“The uprising,” we told each other immediately, like everyone else in Warsaw. Strange. Because no one had ever used that word before in his life. Only in history, in books.
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The Mountain Carver
Sculpture has always been a controversial art form in Iran, but that is where Parviz Tanavoli has found his greatest inspiration.
I Would Rather Be Herod’s Pig: The History of a Taboo
The story of how pigs became the world’s most divisive meal.
Atomic Summer: An Essay by Joni Tevis
Buddy Holly, John Wayne, and the A-Bomb.
Breaking the Mold
Social scientist Bella DePaulo’s research reveals a broader array of lifestyles—from our relationships to our living spaces—than many of us could dream up.
Eudora Welty on Moving from Writer to Reader
What her 1972 Paris Review interview reveals about her approach to the craft.
Death Made Material: The Hair Jewelry of The Brontës
What can an object tell us about a person’s life? Deborah Lutz investigates the mystery of an amethyst bracelet woven with Emily and Anne Brontë’s hair to explore the rich lives and tragic deaths of the Bronte siblings.
An Intruder in Two Spaces: What It Feels Like to Be Biracial
This confusion at your own place is the essence of being biracial. Even though you owe no one an explanation, there’s a desire to explain, which comes from believing that just by being yourself you are a liar. You’re an intruder in either space, with no right to claim one or the other without a heavy caveat.
The Mountain Carver
Sculpture has always been a controversial art form in Iran, but that is where Parviz Tanavoli has found his greatest inspiration.
