There’s an art and process to capturing iconic and marketable images from films. Director Jane Campion and her unit stills photographer Kirsty Griffin — along with David Lowery, Eric Zachanowich, Joachim Trier, and Christian Belgaux — talk about behind-the-scenes photography during the filming of The Power of the Dog. There’s just something about the eye […]
movies
Your Favorite Scary Movie: The Oral History of ‘Scream’
“Twenty-five years ago, Wes Craven’s bloody, witty meta-horror film hit theaters and reinvigorated multiple genres. Here’s how the iconic movie was made.”
“Who the Fuck Cares About Adam McKay?” (We Do, and With Good Reason)
“But success, as we’re obliged to say in the personal-profiles business, has come at a price—bouts of depression, a heart attack, a rotating cast of therapists, a tortured relationship with his mother, and a bitter breakup with his former creative partner Will Ferrell. As it turns out, every movie is the most personal movie Adam […]
Keanu Reeves Knows the Secrets of the Universe
“Guy’s always working—sixty-eight movies in thirty-five years. Playing killing machines, doofuses, romantics, messiahs, and devils. But always Keanu. Which always means something more.”
But Who Tells Them What To Sing?
“And thus another Hollywood tradition was born: film choruses belting out perfectly nonsensical prose with utter conviction.”
The Untold Stories of Wes Studi
“Wes starring in films that have nothing to do with Native American heritage is something we acutely desire: to be allowed to play parts without having to authenticate our realness as Indians.”
The End of the Road
“Living in a van represented a new, glamorous ideal, unburdened from homeownership and a steady job — unmoored, even, from the physical world itself. If owning a home was no longer possible, there was endless space on Instagram.”
Youn Yuh-jung Comes to America
“On the set of Minari, she was an old Korean lady.” E. Alex Jung interviews Oscar nominee Youn Yuh-jung.
Il Maestro
Martin Scorsese on “content,” the films of Federico Fellini, and the art of cinema.
‘We Told You So’: Revisiting the Bleak, Pandemic-Filled World of 12 Monkeys, 25 Years Later
“Gilliam does believe that the end of society may soon be upon us. The question for him is: What shape will the new one take?”
