Search Results for: publishing

Talking to Alice Driver About Violence Against Women in Juárez

Schoolgirls walk in front of a mural painted with the faces of disappeared girls. Local artists and families of the disappeared have been working together to raise awareness about disappearance in Juárez; they paint the faces of missing girls on the donated walls of schools, churches, and homes around the city. Photo: Alice Driver

Ciudad Juárez, Mexico was once known as the global murder capital. It’s no longer the world’s most dangerous city, but violence still haunts the town just over the border from El Paso, Texas. Alice Driver, a filmmaker, writer and photographer whose work focuses on human rights, feminism, and activism, has written extensively about Juárez.  Her searing 2015 book More or Less Dead: Feminicide, Haunting, and the Ethics of Representation in Mexico deals specifically with the disappearance and murder of women in Juárez. The work, which grew out of her dissertation, blends theory with stories and interviews to explore not just the violence against women in Juárez, but also how that violence has been represented in media and culture. As Driver writes:

“To talk about feminicide is to talk about violence against women in all its manifestations, and in Juárez one of the most visible of those is disappearance. When women are murdered, their bodies don’t always appear. Often they disappear, and so the violence becomes unregistered, unrecorded, and seemingly invisible. This book is about the ways in which those bodies, whether identified or nameless, have been represented in literature, film, and art.”

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In Praise of Public Pitching

I’ve always been fascinated by how narrative journalism gets commissioned, reported, and published–but the most perplexing part of the entire system is the continued power imbalance between writers and publishers.

This imbalance persists in spite of the internet “democratizing” publishing. More digital publishers are embracing feature writing, but the process behind the scenes feels stuck in the past–a time-consuming marathon of unanswered emails and rejection. Read more…

Bad News: Censorship, Fear & Genocide Memorials

Kigali, the capital of Rwanda. Via Wikimedia Commons.

Anjan Sundaram | Bad News: Last Journalists in a Dictatorship | Doubleday | January 2016 | 27 minutes (7,197 words)

Below is an excerpt from Bad News, by Anjan Sundaram, as recommended by Longreads contributing editor Dana Snitzky.  Read more…

Narcissiana: On Collecting

Rudolf II painted as Vertumnus, Roman God of the seasons, by Giuseppe Arcimboldo. Rudolf was an avid collector. Via Wikimedia Commons.

Fredrik Sjöberg | The Fly Trap | Pantheon | translated from the Swedish by Thomas Teal | June 2015 | 12 minutes (3,476 words)

Below is an excerpt from The Fly Trap, by Fredrik Sjöberg, as recommended by Longreads contributing editor Dana Snitzky.  Read more…

Resolving to Read, Write, and Travel More in 2016

Let’s be real: My 2016 resolutions are intentionally vague. I tend toward self-loathing, so settling on achievable goals is important for my mental health. But I’m still excited for a fresh year and a fresh start, even if time is a social construct. My intentionally vague, utterly achievable resolutions are as follows: Read more…

Longreads Best of 2015: Business & Tech

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in business and tech.

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Longreads Best of 2015: Arts & Culture

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in arts and culture writing.

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Shannon Proudfoot
Senior writer with Sportsnet magazine

The Late, Great Stephen Colbert (Joel Lovell, GQ)

Stephen Colbert has pulled off the rare feat of being a public figure for the better part of a decade while keeping his true self almost entirely obscured behind a braying façade. Here, with such uncommon intelligence, sensitivity and nuance, Joel Lovell shows us who’s been under there the whole time. The writer is very present in the story, sifting through the meaning of what he finds and tugging us along behind him through reporting and writing that starts out rollicking and then turns surprisingly raw and emotional. But Lovell never gets in his own way or turns self-indulgent; that’s a tough thing to pull off. The word I kept coming back to in thinking about this story was “humane”—it just feels so complex and wise, and unexpectedly aching, buoyed with perfect, telling details and effortlessly excellent writing. Read more…

Longreads Best of 2015: Essays & Criticism

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in essays and criticism. Read more…

We Are All Compromised: The Access Game Isn’t Dead Yet

Mark Zuckerberg
Mark Zuckerberg, via Wikimedia Commons

John Herrman’s excellent Awl series on the anxious state of the media business (featured in our latest Top 5) should be required reading for anyone who creates or consumes content on the internet. His conclusions—advertising models are sputtering, no one wants to pay for news, Facebook dictates the entire tenor of conversation and its subject matter—do so much to explain why we are inundated by media but largely unsatisfied with what floats to the surface. Come for Herrman’s dystopian vision—a future in which professional journalism is suffocated to death—and stay for the animated robot GIFs. Read more…

The Art of Escape

Ryan Bradley | Kill Screen | December 2015 | 13 minutes (3,122 words)

Our latest Longreads Exclusive is a new essay from Ryan Bradley and Kill Screen, the videogame arts and culture magazine. Kill Screen is currently wrapping up a Kickstarter campaign to reinvent their print magazine, so donate here.

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No one wore stripes that spring and summer in Leavenworth. Stripes were for rule breakers, and no one was breaking the rules. “Baseball As A Corrective” read the front page of the New York Times that May. It was 1912 and “the magic of baseball” had “wrought a wonderful change in the United States Penitentiary.” For the first time in Leavenworth’s history, for months at a time, everyone behaved, because everyone wanted to play or watch the baseball games. “Chronic trouble makers began to be so good that the officials were startled,” the Times reported. Prison guards were planning more amusements for the winter, “such as vaudeville entertainments and moving picture shows, to keep the men on their good behavior.” Read more…