Writers gonna write. Fantasy, science fiction, and speculative fiction author Ursula K. Le Guin may have given up publishing fiction in her ’80s, but that hasn’t stopped her from writing: she’s been blogging since 2010. Internet citizens may want to know: does she write about her cat, Pard? Why yes, yes she does — while examining the human condition, of course. Robert Minto writes about Le Guin’s blog at New Republic.
A running theme is the life of her cat, Pard. Between each of No Time to Spare’s four topical sections are essays entitled “Annals of Pard.” Devoting such time and interest to the observation of a cat might seem to represent the commonest impulses both of internet culture and old age; but, as always, Le Guin wades into her new genre to deepen and expand it. When Pard brings her a living mouse to and drops it on her bed in the night, her solution is to lock them together in the kitchen until the mouse disappears (whether through elusion or ingestion, she doesn’t know). She reflects on the ethical implications and possible reasons for her resistance to intervention:
I want to say clearly that I do not believe any animal is capable of being cruel. Cruelty implies consciousness of another’s pain and the intent to cause it. Cruelty is a human specialty, which human beings continue to practice, and perfect, and institutionalize, though we seldom boast about it. We prefer to disown it, calling it “inhumanity,” ascribing it to animals. … Wild cat and wild mouse have a clear, highly developed, well-understood connection—predator and prey. But Pard’s and his ancestors’ relationship with human beings has interfered with his instincts, confusing that fierce clarity, half taming it, leaving him and his prey in an unsatisfactory, unhappy place.
Illustration by Kjell Reigstad, based on cartography by Dyson Logos.
Adrian Daub | Longreads | August 2017 | 20 minutes (5,033 words)
“The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast Map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars […].”
— Jorge Luis Borges, “On Exactitude in Science”
I spent my adolescence around maps of places that didn’t exist. An older cousin read The Lord of the Rings over the course of a hot summer when I was nine, and I watched in fascination as he traced the Fellowship’s progress across the foldout map that came with the book in those days. This, I decided, had to be what grown-up reading looked like.
Maps were my entrée into geek life, and they remained the medium through which geekdom moved: beat-up paperbacks handed around between school friends, boxed sets at the local game store — we probably spent about as much time poring over maps as we did reading or dreaming up the stories that took place within the worlds they represented. The science fiction we read did without them, but any cover featuring a dragon, a many-turreted castle, or a woman in a leather bra suggested you’d find a map the moment you peeked inside the book. Read more…
I think the look of the show is great. There was a bit of an adjustment for me. I had been living with these characters and this world since 1991, so I had close to twenty years of pictures in my head of what these characters looked like, and the banners and the castles, and of course it doesn’t look like that. But that’s fine. It does take a bit of adjustment on the writer’s part but I’m not one of these writers who go crazy and says, “I described six buttons on the jacket and you put eight buttons on the jacket, you Hollywood idiots!” I’ve seen too many writers like that when I was on the other side, in Hollywood. When you work in television or film, it is a collaborative medium, and you have to allow the other collaborators to bring their own creative impulse to it, too.
George R. R. Martin’s Game of Thronesseries is a crossover hit. However, there are still skeptics who view fantasy as children’s fables and tales exclusively for young adults—or you might just find GRRM’s enormous tomes a little intimidating.
Luckily, fantasy short stories offer us the depth of narrative we require and the fantastic elements we crave. Here is a collection of my favorite new and old gems, available online for free.Read more…