The present we inhabit is shaped by the mixed legacies of the past.
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Posted inUncategorized
Plotting Out Structure and Writing Out Heroes: A Chat With the Writer and Editor Behind The Atavist’s New Issue
In this excerpt from The Creative Nonfiction Podcast, host Brendan O’Meara talks to Katia Savchuk and Atavist editor-in-chief Seyward Darby about their work on “A Crime Beyond Belief.”
Posted inFeature
Balancing Story and Sentiment: A Chat With the Writer and Editor Behind The Atavist’s New Issue
In this excerpt from The Creative Nonfiction Podcast, host Brendan O’Meara talks to Kelly Loudenberg and Atavist editor-in-chief Seyward Darby about their work on “The Caregivers.”
Posted inFeature
The Fact-Check and the Fury: A Chat With the Writers and Editor Behind The Atavist’s New Issue
In this excerpt from The Creative Nonfiction Podcast, host Brendan O’Meara talks to Leigh Baldwin and Sean Williams about co-writing “Follow the Leader.”
Posted inNonfiction
Doctors Without Patients: The Eritrean Physicians Stuck in American Licensing Limbo
“What was the whole point of your training if you cannot do something, even in a pandemic?”
Posted inBusiness & Tech, Crime, Highlight, Quote Posts, Quotes
Yes, The US Government Spies on US Journalists
“If we do not know what our government is doing, we cannot hold it accountable. If we do know, our enemies know too. That can be dangerous.”
Posted inCurrent Events, Essays & Criticism, Highlight, History, Profiles & Interviews, Quotes, Sports
‘Shots fired. Male on ground, bleeding out.’
When “Who gets to go jogging without getting shot?” is an actual question a society has to ask, that society is fundamentally flawed.
Posted inBooks, Design, Nonfiction, Story
The Powerful Decide
What makes good or bad design happen anywhere depends on who has the most power.
Posted inStory
Longreads Best of 2020: Sports and Games
With leagues across the world undergoing cancellations for much of the year, 2020 has been an interesting one in the world of sports. Here are some stories that resonated with us.
Posted inNonfiction
“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
