Kali Fajardo-Anstine talks about her new short story collection “Sabrina & Corina,” her obsession with dualities, and Chicano and Indigenous history in Denver.
interviews
‘There’s Virtually No Conversation In Chicago … About the Aftershocks of the Violence.’
In “An American Summer,” journalist Alex Kotlowitz tries to report on gun deaths on Chicago’s South Side with the same attention to survivors, anniversaries, and aftershocks that is paid to mass shootings.
‘Craft Is My Belief System. My Obligation To Writing Is Religious.’
Nathan Englander talks about the “super-American world” of Orthodox Judaism, Philip Roth’s funeral, and training himself to write his new novel “kaddish.com” while daydreaming.
Namwali Serpell on Doing the Responsible Thing — Writing an Irresponsible Novel
“I joke that this is the great Zambian novel you didn’t know you were waiting for.”
Irvine Welsh on Brexit, Existential Panic, and His Latest ‘Trainspotting’ Sequel
“The books from ‘Trainspotting’ onwards have been about deindustrialization … the cruel existential panic that we feel, in the sense that we don’t really know what we’re here for anymore.”
‘Women Can Be Required To Wear Something That’s Painful.’
Summer Brennan talks about femininity and suffering, beauty and biology, and the startlingly dark turn she found herself taking when writing about women and power in her new book ‘High Heel.’
‘I Cannot Name Any Emotion That Is Uniquely Human.’
According to primatologist Frans de Waal, we don’t like to admit that animals, especially apes, have emotions just like ours, and science has become better at studying apes’ behaviors than human ones.
Helen Oyeyemi on ‘Gingerbread,’ Fairy Tales, and What Self-Branding Is Doing to Childhood
“I was thinking a lot about childhood as this special status, an almost endangered status … that is eroded the more that we start thinking of ourselves as these units of value and worrying about what we’re worth.”
Hanif Abdurraqib on Loving A Tribe Called Quest
“I wasn’t interested in writing the definitive book on A Tribe Called Quest. I was trying to write the definitive book on a single arc of fandom.”
‘Every Woman Writer Feels Like She’s Starting Over Without Any Guides’
Ann Leckie talks about “The Raven Tower,” the erasure of women writers from the canon, the privilege inherent to ‘the anxiety of influence,’ and the power of tradition.
