Newly single in her mid-50s, Pam Mandel swipes through dozens of selfies, including her own.
Search results
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
N.K. Jemisin’s Dream Worlds
In Raffi Khatchadourian’s New Yorker profile, N.K. Jemisin recounts the racism she witnessed as a child in Alabama in the ’80s, as well as racism — editorial and otherwise that she has lived through in her career.
Risking Your Life For a Selfie
“With the right hashtag, anyone can view thousands of potential destinations — and choose which to visit based on aesthetics alone.”
‘I Was Interested in the People Who Are Stuck With These Memories.’
Steph Cha discusses her new novel “Your House Will Pay,” the LA Riots, the Korean American Angeleno community, her 3,600 Yelp reviews, and pushing back against gatekeepers in publishing.
‘Writing This Book Was a Weird Séance ’: An Interview With Deborah Levy
“If you have the depth, the surface can be as light as it’s possible to make it…I don’t mind that ‘Swimming Home’ is sometimes described as a ‘beach read’ — actually that’s a triumph.”
Korean Director Bong Joon-ho on How to Laugh in the Face of Horror
Korean director Bong Joon-ho on his new film, Parasite
‘I’m Incredulous That People Do This Repeatedly. The Second Book Thing Is So Real.’
Mary H.K. Choi discusses her latest novel, which examines how “holograms and digital envoys” represent us online, and why it feels like her “second book signals the death of my first.”
Is This the Most Powerful Man in Sports?
More than a decade ago, Alex French profiled William Wesley — aka Worldwide Wes — a Robert Moses-like power broker within the game of basketball (Bill Simmons once referred to Wesley as “a cross between Confucius, a benevolent uncle, and The Wolf from ‘Pulp Fiction’). According to ESPN’s Ramona Shelburne and Adrian Wojnarowski, the New […]
