That’s me in the photo. June, 2011: my first time interning at a daily newspaper and the first time I read Joan Didion. She blew my mind, of course. Eventually, I started sharing my favorite longform pieces on my personal blog, which led to a variety of opportunities, including my gig here at Longreads. If you’re new around these parts, like I was just a few years ago, the stories below will give you an idea of the strength and skill that goes into creating engaging literary journalism.
Each of the four stories below has been featured on Longreads before, minus the annotations, of course. The interviews with the authors are just as fascinating as the essays they’ve written. Rachel Kaadzi Ghansah, Adrian Chen, and Brian Kevin discuss their research methods, their writing style, and how they choose which details to include and which to let go. There are literally dozens of other Annotation Tuesday stories I could’ve featured — it was hard to pick just three! — so be sure to take a look for yourself on the Nieman Storyboard website.
Part of successful longform storytelling is a seamless blend of the macro and micro. In recounting her journey to Yellow Springs, Ohio — where comic Dave Chappelle lives, where he grew up, in part — Rachel Kaadzi Ghansah does just that. She never interviews Chappelle himself; she interviews several of the people surrounding him, including his mother, scholar Yvonne Seon, and Neal Brannan, co-creator of “Chappelle’s Show.” Ghansah and Elon Green share a fascinating back-and-forth about the impossibility of objectivity, the n-word, and comedy as a weapon.
Tech reporter Adrian Chen — formerly of Gawker, now The New Yorker — wrote a marvelous profile of Megan Phelps-Roper, who was once a devoted member of the Westboro Baptist Church. When Phelps-Roper took over the church’s social media accounts, her life changed. In between hate speech and emojis, she engaged with people of different backgrounds and worldviews. Chen explains that it took a long time for Megan to feel comfortable opening up to him and sharing her story publicly. But when she did open up to Chen, she gave him access to her emails, her journals, even her private messages on the Words With Friends app. They spoke for hours, and the result is a nuanced portrait that demonstrates the nonlinear nature of healing.
I remember reading this piece when it was first published in 2011. I was interning at a daily newspaper and learning about feature writing and reporting for the first time. Michael Kruse and the Tampa Bay Times (previously the St. Petersburg Times) came highly recommended to me, and this story, “A Brevard Woman Disappeared, but Never Left Home” — is a contemporary classic. Journalist and professor Paige Williams dissects the story on an educational basis; Kruse answers her questions and adds commentary.
During my senior year of undergrad, I embarked on an independent study of longform journalism — reading hundreds of essays, interviewing Ben Montgomery, and analyzing what makes different stories tick. Ready to embark on an independent study of your own? There’s no better place to start than this syllabus — I wish it had been around when I was in school. Roiland, presently an assistant professor with the Department of Communication and Journalism at the University of Maine, goes into glorious detail about each of his reading selections.