Sometimes it’s not who you work with, but who you work for.
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Posted inNonfiction
Edible Complex
Never eat pot chocolate on a third date, and other lessons about love.
Posted inNonfiction
The Story of Salvador’s Banda Didá
In a country with violent history and violent politics, Brazil’s first all-female, Afro-Brazilian percussion group drums and dances and changes lives.
Posted inEditor's Pick
Is ‘RuPaul’s Drag Race’ the Most Radical Show on TV?
In her first cover piece for the New York Times magazine, Jenna Wortham profiles RuPaul, making note of the ways in which he — and his 9-year-old reality competition TV show — have had to evolve along with shifting understandings of gender, and the politics around it.
Posted inNonfiction
When Newspapers Cover the Private Lives of Nazis
Ordinary details can furnish a room, they can set a table, they can fill the time between hushed meetings of planned genocide.
Posted inBooks
This Week in Books: Anarchist Ice Cream and Other Dairies
Or, the newsletter in which I conclude that time is a flat circle.
Posted inEditor's Pick
The Complicated, Problematic Influence of TripAdvisor Restaurant Reviews
“Despite its mediocre reputation in New York’s food world, Olio e Piú was busy in part because at the time, it was ranked the No. 1 restaurant in New York City — on TripAdvisor.”
Posted inArts & Culture, Blog Post, Commentary, Curation, Unapologetic Women
A Tribute to Lynn Cohen, 1933-2020
New York character actress Lynn Cohen died on Valentine’s Day 2020, survived by an extended family of friends and collaborators.
Posted inArts & Culture, Culture, Highlight, profile, Profiles & Interviews, Quotes
Carvell Wallace on ‘Moonlight’ Writer Tarell Alvin McCarney’s Next Acts
Tarell Alvin McCarney’s Broadway debbut,, “Choir Boy,” is a tender coming of age story about a queer Black boy at a prestigious boarding school.
Posted inStory
‘What Is Missing Is Her Soul’: Women and Art, Girls and Men
In a new book, Camille Laurens examines the life of the model for Degas’ masterpiece, “Little Dancer, Aged Fourteen.” But there’s still so much we don’t know.
