Search Results for: religion

‘He Has Baptized 66 Umpires, Calling Them Safe in the Only Way that Matters’

Longreads Pick

Jon Mooallem meets Pastor Dean, who uses religion to help baseball umpires deal with what can be an emotionally difficult job:

Every day is Judgment Day for an umpire. In the early days of organized baseball, team owners actually encouraged fans to harass umps who made questionable, or just unpopular, calls – throw beer bottles at them, or even the occasional brick. The sadism of Orioles fans was especially well-known, according to the 2008 book Death at the Ballpark. “They broke the spirits of some fine men,” one ump later remembered. By the end of the 1920s, at least 10 umpires had been killed or mortally wounded on the field – in one case, an umpire was punched so hard in the face that a fragment of his jaw ripped through his brain like a spear. In 1911, a semipro player in Georgia got so tired of insisting that the umpire had the score wrong that he walked off the bench with a pistol and shot the man.

Source: ESPN
Published: Jun 20, 2014
Length: 20 minutes (5,120 words)

Yes, All Women: A Reading List of Stories Written By Women

This week, a lot happened. A misogynist went on a violent rampage. #YesAllWomen took off on Twitter. Dr. Maya Angelou, feminist author and all-around genius (and don’t get me started on her doctor honorary), died at 86 years old. This week, I present a long list of essays, articles and interviews written by women. Many are about women, too. Some are lighthearted; others reflect on the events of the past week. I included a variety of subjects to honor those who might be triggered by the deadly violence of last week’s shooting, because women do not only write in the wake of tragedy—we write, we exist, for all time. So in this list there is reflection and humor; there are books and music and religion; there are all kinds of stories, fiction and non. Read what you need. Engage or escape.

1. “Summer in the City.” (Emma Aylor, May 2014)

Aylor, author of Twos, uses #YesAllWomen to write about about the sexual harassment she experienced as she researched her dissertation on the work of Wallace Stevens.

2. “In Relief of Silence and Burden.” (Roxane Gay, May 2014)

The author of An Untamed State and critically acclaimed badass gives her “testimony … so we can relieve ourselves of silence and burden” in the vein of #YesAllWomen, sharing stories of harassment, abuse and more.

3. “Not All Women: A Reflection on Being a Musician and Female.” (Allison Crutchfield, Impose Magazine, May 2014)

A wide range of female musicians react to a depressingly misogynistic article in Noisey about how to tour in a dude-dominated band. They share what they’ve learned on the road, emphasizing self-care, communication with bandmates, and doing what you need to do to feel safe and be your best self.

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The Pagan Rituals of Modern Winemaking

I had come back to AmByth to help hasten the vines’ resurrection by taking part in a ritual. I’d been invited the month before, while dining with Philip Hart and his wife, Mary. We’d talked for several hours that night, around their fireplace, wine glasses in hand. They asked me why I was so interested in biodynamic wine. I told them it was the relationship between wine and mysticism that really interested me. The conversation drifted to religion, and Mary told me she was a Christian, and considered herself born again. Philip didn’t come out and say what he believed, but it was clear he took Rudolf Steiner’s metaphysics quite seriously. A disagreement between them broke out at one point: Mary said, ‘as a Christian’, she was turned off by the pagan elements of biodynamics.

Philip mentioned they would be dispersing a preparation called ‘three kings’ shortly after the turning of the New Year. The ‘three kings’ preparation was devised decades after Steiner’s death, by Hugo Erbe, a disciple of his who also claimed to be in touch with nature’s ‘elemental beings’. Erbe said he’d seen these beings take flight from his farm after the atomic levelling of Hiroshima and Nagasaki. In order to rescue them, and heal the Earth’s wounds, he developed a preparation made from the gifts given to the infant Christ by the three wise men: gold, frankincense, and myrrh. The preparation is dispersed once a year, on 6 January, the date the wise men showed up in Bethlehem. ‘You’re welcome to join us, if you’re in town,’ Philip said to me.

Ross Andersen, in Aeon magazine, on the mystical roots of biodynamic wine.

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Photo: peterburge

Without Chief or Tribe: An Expat’s Guide to Having a Baby in Saudi Arabia

Nathan Deuel | Friday Was the Bomb | May 2014 | 21 minutes (5,178 words)

 

For our latest Longreads Member Pick, we’re thrilled to share a full chapter from Friday Was the Bomb, the new book by Nathan Deuel about moving to the Middle East with his wife in 2008. Deuel has been featured on Longreads in the past, and we’d like to thank him and Dzanc Books for sharing this chapter with the Longreads community. 

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Sacrament

Longreads Pick

Ross Andersen explores the history and rituals of winemaking—including the current-day growth of “biodynamic wine”:

I had come back to AmByth to help hasten the vines’ resurrection by taking part in a ritual. I’d been invited the month before, while dining with Philip Hart and his wife, Mary. We’d talked for several hours that night, around their fireplace, wine glasses in hand. They asked me why I was so interested in biodynamic wine. I told them it was the relationship between wine and mysticism that really interested me. The conversation drifted to religion, and Mary told me she was a Christian, and considered herself born again. Philip didn’t come out and say what he believed, but it was clear he took Steiner’s metaphysics quite seriously. A disagreement between them broke out at one point: Mary said, ‘as a Christian’, she was turned off by the pagan elements of biodynamics.

Source: Aeon
Published: May 27, 2014
Length: 26 minutes (6,500 words)

Jesus Land

Julia Scheeres | Jesus Land | 2012 | 21 minutes (5,152 words)

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For our Longreads Member Pick, we’re excited to share the opening chapter of Jesus Land, the bestselling 2012 memoir by Julia Scheeres about her strict Christian upbringing in Indiana, her relationship with her adopted brother David, and the stint they did in a Christian reform school together in the Dominican Republic. Our thanks to Scheeres and Counterpoint Press for sharing this story with the Longreads community.  Read more…

The Feel Of Nothing: A Life In America’s Batting Cages

Steve Salerno Missouri Review | Winter 2004| 24 minutes (6,016 words)

Steve Salerno’s essays and memoirs have appeared in Harper’s, the New York Times Magazine, Esquire and many other publications. His 2005 book, SHAM, was a groundbreaking deconstruction of the self-help movement, and he is working on a similar book about medicine. He teaches globalization and media at Lehigh University. This essay first appeared in the Missouri Review (subscribe here!). Thanks to Salerno for allowing us to reprint it here.

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Observed on video at half-speed, through the metal lattice-work of the batting cage, it is a perfectly choreographed pas de deux of man and machine. While the machine readies the pitch, the man executes the idiosyncratic but vital preparatory movements of torso and hand that jump-start his batting rhythm; he leans forward, then rocks his weight back, the bat wavering in a narrow arc above his head much as the young palms visible in the background yield to the soft ocean breezes—slightly forward of true vertical, slightly aft, slightly forward again. As the dimpled yellow ball shuffles down that last segment of the feeder sleeve toward the pair of spinning wheels that will propel it homeward, the batter’s hands twist around the axis of the lower wrist in a subtle cocking mechanism; when the ball drops between the wheels and disappears for an instant, the batter’s front foot lifts, then returns to earth perhaps six inches beyond its initial resting place; the bat itself remains well back, high over the rear shoulder, in obeisance to an ancient admonition—“hips before hands.”

Even in slo-mo, the swiftness of the ball’s flight to the plate startles. At first it seems that there’s no way the man can snap the bat down and around his body fast enough to intercept the sphere (which actually, now, more resembles a yellow antiaircraft tracer) before it blurs by him…. But no, he starts his swing, his lower body leading the way, pivoting sharply on the front foot—now—and in fact, somehow manages to confront the pitch out
 ahead of the ersatz plate. If you pause the video at this precise point—that millisecond before impact—you marvel at the fact that, slicing through the strike zone, the bat, despite being molded from a single sheet of metal, is no longer a straight, rigid line. Rather, the bat- head clearly lags behind the handle in its travel to the ball, a vivid manifestation of the explosive torque all good hitters rely on for generating power. An instant later, post-contact, the ball too is misshapen, flattened on the impact side, shooting off the bat in a shallow upward arc with such velocity that it appears to leave a comet-like contrail in its wake.

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Swiping Right in the 1700s: The Evolution of Personal Ads

Noga Arikha | Lapham’s Quarterly | 2009 | 13 minutes (3,200 words)

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In 1727, a lady named Helen Morrison placed a personal advertisement in the Manchester Weekly Journal. It was possibly the first time a newspaper was ever used for such a purpose. As it happens, Morrison was committed to an asylum for a month. Society was clearly not ready for such an autonomous practice, especially on the part of a woman. But personal ads quickly became an institution. Heinrich von Kleist’s celebrated novella The Marquise of O, first published in 1810 (and said by Kleist to be “based on a true incident”) opens on the newspaper ad placed by “a lady of unblemished reputation and the mother of several well-brought-up children,” to the effect “that she had, without knowledge of the cause, come to find herself in a certain situation; that she would like the father of the child she was expecting to disclose his identity to her; and that she was resolved, out of consideration for her family, to marry him.” Read more…

David Cronenberg on Transformation

Stories of magical transformations have always been part of humanity’s narrative canon. They articulate that universal sense of empathy for all life forms that we feel; they express that desire for transcendence that every religion also expresses; they prompt us to wonder if transformation into another living creature would be a proof of the possibility of reincarnation and some sort of afterlife and is thus, however hideous or disastrous the narrative, a religious and hopeful concept. Certainly my Brundlefly goes through moments of manic strength and power, convinced that he has combined the best components of human and insect to become a super being, refusing to see his personal evolution as anything but a victory even as he begins to shed his human body parts, which he carefully stores in a medicine cabinet he calls the Brundle Museum of Natural History.

There is none of this in The Metamorphosis. The Samsabeetle is barely aware that he is a hybrid, though he takes small hybrid pleasures where he can find them, whether it’s hanging from the ceiling or scuttling through the mess and dirt of his room (beetle pleasure) or listening to the music that his sister plays on her violin (human pleasure). But the Samsa family is the Samsabeetle’s context and his cage, and his subservience to the needs of his family both before and after his transformation extends, ultimately, to his realization that it would be more convenient for them if he just disappeared, it would be an expression of his love for them, in fact, and so he does just that, by quietly dying. The Samsabeetle’s short life, fantastical though it is, is played out on the level of the resolutely mundane and the functional, and fails to provoke in the story’s characters any hint of philosophy, meditation, or profound reflection.

Director David Cronenberg on Kafka, The Fly, aging and storytelling, in The Paris Review.

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The Bohemians: The San Francisco Writers Who Reinvented American Literature

Ben Tarnoff | The Bohemians, Penguin Press | March 2014 | 46 minutes (11,380 words)

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For our Longreads Member Pick, we’re thrilled to share the opening chapter of The Bohemians: Mark Twain and the San Francisco Writers Who Reinvented American Literature, the book by Ben Tarnoff, published by The Penguin Press. Read more…