Tag: Pitchfork
Musical Genius Is a Gendered Idea
But really, what is a musician’s voice if not distinctive? Isn’t that… good? Entire pieces have been written about the voices of Bob Dylan and Tom Waits, so American and vital and wise in their manly scratchiness, like unshaved bristle and whiskey and dirt. Man voice make music good. Woman voice music bad: Too high. […]
Does Ty Segall Ever Sleep?
Another factor zooming Segall into the here-and-now is his prodigious streak, which has been an unintentional but fortuitous adaptation to the era of social media, where music arrives and vanishes from the cultural consciousness in the space of mere days, if not hours. It’s tough to forget him, because he always has a release on […]
Björk’s New Album Is ‘Almost Like a Diary’
This time, it’s personal: Björk describes her latest album, Vulnicura, as a singer/songwriter endeavor. In this extraordinary interview with Jessica Hopper (an excerpt from the upcoming issue of the Pitchfork Review), the enigmatic musician talks candidly about sexism in the arts and her musical partnerships and influences, and she touches briefly on the emotional devastation that inspired her songs. Here, Björk shares her advice for other women artists.
Who’s Resurrecting the Vinyl Market? Millennials and Their Parents
So who’s buying? Anecdotally, it’s a broad range. On a recent visit to Columbus shop Lost Weekend Records, owner Kyle Siegrist had just helped three customers who were purchasing vinyl for themselves and also for their dads for Father’s Day. The cycle seems to have gone something like this: Twenty years ago, diehard vinyl fans […]
→
How did the 1970s and Los Angeles end up creating such idiosyncratic singer-songwriters as Randy Newman, Harry Nilsson and Van Dyke Parks? The first thing you should know about Harry Nilsson is that he won a Grammy for covering a schmaltzy Badfinger ballad called ‘Without You’ in 1971. The second thing you should know is […]
Longreads 
You must be logged in to post a comment.