“Before the final season of ‘Succession,’ Matthew Macfadyen and others explain the creation and expansion of the show’s most unlikely power player.”
entertainment
Are We Having Fun Yet?!: The Oral History of ‘Party Down’
“As the Starz comedy makes an unlikely return to air, its creators look back on creating a unique inside-Hollywood workplace sitcom, scrapping through a difficult development period, and getting gold from Adam Scott, Ken Marino, and Jane Lynch.”
Spirited Away to Miyazaki Land
“What happens when the surreal imagination of the world’s greatest living animator, Hayao Miyazaki, is turned into a theme park?”
‘We Deserve So Much More Than Police, Prisons, and Jails’: Scalawag Takes On Emmy-Winning Television
We recommend these incisive essays on Abbott Elementary, The White Lotus, and The Dropout in Scalawag’s series on pop culture and justice.
Kate Bush, “Running Up That Hill,” and the End of Music Charts As We Knew Them
Thanks to season four of Stranger Things, Kate Bush’s song, “Running Up That Hill (A Deal With God),” has topped the charts, 37 years after its release. Nate Rogers takes a look at how this happened, and what it means for the music industry, and especially older, legacy acts. Drenched in gated reverb and woozy […]
Every Language Everywhere All at Once
“Audiences love foreign TV and film. So do streamers. There’s just one little challenge.”
Ben Stiller Sees the World Differently Now
“It was a pretty amazing run. And there was a clarity to it all. He worked hard, pursued satisfying projects, and repeated the things that worked. He made Ben Stiller movies. He was always ascending. Then, starting with the cancer, he got the crap pounded out of him for a few years. His career, his […]
The Big, Bonkers, British, Christmas Pantomime
Oh, yes I did! An attempt to explain the bizarre tradition of the British Christmas pantomime.
What Mr. Miyagi Taught Me About Anti-Asian Racism in America
In The Karate Kid franchise, writes Beth Nguyen, “Mr. Miyagi is the perpetual foreigner who exists to serve the whiteness that surrounds him.”
Il Maestro
Martin Scorsese on “content,” the films of Federico Fellini, and the art of cinema.
