In the Bay Area, there are two migrations: young people in tech moving in, ready to disrupt, and young people with other dreams — the artists, teachers, blacksmiths, therapists, mechanics, musicians — who leave because there’s no longer a place for them.
Fifty years later, he awoke one fine morning like Rip Van Winkle, and found himself again with his sea bag on his shoulder looking for anywhere he could live and work. The new owner of his old flat now wanted $4,500 a month, and many of his friends were also evicted, for it seemed their buildings weren’t owned by San Franciscans anymore, but by faceless investors with venture capital. Corporate monoculture had wiped out any unique sense of place, turning the “island city” into an artistic theme park without artists. And he was on the street.