In his debut, Saad Hossain brings a much-needed cynicism to our literature of the Iraq War. An absurdist protest novel in the vein of Kurt Vonnegut’s Slaughterhouse 5 or Joseph Heller’s Catch-22, Escape from Baghdad! relentlessly focuses the reader’s attention on the folly of war.
fiction
Escape from Baghdad!: Saad Hossain’s New Satire of the Iraq War
In his debut, Saad Hossain brings a much-needed cynicism to our literature of the Iraq War. An absurdist protest novel in the vein of Kurt Vonnegut’s Slaughterhouse 5 or Joseph Heller’s Catch-22, Escape from Baghdad! relentlessly focuses the reader’s attention on the folly of war.
A Conversation With Writer Colm TĂłibĂn on the ‘Close Imagining’ of Fiction
“A really good idea might come to you at night and seem really wrong in the morning. So you’re always testing things.”
Lorrie Moore on Her First Encounter with Miranda July
“When it came time for July to speak, she stood up and started singing. She was large-eyed and lithe. I don’t remember what song it was—something she had written herself, I believe. I was startled. Who was this woman?”
On Playing Hooky From a Job at the Post Office to Read ‘Ulysses’
The summer after my freshman year I found myself working as a substitute mail carrier in one of the tony North Shore suburbs outside Chicago. The post office was an intriguing place (just see short stories by Eudora Welty and Herman Melville). I discovered, after a steep learning curve, that I could sort and deliver […]
The House Made of Sugar
A Longreads Exclusive: The newly translated short story from Silvina Ocampo’s collection, Thus Were Their Faces.
The House Made of Sugar
A Longreads Exclusive: The newly translated short story from Silvina Ocampo’s collection, Thus Were Their Faces.
E.M. Forster on the Novel and Why Aristotle Was Wrong About Character
The specialty of the novel is that the writer can talk about his characters as well as through them or can arrange for us to listen when they talk to themselves. He has access to self-communings, and from that level he can descend even deeper and peer into the subconscious.
Taking the Slow Road: An Interview with Author Katherine Heiny
She published a short story in The New Yorker in 1992, then seemed to all but disappear. How author Katherine Heiny took her sweet time on the path toward publishing her new story collection.
Taking the Slow Road: An Interview with Author Katherine Heiny
She published a short story in The New Yorker in 1992, then seemed to all but disappear. How author Katherine Heiny took her sweet time on the path toward publishing her new story collection.
