“In 1986, Barbara Lowe Vollick won five games of ‘Jeopardy!’ in a row. Her episodes were then taken out of circulation. What followed was a nearly 40-year hunt for the missing tapes—and a quest to find out what really happened between the show and its most enigmatic champion.”
television
Posted inEditor's Pick
Why Are TV Writers So Miserable?
“On the cusp of a potential strike, writers explain why no one is having much fun making television anymore.”
Posted inEditor's Pick
The Making of Tom Wambsgans
“Before the final season of ‘Succession,’ Matthew Macfadyen and others explain the creation and expansion of the show’s most unlikely power player.”
Posted inFeature
How Wednesday Addams Birthed a Generation of Cynics
Nearly 30 years ago, Christina Ricci’s version of the character reinforced millennials’ suspicion that “the bright side” is an illusion.
Posted inNonfiction
‘We Deserve So Much More Than Police, Prisons, and Jails’: Scalawag Takes On Emmy-Winning Television
We recommend these incisive essays on Abbott Elementary, The White Lotus, and The Dropout in Scalawag’s series on pop culture and justice.
Posted inNonfiction
The Top 5 Longreads of the Week
This week, our editors recommend notable features and essays by Katie Barnes, Rachel Handler, Alex Hawkins, Lila Shapiro, and Raksha Vasudevan.
Posted inEditor's Pick
Nathan Fielder Is Out of His Mind (and Inside Yours)
On the axis of cringe comedy, Nathan Fielder’s work on TV series Nathan For You ranks somewhere between Sasha Baron Cohen and Covering Your Eyes and Ears to Escape the Vicarious Embarrassment. But Lila Shapiro’s profile, coming just ahead of Fielder’s return to television, attempts to peel back the layers of artifice between man and world. […]
Posted inEditor's Pick
Every Language Everywhere All at Once
“Audiences love foreign TV and film. So do streamers. There’s just one little challenge.”
Posted inEditor's Pick
How ‘Sex and the City’ Sent Me Down a Fake Baseball Rabbit Hole
“The iconic show’s reboot, and 25th anniversary, gave me the perfect mystery to solve during the MLB lockout. Here’s what I found.”
Posted inEditor's Pick
On “Succession,” Jeremy Strong Doesn’t Get the Joke
When I told Strong that I, too, thought of the show as a dark comedy, he looked at me with incomprehension and asked, “In the sense that, like, Chekhov is comedy?” No, I said, in the sense that it’s funny. “That’s exactly why we cast Jeremy in that role,” McKay told me. “Because he’s not […]