Search Results for: oral history

A Brief History of AOL

Photo by redux, Flickr

A short reading list on the many lives of AOL, which will be acquired by Verizon for $4.4 billion. Fifteen years ago, AOL acquired Time Warner for $165 billion.  Read more…

For the Public Good: The Shameful History of Forced Sterilization in the U.S.

Belle Boggs | The New New South | August 2013 | 62 minutes (15,377 words)

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We’re proud to present, for the first time online, “For the Public Good,” Belle Boggs‘s story for The New New South about the shocking history of forced sterilizations that occurred in the United States, and the story of victims in North Carolina, with original video by Olympia Stone.

As Boggs explained to us last year: 

“Last summer I met Willis Lynch, a man who was sterilized by the state of North Carolina more than 65 years earlier, when he was only 14 years old and living in an institution for delinquent children. Willis was one of 7,600 victims of North Carolina’s eugenics program, and one of the more outspoken and persistent advocates for compensation.

“At the time I was struggling with my own inability to conceive, and the debate within my state—how much is the ability to have children worth?—was something I thought about a lot. It’s hard to quantify, the value of people who don’t exist. It gets even more complicated when you factor in public discomfort over a shameful past, and a present-day political climate that marginalizes the poor.”

Thanks to Boggs and The New New South for sharing this story with the Longreads Community, and thanks to Longreads Members for your helping us bring these stories to you. Join us.

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Interview: Kiera Feldman on Oral Roberts, God and Journalism

In our latest Longreads Exclusive, Kiera Feldman and Tulsa-based magazine This Land Press went deep into the downfall of the Oral Roberts family dynasty—how Richard Roberts went from heir to the televangelist’s empire, to stripped from his role at Oral Roberts University.

Feldman, a Brooklyn-based journalist, and This Land Press have worked together before—her story “Grace in Broken Arrow” was named our top pick for Best of Longreads 2012, and it explored another scandal inside a religious institution, sex abuse at a Tulsa Christian school. I exchanged emails with Feldman to discuss the making of the Oral Roberts story, and her start in journalism.

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A Brief History of PR Disasters By Abercrombie & Fitch

In many ways, Jeffries’s most impressive accomplishment was not the signature Abercrombie style but the signature Abercrombie attitude, with its bluntly brash appeal. As one former employee put it, “The only bad news was no news. Controversy was what you wanted.” Consequently, the list of PR disasters past and present is too lengthy to fully detail, but the more notable flare-ups include the following: the quickly recalled line of Asian-themed T-shirts, which featured men in rice-paddy hats and cartoonishly slanted eyes; a line of thongs, marketed to girls as young as 10, with the words wink-wink on the crotch; an issue of A&F Quarterly that included a user’s guide to having oral sex in a movie theater; and the disingenuous joke-apology to critics that appeared in the same periodical in 2003: “If you’d be so kind, please offer our apologies to the following: the Catholic League, former Lt. Governor Corrine Wood of Illinois, the Mexican American Legal Defense and Education Fund, the Stanford University Asian-American Association, N.O.W.”

In 2010, Michael Stephen Bustin, a former pilot of the Abercrombie corporate jet, filed a lawsuit against Abercrombie in a Philadelphia federal court, claiming he’d been unfairly dismissed because of his age. (He is in his mid-fifties.) Abercrombie & Fitch settled with Bustin, but not quickly enough to prevent the disclosure, by Bustin’s lawyers, of a 40-plus page Abercrombie “aircraft standards” manual, a copy of which leaked online.

Included in the manual are rules on crew apparel (the male staff, hand-selected by a New York modeling agency, were to wear a “spritz” of Abercrombie 41 cologne and boxer briefs under their jeans), the specific song to be played on return flights (“Take Me Home,” by Phil Collins), and the way the toilet paper in the aft lavatory should be rolled (never exposed; end square neatly folded). If Jeffries makes a request, the crew is always to respond with “No problem” instead of “Yes” or “Sure.”

It’s Fashion Week in New York, and in New York magazine, Matthew Shaer looks at the rise and fall of retailer Abercrombie & Fitch, which is attempting to reposition itself in a the current market, where stores like H&M have found success. A+F CEO Mike Jeffries helped rebrand the company in the ’90s to much success, but has unable to keep the company up with a changing consumer market. Read more business stories at Longreads.

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Photo: Daniel Spills

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A Brief History of Class and Waste in India

Rose George | The Big Necessity, Metropolitan Books | 2008 | 28 minutes (6,900 words)

Below is a full chapter from The Big Necessity, Rose George’s acclaimed 2008 book exploring the world of human waste. The book will be reissued later this year with a new afterword. George’s 2013 book 90 Percent of Everything was featured previously on Longreads, and we’re thrilled to spotlight her work again.  Read more…

A Brief History of Epic Parties: Reading List

The following reading list comes courtesy Michelle Legro, editor at Lapham’s Quarterly.

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No doubt you are on your way to one right now: an epic party, a night to end all nights. But will your epic party be as legendary as those thrown attended by Truman Capote, Cher Horowitz, Jay Gatsby, Jordan Belfort, Silvio Berlusconi, or the kids from Saturday Night Fever?

1.  “The Great Fratsby” (Rachel Syme, The New Yorker, December 2013)

While Jay Gatsby may have spent lavishly, in the end he did it for love;  in Martin Scorese’s The Wolf of Wall Street, Jordan Belfort does it all for the money.

2. “Suck and Blow: The Oral History of the Clueless Party Scene” (Jen Chaney, New York magazine, December 2013)

Before we were rolling with the homies, director Amy Heckerling had to figure out if Cher Horowitz would totally gag if she had to go to a party in the Valley.

3.  “The Best Night $500,000 Can Buy” (Devin Friedman, GQ, September 2012)

The hottest club in Las Vegas has Italian princes, ten-thousand dollar tables, a champagne fairy, air of pure oxygen, and you’re not invited.

4. “Basta Bunga Bunga” (Ariel Levy, The New Yorker, June 2011)

The era of Berlusconi may be at an end, but the legend of this  Italian version of Benny Hill will never be forgotten, nakedly chasing after topless nymphettes while running the country into the ground.

5. “A Night to Remember” (Amy Fine Collins, Vanity Fair, July 1996)

Truman Capote kept telling people that he was going to invite everybody to his party at the Plaza Hotel in November of 1966. Guests were required to wear only two colors, black and white, to mirror the ascot races in My Fair Lady. Masks were to be worn by all upon entry and  removed only at midnight.

6. “Tribal Rites of the New Saturday Night” (Nik Cohn, New York magazine, 1976)

By day, Vincent sold paint in a Bay Ridge hardware store; by night he was the best disco dancer in all of New York City. And in 1977, he would be played on screen by John Travolta in Saturday Night Fever. Cohn, meanwhile, later admitted to making most of the story up.

The Little-Known History of How the Modern Olympics Got Their Start

Longreads Pick

Tracing the modern Olympics back to their origin in rural England, where there was a very different set of competitive events:

“Ah, but in Much Wenlock, the Olympic spirit thrived, year after year—as it does to this day. Penny Brookes had first scheduled the games on October 22, 1850, in an effort ‘to promote the moral, physical and intellectual improvement of the inhabitants’ of Wenlock. However, notwithstanding this high-minded purpose, and unlike the sanctimonious claptrap that suffocates the Games today, Penny Brookes also knew how to put a smile on the Olympic face. His annual Much Wenlock games had the breezy ambience of a medieval county fair. The parade to the ‘Olympian Fields’ began, appropriately, at the two taverns in town, accompanied by heralds and bands, with children singing, gaily tossing flower petals. The winners were crowned with laurel wreaths, laid on by the begowned fairest of Much Wenlock’s fair maids. Besides the classic Greek fare, the competitions themselves tended to the eclectic. One year there was a blindfolded wheelbarrow race, another offered ‘an old woman’s race for a pound of tea’ and on yet another occasion there was a pig chase, with the intrepid swine squealing past the town’s limestone cottages until cornered ‘in the cellar of Mr. Blakeway’s house.'”

Source: Smithsonian
Published: Jun 29, 2012
Length: 25 minutes (6,278 words)

Sacrificed for the Super Bowl: The Wiping Out of an Atlanta Neighborhood

Mercedes-Benz Stadium with Georgia Dome remains in the foreground. Image by elisfkc (CC BY-SA 2.0).

Thirty years ago, the entire community of Lightning, on Atlanta’s west side, was demolished to build the Georgia Dome. The dome was then destroyed in 2017 to make way for Mercedes-Benz Stadium, host of this year’s Super Bowl LIII. At The Bitter Southerner, Max Blau compiles an oral history of a long-gone, forgotten neighborhood, told by the residents that were displaced.

To Atlantans, Monroe holds the title that always designates a native: He’s a “Grady baby,” born in Grady Memorial Hospital, the public institution that has cared for Atlantans of all classes since 1892. He is also a son of the west side. To west-siders, he’s a native of historic neighborhoods like Vine City or even Bankhead.

All are stand-ins, though, for where he’s really from — which is nowhere, looking at the current map of his hometown.

Ivory Young, the late Atlanta City Councilmember, said in a filmed interview with the Historic Westside Cultural Arts from 2015 that “the Georgia Dome, and the phase four expansion of the Georgia World Congress Center, took place on an approximately 90-acre tract. … In the shadow of all that downtown infrastructure, [Lightning] was a neighborhood with a lot of value.”

Michael Julian Bond: The first [business] to go away was the old lumber yard [run by the Frank G. Lake Lumber Co.]. It seemed permanent.

Rev. Jerome Banks: They got rid of all the companies. The Atlanta Casket Company. Bailey Coffee Company. They closed down [the factories]. Those buildings stood empty for months.

Michael Julian Bond: There were churches who had a dwindling population. By this time, in the mid-’80s, most of the residents of Lightning were gone. There were houses still.

Rev. Jerome Banks: Most of the residents [left] were renters. So [state officials] were talking to landlords. Residents got notices that you got to move. We moved because of that. I don’t think nobody would’ve left if we weren’t forced out.

Velma Coachman: My parents held out. Everyone in Atlanta knew they were buying us out. They didn’t want to give people in Lightning a fair price. They wanted the land. They were trying to run us out. Sell the home — or else.

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The Making of Nirvana’s Most Vulnerable Album

Kevin Estrada/MediaPunch/IPX

In the 25 years since Nirvana last performed, we’ve seen a slew of posthumous releases and documentaries. One of the most enduring monuments to the band’s brilliance is their 1993 MTV Unplugged performance. Yes, they played a rare acoustic set. They played Leadbelly and David Bowie covers, and were joined by the Meat Pupppets. But the show contained an affecting vulnerability that still cuts right through people like me, who are old enough to have watched the show when it first aired. Kurt laughed. He talked with the crowd. The audience wasn’t moshing or jumping around. Fans were enchanted, especially when Kurt spoke with them one-on-one after the show. Unplugged became one of the band’s best selling albums. For The Ringer, Alan Siegal talks with the musicians, producers, and fans who made this historic night happen.

Craig Marks (editor, Spin): When he did “Where Did You Sleep Last Night,” it wasn’t one of those things where a month later, or a week later, or a year later, you’re like, “That was great,” even though you didn’t really know it at the time. You knew the dead second that it was happening that you were witnessing something phenomenal. You didn’t really even know he had it in him. It was that good.

Bobcat Goldthwait (comedian-filmmaker): When they did that song, I remember the hair standing up on my arm.

Beth McCarthy-Miller (director, MTV Unplugged): That song told a thousand tales. It felt like he was singing all the pain that he had through that song. It was crazy.

Charles R. Cross (journalist-Cobain biographer): You get the sense that he’s just gonna fall apart, it’s like a car without its wheels, and yet, in the end, he plows through it.

Gillian Gaar (journalist): The thing he did, and he did it in a number of Nirvana songs, you’ll notice, [is] where he’ll be singing full bore, going all out, but then in the final verse he’ll go up an octave. And then really ratchet the energy up.

Scott Litt (producer, MTV Unplugged in New York): It fucking killed me—particularly where he paused before the end and gasped.

Amy Finnerty (Vice president of music and talent, MTV): The breath in between the breath. He made time stop. Time just stopped.

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Meditations in an Emergency

(AP Photo/ Evan Vucci)

If America’s storytellers “lost the narrative they had been creating for decades” the morning after the 2016 elections, as Esquire explains in its oral history of the national trauma that began one year ago today, we’ve been writing our way out ever since. We’ve been knocking on doors, asking people why they did what they did, and asking ourselves how to fix it. We’ve been writing out our feelings, making fun where we can and commiserating where we can’t. Storytelling has been a way of getting through this, and we’re still getting through this.

Perhaps you won’t want to read this piece. I understand. I had to let one more election night pass before I could even begin a history that starts with Steve Bannon’s triumphant proclamation, “You have a hundred-percent chance of winning.”

We’re not the only ones reliving this day: it was also the day the nightmare began for Donald Trump. It was his last good day and he won’t let us forget it. Instead, think about how much has changed, and how far we still have to go.

David Remnickeditor of The New Yorker: I thought about, and actually wrote, an essay about “the first woman president,” and the historical background of it all. Elizabeth Cady Stanton, the suffragettes, the relationship with Frederick Douglass…a historical essay, clearly written in a mood of “at long last” and, yes, celebration. The idea was to press “post” on that piece, along with many other pieces by my colleagues at The New Yorker, the instant Clinton’s victory was declared on TV…

We agreed that night, and we agree today, that the Trump presidency is an emergency. And in an emergency, you’ve got a purpose, a job to do, and ours is to put pressure on power. That’s always the highest calling of journalism, but never more so than when power is a constant threat to the country and in radical opposition to its values and its highest sense of itself.

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