with which we view unleashed strangers venturing outside on foot, much less anywhere near our homes. A friend of mine told me recently that a few years ago, when she lived in Mississippi, she was stopped by police constantly simply because she preferred to walk to work. Twice they insisted on driving her home, ‘so I could prove I wasn’t homeless or a prostitute. Because who else would be out walking?’”
In an essay that remains sadly, horrifically relevant, Garnette Cadogan describes his risk-tainted wanders through Kingston, Jamaica; New York City; and New Orleans:
“Walking while black restricts the experience of walking, renders inaccessible the classic Romantic experience of walking alone. It forces me to be in constant relationship with others, unable to join the New York flaneurs I had read about and hoped to join…Walking as a black man has made me feel simultaneously more removed from the city, in my awareness that I am perceived as suspect, and more closely connected to it, in the full attentiveness demanded by my vigilance.”
My friends and I paused on a classic Manhattan street corner so we could purchase hot dogs on our ill-fated attempt to catch our bus back to Maryland. Certain denizens of the Mid-Atlantic are familiar with the Day Trip to New York City: You wake up earlier than is reasonable in order to board a stale, at-capacity charter bus full of crabby Marylanders (or wherever), and a few restless hours later, you’re deposited somewhere outside Times Square or Chinatown or the Javits Center. Then, you see a show (anecdotally, the most common reason for these jaunts), or go to the Strand bookstore (guilty), or something else. After we saw our show of choice (cliche, I know, but it was a one-weekend remount), we partook in that hallowed New York tradition: the eat-and-walk.
At Narratively, Adee Braun has written a love letter to the eat-and-walk, a lesser-known American export and beloved regional pastime.