Search Results for: profile

What Is the Hot Commodity, Exactly?

Wild rockweed grows on the coast of Cape Elizabeth, Maine. (AP Photo/Robert F. Bukaty)

In Hakai magazine, Ben Goldfarb has written the most interesting article on legal tensions around seaweed harvesting in Maine you’ll read all week. Or is it about tensions around harvesting fish? It’s unclear, thanks to Maine’s hot but biologically nebulous rockweed, and that’s what makes it fascinating.

We are accustomed to thinking of seaweed as a stage, the undulant backdrop against which play the dramas of more charismatic fish and shellfish. Today, however, rockweed stars as lead actor in one of Maine’s strangest resource conflicts. Although seaweed harvesting is hardly a new industry—New England’s farmers have nourished their fields with “sea manure” for centuries—rockweed has lately become a valuable commercial product, an ingredient in everything from fertilizers to pet foods to nutritional supplements. In 2017, Maine’s rockweeders gathered nearly nine million kilograms and raked in over US $600,000, roughly four times the haul in 2001.

Inevitably, not everyone is thrilled about the boom. As rockweed’s profile has grown, the controversy over its management has escalated, ascending through Maine’s legal system all the way to the chambers of the state’s supreme court. This seaweed struggle, and the fate of A. nodosum itself, hinges on a single question, patently absurd yet bizarrely complex: is rockweed, in defiance of logic and biology, really a fish?

Read the story

How Reese Witherspoon is Flipping the Script on Hollywood

Longreads Pick

A profile of actor, director, producer, and literary taste-maker Reese Witherspoon, with a focus on her influential media company, Hello Sunshine, through which she’s creating roles and jobs for women, and changing the way movies and shows are made.

Source: Fast Company
Published: May 30, 2018
Length: 15 minutes (3,788 words)

The ‘Treasonous’ Teens Living in One Nation Under Guns

A prayer vigil for the victims of Marshall County High School. (Alan Warren/The Messenger-Inquirer via AP)

Teens seem somehow wired for disagreement in their adolescent years. Sometimes this is simply a product of exercising one’s personhood, other times it seems connected to a sort of magic of youth that lies, in part, in their relative newness to the culture. They are old enough to know how to communicate and observe and think critically, but young enough to question the status quo.

This is evidenced beautifully in a recent Washington Post profile by Eli Saslow of Wyoming teen Moriah Engdahl, who seeks out every possible way to be the opposite of her father, Alan. Moriah is a student journalist, her father is a media-hating Trump supporter; she supports gay rights, he thinks “that stuff is better off staying hidden.” Moriah is the youngest and most headstrong of  Alan’s four daughters, and he calls her “the mouthy, hard-headed one” with pride, even though they butt heads— most recently over the issue of gun regulations.

Read more…

‘I Was a Storm of Confetti’: Michael Pollan On Why It’s a Good Idea To Lose Your Self

Getty

Hope Reese | Longreads | May 2018 | 17 minutes (4,468 words)

On April 19, 1943, the Swiss chemist Albert Hoffmann ingested a quarter milligram of LSD to confirm that it had caused the oddly fantastical journey he had experienced the day before. To his surprise and delight, he was not mistaken –– the drug opened up a new window of consciousness. The discovery caught the attention of other researchers, and by the 1950s, psychedelic testing was in full bloom, yielding promising results for people suffering from neurosis, schizophrenia, and psychopathy.

But as counter-cultural experimentation progressed and the drugs were taken out of the lab and into the wild –– think of Tim Leary, dubbed “the most dangerous man in America” by Nixon, and his controversial LSD experiments –– there was a backlash. According to the writer Michael Pollan, society “turned on a dime” against psychedelics. “You’d have to go back to the Inquisition and Galileo for a time when scientific inquiry was stigmatized quite the way this was,” he tells me. “And it’s a measure of how powerful that backlash was and how threatened powerful interests felt about what psychedelics were doing to society.” Read more…

Chimamanda Ngozi Adichie Comes to Terms with Global Fame

Longreads Pick

MacFarquhar’s long profile of MacArthur Fellow Chimamanda Ngozi Adichie explores the novelist’s legacy and the torments of fame in Nigeria and America.

Source: The New Yorker
Published: Jun 4, 2018
Length: 47 minutes (11,883 words)

André Leon Talley’s Next Act

Longreads Pick

Friedman profiles Talley, the former creative director of Vogue, upon the release of “The Gospel According to André,” a documentary about his life.

Published: May 24, 2018
Length: 13 minutes (3,330 words)

Stacey Abrams’ Historic Win in Georgia: A Reading List

ATLANTA, GA - MAY 22: Georgia Democratic Gubernatorial candidate Stacey Abrams takes the stage to declare victory in the primary during an election night event on May 22, 2018 in Atlanta, Georgia. If elected, Abrams would become the first African American female governor in the nation. (Photo by Jessica McGowan/Getty Images)

On Tuesday, former state representative Stacey Abrams won the Democratic nomination for Governor of Georgia, becoming the first black woman gubernatorial nominee of a major political party in U.S. history. She defeated her opponent handily, beating Stacey Evans with a three-to-one margin with a platform calling for Medicaid expansion, criminal justice reform, gun safety measures, affordable childcare, and universal pre-K.

Abrams faces a tough general election in November. Only four African-American politicians have served as governor in the U.S. ever, with none in the Deep South since Reconstruction. A run-off election will be held in July to determine the Republican nominee, and of the candidates likely to oppose Abrams, both support looser gun laws, tax cuts for high earners, and defunding sanctuary cities as part of a “crackdown on illegal immigration.” Abrams hopes to win by building a multi-racial coalition of progressives (including new voters) that taps into Georgia’s shifting demographics.

Abrams is part of a national wave of women running for office in record numbers, as well as a galvanizing energy among progressives partly inspired by opposition to President Trump. Her candidacy has drawn national attention; should Abrams win, one of the most populous red states could be in play for progressives seeking national office for the first time in decades. It could also signal a significant shift in values and priorities for the Deep South.

For a deeper dive, here are a few pieces that smartly contextualize Abrams’ victory, as well as what’s at stake in the fall.

On Stacey Abrams and the Georgia Primary

“Stacey Abrams Wins Democratic Primary for Governor, Making History.” (Jonathan Martin & Alexander Burns, New York Times, May 2018)

Martin and Burns consider the history-making moment of Abrams’ primary win and why the candidate has drawn support from Democrats at the federal level. The reporters also note other primary successes among progressive Democrats Tuesday night, especially women candidates like Amy McGrath of Kentucky.

“Stacey Abrams Makes History in the Georgia Primary.” (Charles Bethea, The New Yorker, May 2018)

Bethea talks to a cross section of conservative and progressive Georgia political insiders about Abrams’ chances in the general election.

“America Has Never Had a Black Woman Governor. Stacey Abrams Has Something to Say About That.” (Jamilah King, Mother Jones, April 2018)

Reporter Jamilah King profiles Abrams, capturing the candidate’s appeal to black women voters and her push to assemble a “rainbow coalition.”

On Change in the South

“Reverse Migration Might Turn Georgia Blue.” (Alana Semuels, Atlantic, May 2018)

Young, unmarried blacks and single women are moving to the South, especially Atlanta and its suburbs, in large numbers. Searching for lower housing prices and better quality of life, transplants tend to be more progressive than other residents. They could be instrumental in helping Abrams achieve victory.

“Racism is Everywhere, So Why Not Move South?” (Reniqua Allen, New York Times, July 2017)

Allen takes a closer look at why black millennials like her are flocking to southern cities.

“Slavery’s Southern Legacy.” (Sophia Nguyen, Harvard Magazine, May 2018)

Nguyen reports on a new book (by researchers Avidit Acharya and Matthew Blackwell), which claims that political attitudes in the South, especially on issues of race, can be predicted by how deeply individual counties relied on slavery prior to the Civil War.

 “’Please God, Don’t Let Me Get Stopped’: Around Atlanta, No Sanctuary for Immigrants.” (Vivian Yee, New York Times, November 2017)

According to Yee, “the regional ICE (Immigration and Customs Enforcement) office in Atlanta made nearly 80 percent more arrests in the first half of this year than it did in the same period last year, the largest increase of any field office in the country.” The Republican contenders in Stacey Abrams’ race have run strident anti-immigration campaigns.

“When the South Was the Most Progressive Region in America.” (Blain Roberts & Ethan J. Kytle, Atlantic, January 2018)

Roberts and Kytle, both historians, discuss how the post-Civil War’s South created multi-racial democracies based on state constitutions that were more progressive than many in the North. Reconstruction era activists and politicians, the authors contend, “[provide] a blueprint for a liberal resurgence that may already be under way in the 21st century South.”

On National Trends

“Red State, Blue City.” (David A. Graham, Atlantic, March 2017)

Graham posits that U.S. politics are growing increasingly polarized along a rural/urban divide.

“A Progressive Electoral Wave is Sweeping the Country.” (John Nichols, The Nation, June 2017)

Nichols details the importance of down-ballot victories, across the country, that signal a rising tide of resistance to the policies of President Trump.

The New, Improved, Empathic Sarah Silverman

Sarah Silverman speaks onstage during Hulu Upfront 2018 at The Hulu Theater at Madison Square Garden on May 2, 2018 in New York City. (Photo by Dia Dipasupil/Getty Images for Hulu)

Comedian Sarah Silverman — known for racist bits and language that were a regular part of her act — is rejecting her controversial, adversarial past to embrace empathy. In this profile of Silverman at GQ, Drew Magary attempts to cleanse his own “calcified soul” with her new brand of compassion.

I am not as willing as Silverman to forgive Middle America for Trump. There are limits to my empathy. I am on the more shrill end of the liberal spectrum: the guy who bitches every time The New York Times ventures out into Trump country to talk to REAL FOLK, the way Silverman occasionally does on her own show. I fume that it’s always incumbent on blue-state America to reach out to red-state America, and not the other way around. I delight in conservatives showing their asses online. I have given up on trying to politely convince the most conservative members of my own family that they are wrong, and try to steer the conversation toward, like, clouds instead. I am, in other words, hardened, perhaps even more so than the rednecks Silverman is aiming to convert.

Silverman can see this, and what she desperately wants people to know is that finding out you’re wrong about something won’t kill you.

When I first started comedy, my male comic friends would say, ‘You have to focus on making the men laugh. The women only laugh if their date laughs.’ It’s something I actually accepted as an 18-year-old comedian. It took a while for me to say, That’s fucking insane. We’re all complicit in this fucked-up society; it’s just that men actually, truly benefited from it and women didn’t.”

Read the story

Mariah Engdahl, Age 16: The Only Gun Control Advocate in Gillette, Wyoming

Coal strip mining, Gilette, Wyoming. (Getty Images)

Gillette, Wyoming, is a place where “the high school yearbook devoted four pages to ‘Hunting: No Greater Sport,’” a local club funds “college scholarships by raffling off AR-15s,” and popular slogans include, “Welcome to Wyoming: Consider Everyone Armed.”

With accompanying photography by Jabin Botsford at the Washington Post, Eli Saslow profiles Mariah Engdahl, age 16 — a girl surrounded by gun enthusiasts in her family and in her boom-and-bust mining community. Inspired by the student protests in the aftermath of the Parkland shooting, she educated herself on gun laws in Wyoming and, as a one-teen protest on gun control, delivered a speech to the Campbell County school board in a bid to avoid arming teachers in her county’s schools.

Now a week later, that sign was in his house, tucked into the closet of a bedroom where Moriah had been spending much of her time, with her door closed, since the protest. In the days since the march, the “Campbell County Ten” had become the object of profane graffiti, the inspiration for a rival Freedom March and the favorite target of a new Instagram account, “Campbell County Students for America,” which shared memes comparing gun protesters to Hitler. For his part, Alan had considered grounding Moriah for skipping school but decided against it. “I’m pretty sure the rest of Wyoming is going to punish her for me,” he said, so instead he had chosen to needle Moriah at every opportunity, including now, when she came out from her bedroom and walked into the kitchen.

“Win any popularity contests at school today?” he asked her. She rolled her eyes and ignored him, so he tried again.

“Did you manage to get everyone’s guns yet?” he said.

“How many times do I have to tell you it’s not about that?” she said. “We’re just pushing for more safety, a little more control.”

“That’s a bad word,” Alan said. “First it’s gun control, then it’s confiscation. I don’t know where you learned any different.”

She was the youngest of his four daughters, each a bit more empowered than the last, and by the time Moriah turned 12 she had begun questioning her parents’ Christianity, and then started favoring abortion rights, and then calling herself a feminist, and then refusing to eat the pigs her family sometimes slaughtered for meat. “The mouthy, hard-headed one,” Alan called her, with some pride, because that was how he saw himself, too, even if they often disagreed. She advocated for gay rights in her high school, and he thought acceptance was “part of the problem, because that stuff is better off staying hidden.” She was dating a Mexican American boy named Jon, whom Alan liked but also occasionally referred to as “Mexican Juan.” She was a journalist at the high school newspaper. He thought that journalists were partially to blame for ruining America and that “the fake news wouldn’t give Trump a slap on the back if he saved two babies from a fire.”

Read the story

On Pointe: Reading on Ballet

It wasn’t until I was in my twenties that my parents admitted I was a decidedly terrible five-year-old ballerina. It was no great blow to learn I sucked at something I hadn’t attempted in two decades; as I grew older, I was burned by athletic endeavors generally and found my confidence in books and academic success instead. But if my loving parents observed my lack of grace onstage, that meant my teacher, my classmates, and the entire audience at our ballet recital definitely noticed, and that stung a bit.

There’s something enticing about the rigorous structure of the ballet world, the gamble of hard work paying off. With ballet, you have an identity, inside jokes, long hours, and people who get you — camaraderie. I craved that sense of belonging, from the first day of kindergarten through my failed sorority rushes in college. It’s the seduction of security, of always having someone to sit with, always having someplace to be. I wanted to rest in the knowledge that I was accepted and validated, especially by talented women.

These days, I love absorbing ballet via pop culture and the occasional live performance. I obsessed over Dance Academy on Netflix, and Ballet Shoes by Noel Streatfeild is one of my all-time favorite books. If I could pick one magic power, forget flight or invisibility — I’d choose dance.

1. “The Afterlife of a Ballerina.” (Alice Robb, Elle, October 2016)

Alice Robb’s profile of Alexandra Ansanelli chronicles her meteoric rise onstage and offers a fascinating inside look at how her personality and psyche were shaped by her rigorous and often isolating training. From online dating to her day job, Ansanelli shares how she struggled to assimilate into civilian life after retiring from ballet at age 28.

2. “Talent Isn’t Enough When You’re a Fat Ballerina.” (Olivia Campbell, Catapult, May 2018)

I know how tough it is to live with regret, how easy it is to get sucked into the “what if” depression spiral. Olivia Campbell’s “what ifs” swirl around her past as a “semi-professional dancer” and which bodies are deemed acceptable and beautiful in ballet. Hers wasn’t.

3. “The Ballerina Who Accused Her Instructor of Sexual Assault.” (Jessica Luther, BuzzFeed News, December 2016)

Over a year before #MeToo permeated the international conversation, journalist Jessica Luther reported on ballerina Lissa Curtis’ exceedingly brave decision to hold her rapist — her former ballet instructor — accountable in court. I was moved by Curtis’ openness in discussing her PTSD and her healing process, especially her changing relationship to dance.

4. “Raising a Ballerina Will Cost You $100,000.” (Abby Abrams, FiveThirtyEight, August 2015)

Whew, the pointe shoes ALONE. $29,000?!

This assumes the student starts wearing pointe shoes in sixth grade — around the time that most ballet schools allow students to try them out — and buys shoes priced at about $80 per pair.4 My estimate assumes that a sixth-grader goes through a pair of shoes every three months. By seventh grade, she needs a new pair of pointe shoes after one month; by ninth grade that need increases to one each week; and by the time she is in 10th grade, I’ve accounted for her buying two pairs per week. That might sound like a lot of shoes, but dancers have assured me that these high numbers are about right.

On a more hopeful note, this piece offers insight into programs like Dance Theatre of Harlem and Project Plié make ballet more accessible to students from diverse backgrounds.

5. “Body on Fire.” (Amy Jo Burns, Tin House, November 2017)

As I read “Rust Belt ballerina” Amy Jo Burns’ essay, I felt the tug of something familiar. I wracked my brain, then I remembered: I’d encountered her writing in Not That Bad: Dispatches from Rape Culture, an anthology edited by Roxane Gay. Though I read several pieces from Not That Bad during a quiet half-hour at work, Burns’ stuck with me especially; I’d like to write like her one day. I admired her clear-eyed, unsparing observations of how her attacker received few consequences and how her fellow survivors were vilified by their small town. In “Body on Fire,” Burns intersperses her own relationship to ballet with a powerful meditation on the life, art, and sexist biographing of Emma Livry, a young French ballerina who died after suffering burns from the stage’s gaslights.