On the project that almost drove Jerry Saltz into despair.
art
Posted inEditor's Pick
My Life As a Failed Artist
Jerry Saltz, New York‘s senior art critic, revisits his own short career as a Dante-obsessed artist in late-seventies Chicago.
Posted inArts & Culture, Business & Tech, Nonfiction, Quotes
Why Don’t You Just Get One of Those Creative Jobs?
At The Paris Review, writer and creative director Glenn O’Brien narrates the comic struggle of artists who decide to go into advertising.
Posted inEssays & Criticism, Nonfiction, Quotes
How a Story Becomes a ‘Hopeful Thing’: George Saunders on His Writing Process
At the Guardian, the author recounts how it takes “hundreds of drafts” and “thousands of incremental adjustments” to form a story into a “hopeful thing.”
Posted inNonfiction, Quotes
Rorschach’s Inkblots Are Part of Art History
Merve Emre looks at the enduring visual power of Hermann Rorschach’s inkblots while reviewing Damion Searls’ new book on the German psychiatrist and his work.
Posted inEditor's Pick
Ralph Steadman: The Gonzo Marksman
“It can be hard to fill the hours, so I try to make a mark every day.” Ralph Steadman, the Welsh artist best known for his political cartoons and collaborations with Hunter S. Thompson, continues to make art that makes a statement.
Posted inEssays & Criticism, Nonfiction
Thank You, Jon Gnagy: An Appreciation of a Predecessor to Bob Ross
Ned Stuckey-French reflects on the host of Learn to Draw, the “middlebrow” instructional art show he loved as a kid.
Posted inEssays & Criticism, Nonfiction, Story
Thank You, Jon Gnagy: An Appreciation of a Predecessor to Bob Ross
Ned Stuckey-French reflects on the host of Learn to Draw, the “middlebrow” instructional art show he loved as a kid.
Posted inNonfiction, Profiles & Interviews
Dancing Naked in Public
A conversation on art with critic Jerry Saltz.
Posted inNonfiction, Profiles & Interviews, Story
Dancing Naked in Public
A conversation on art with critic Jerry Saltz.