Alice Driver considers what lessons to take from a late uncle’s life.
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‘Forgive Yourself. And Forgive Me.’
Alice Driver considers what lessons to take from a late uncle’s life.
Walter Mosley, The Art of Fiction No. 234
A prolific writer of fifty-four diverse books, and widely known for his Easy Rawlins crime series, Walter Mosley talks with The Paris Review about race, creativity, the book publishing industry, the confines of genre and his three decades depicting Black American life.
Most Women In Publishing Don’t Have The Luxury Of Being Unlikable
An excerpt of Manjula Martin’s essay anthology, Scratch: Writers, Money, and the Art of Making a Living. Gould addresses one of the many double standards in publishing: women authors must be “nice,” accommodating and virtually boundary-less, while men authors suffer no consequences for being real–or even rude.
Partners in Crime: The Life, Loves & Nuyorican Noir of Jerry Rodriguez
Michael Gonzales remembers a real friendship and the makings of a brutal crime novel.
Partners in Crime: The Life, Loves & Nuyorican Noir of Jerry Rodriguez
Michael Gonzales remembers a real friendship and the makings of a brutal crime novel.
Weighing the Costs — and Occasional Benefits — of Ethnic Ambiguity
Aram Mrjoian reflects on his experiences of being part Armenian in America.
How to Stay Married After Your Baby is Born, or, I’m not Divorced Yet
An excerpt of ‘Now My Heart is Full,’ Laura June’s memoir, about the challenges new parenthood placed on her and her husband — and their marriage.
Bridget Jones’s Staggeringly Outdated Diary
Nineties relationship books had some serious issues, man.
The Miracle of the Mundane
In an excerpt from her new essay collection, Heather Havrilesky calls for tuning out the online cacophony telling us we aren’t enough, and tuning in to the soul-affirming, quiet truth of the present moment.
