There are miracles everywhere if you know where to look. And know how to listen: A wop-bop-a-loo-mop-a-lop-bam-boom!
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Those Limits Were Not Hindrances: An Interview with Megan Pugh
How a writer worked hard to understand one of American music’s most mysterious performers while protecting his past, and art.
On Dolly Parton and Being Seen
“Perhaps I’m taking this too personally, but the idea of being inexplicably drawn to a phenomenon that is ultimately destructive is, well, heartbreaking and uncomfortably relatable.”
Manic Street Preachers’ Album The Holy Bible
How a band seemingly out of step with its times outlasted so many of its indulgent, in-step contemporaries.
Shelved: Lee Hazlewood’s Cruisin’ For Surf Bunnies
It’s no surprise that the legendary songwriter and producer dabbled in surf music. What’s surprising is why music this good remained unreleased for 50 years.
Concealing a Catastrophe: ‘The Day the Music Burned’
“The vault fire was not, as UMG suggested, a minor mishap, a matter of a few tapes stuck in a musty warehouse. It was the biggest disaster in the history of the music business.”
Searching for The Sundays
When music writers are also music fans, they can walk a line between appreciative and intrusive.
Sinéad O’Connor is Still in One Piece
“She tore up a picture of the pope. Then her life came apart. These days, she just wants to make music.”
How “Summer Girls” Explains a Bunch of Hits—and the Music of 1999
LFO’s breakout song is remembered today primarily as an ode to Abercrombie & Fitch and the girls who wore it. But there’s a deeper story behind the light-hearted song—one that includes tragedy and paints a picture of what music was like at the turn of the century.
