Open source code could be the key to transforming the life of diabetics.
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When It’s Time to Tell
The silence that once protected one woman from memories of her abusive ex-boyfriend and further abuse was now the silence she needed to free herself from.
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
‘I Was Interested in the People Who Are Stuck With These Memories.’
Steph Cha discusses her new novel “Your House Will Pay,” the LA Riots, the Korean American Angeleno community, her 3,600 Yelp reviews, and pushing back against gatekeepers in publishing.
Editors Thinking About Editing at the AWP Conference
The only way to work as an editor and a writer is to continue learning from other editors and writers.
Our Words Will Save Us and Set Us Free
In the wake of having his writing career belittled, Jackson Bliss becomes an interpreter for a refugee and comes to see words, translations, and storytelling as important acts of resistance.
The Top 5 Longreads of the Week
This week, we’re sharing stories from James Hamblin, Josina Guess, Edward Carey, Paraic O’Donnell, and Ruth Graham.
Unearthing the Story: An Interview with Peter Hessler
The New Yorker writer describes his career’s circuitous route, from his start as a struggling fiction writer to becoming a China correspondent, and now the author of a new book about the Arab Spring.
‘People Can Become Houses’
In her debut memoir, Sarah Broom builds her “obsession” with her family home — destroyed in 2005 by Hurricane Katrina — into a story of how families decide who they are, how they got here, and how they reconstruct themselves over and over again.
Grandiose and Claustrophobic: ‘Prozac Nation’ Turns 25
Elizabeth Wurtzel’s bestseller is deeply rooted in a specific, Gen-X cultural moment. Can it still speak to us in 2019?

