Nina Simone’s explosiveness was well known. In concert, she was quick to call out anyone she noticed talking, to stop and glare or hurl a few insults or even leave the stage. Yet her performances, richly improvised, were also confidingly intimate—she needed the connection with her audience—and often riveting. Even in her best years, Simone […]
Tag: music
A central agony in these books is alienation—not only the pain of abuse, or heartbreak, or evaporation, but the pain of having your pain appropriated. The books themselves reclaim the hurt for their authors, and whatever their literary merit, they offer at least some catharsis for the reader, who can always relate. Rock songs make […]
The Bee Gees’ dominance of the charts in the disco era was above and beyond Chic, Giorgio Moroder, even Donna Summer. Their sound track to Saturday Night Fever sold thirty million copies. They were responsible for writing and producing eight of 1978’s number ones, something only Lennon and McCartney in 1963/64 could rival—and John and […]
Horovitz: One night at the studio, me and Adam and Mike, we’re waiting outside, drinking beers, and we see Run running down the street screaming, and DMC is way behind him. They were so excited: They’d come up with the idea for our song “Paul Revere” on the way there. We loved Run DMC—and then […]
Taylor Swift has done it again, this time getting Apple to change its streaming deal with artists. Here’s a collection of stories on how the pop star runs the music industry. * * * 1. The Future of Music Is a Love Story (Taylor Swift, Wall Street Journal) In an op-ed in the Wall Street Journal, […]
Though Eno drew and painted at both Ipswich and Winchester, he left school with no plans to become a fine artist. “I thought that art schools should just be places where you thought about creative behavior, whereas they thought an art school was a place where you made painters,” he said later. “I think negative […]
What ultimately brought their work together to a halt was not creative disagreements but business ones. During his power grab, John was sweet-talked by a canny, dubious manager named Allen Klein, with whom he promptly signed. George and Ringo followed—pure primate politics there. But Paul would not. And so legend has it that the Beatles […]
BLVR: I’ve heard you guys had a no-analyzing rule for a while. You wouldn’t talk to each other about how the show went. TA: That was for about a year. You come offstage and no one can say anything. At all. At all. Because everyone’s got their own perspective. BLVR: Someone might think it’s a […]
He was cute; he was vulnerable; he had glasses. Really cool glasses. His hair was unfortunate; his features were delicate; in his videos, he could never quite hold eye contact with the camera. He wore sweaters a lot, and he sang about wearing the sweaters; he was a sweater-wearing dude, that Rivers Cuomo. He sang […]
These principal writers in various ways all tried to capture something of the flavor of jazz. Certainly Ginsberg and Kerouac. Kerouac wanted to write lines of prose or poetry that captured something of, say, the saxophonist art. He was interested in extemporization; he was interested in improvisation. And when he heard figures like Lester Young, […]
In 2013, for the first time in the 55-year-history of the Billboard Hot 100, not one black artist lodged a number-one single. (Of the eleven songs that held the spot for some portion of the year, four were hip-hop, and four featured black singers or rappers in guest roles.) There’s been round, sustained clamor over Macklemore’s […]
Transglobal licensed “She Loves You” to a tiny indie, Swan Records of Philadelphia, which released it stateside on Sept. 16. Swan had even less success with the Beatles than Vee-Jay: The song failed to chart at any station, and was roundly rejected by audiences when it was played at all. DJ Murray the K at […]
Brian Epstein was the manager of a family-owned business called North End Music Stores in Liverpool, England. He began hearing a lot about a new group called The Beatles, who were playing at the Cavern Club. So he went to hear them, and one day, proposed a management contract. The four lads, which included drummer […]
MCQUEEN: Talk to me a little bit about Yeezus. The album before that one, My Beautiful Dark Twisted Fantasy, was a phenomenal success. Did that wear on your mind when you went in to makeYeezus? WEST: Yeah! So I just had to throw it all in the trash. I had to not follow any of the rules […]
A Pianist’s A-V Alfred Brendel | New York Review of Books | July 2013 | 17 minutes (4,233 words) *** Robert Cottrell is editor of The Browser. The best writers about classical music are professional musicians: think of Jeremy Denk, Stephen Hough, Nico Muhly. (The exception that disproves the rule is Alex Ross.) Charles Rosen, […]
Ned Stuckey-French | The Normal School | Fall 2012 | 20 minutes (4,999 words) For this week’s Longreads Member Pick, we’re excited to share “Don’t Be Cruel: A Brief History of Elvis-Hating in America,” from Ned Stuckey-French and The Normal School. Become a Longreads Member to receive the full story and support our service. You can […]
“‘We thought we were the best in Hamburg and Liverpool—it was just a matter of time before everybody else caught on. We were the best fucking group in the goddamn world … and believing that is what made us what we were.’” -John Lennon, in a 1980 interview. Lennon is quoted in Andrew Romano’s 2013 […]
From Matt Graves: Here are six of his story picks on the topic of music producers, the often-overlooked architects of the music we hear and love. * * * 1. “The Song Machine: the Hitmakers Behind Rihanna,” by John Seabrook (The New Yorker, March 2012) In her ascent to the pop throne, Rihanna had some unlikely help: a […]
Todd Olmstead is Mashable’s Associate Community Manager and an occasional music writer. He lives in Brooklyn. My favorite longread this week is ‘Random Access Denied,’ by Sasha-Frere Jones in the New Yorker. It takes you through the mind of the reviewer, writing about a big-deal album, and peels back the curtain a bit. Who wouldn’t […]
Mark Armstrong (that’s not him above) is the founder of Longreads, and editorial director for Pocket. This past week’s Steven Soderbergh speech on “The State of the Cinema” isn’t as big a downer for film lovers as these choice quotes might have you believe: “Shouldn’t we be spending the time and resources alleviating suffering and helping […]
A professional musician calls for a rethinking of how we value (and pay) artists in the digital era: Rather, fairness for musicians is a problem that requires each of us to individually look at our own actions, values and choices and try to anticipate the consequences of our choices. I would suggest to you that, […]
Inside the making of a hit pop song—or hundreds of them. Stargate and Ester Dean are a producer-“top-liner” team that helps write hits for stars like Rihanna: “The first sounds Dean uttered were subverbal—na-na-na and ba-ba-ba—and recalled her hooks for Rihanna. Then came disjointed words, culled from her phone—’taking control … never die tonight … […]
You must be logged in to post a comment.